Books like The Strudlhof Steps — picked by fans

When I first read Zweig’s memoir, I initially thought it was pretentious name-dropping, mentioning one prominent fin de siècle Viennese writer or musician after another. Only years later did I warm to his memories describing a world that existed before the cataclysm of World Wars and the ultimate fate of Europe’s Jewish citizens.

In reading other memoirs from the period (such as Ernst Krenek’s–not available in English), it’s possible to see that Zweig was writing from a position of enormous privilege while also reflecting the very essence of cultural life in a world where culture was perhaps its most important characteristic and distinguishing element. 

This is somehow the antidote to Roth’s novel. It is a daunting read, often thought of as a Viennese answer to Proust. What was fascinating was its very unsentimental and often quite funny representation of wealthy Viennese society. Musil is a seductive writer and it is easy to keep reading even while wondering when something might actually happen.

Like Roth, the effect of the novel is cumulative–only after reading it suddenly comes together. It also balances the presentation of Vienna as a city of musicians and poets and gives us the politicians, the mathematicians, the scientists, and the economists. The central character is himself a mathematician with little comprehension of the finer arts.  

This is a novel that is tender and sad, and it relates in a language that is simple and poetic to the atmosphere of the Habsburg Empire during its final days. The novel takes place in the provinces rather than in the capital. Every line of the book can be savored, with every sentence laden with nostalgia for a world that seems like another, kinder planet. It is the world that pre-dated one of my other recommendations, The Strudlhof Steps, in its presentation of people with a sense of purpose, duty, and loyalty, even if not blessed with an abundance of acumen.

These were well-intentioned people trying to hold an empire together of disparate people and cultures. The empire represented an ideal world of Habsburg paternalism to Jews, Slavs, and Hungarians. It is difficult to conclude the book without tears. No cinematic version has done it justice—nothing captures the… show more.

There are so many histories of fin de siècle Vienna that this book is a welcome, long-awaited postlude. It explains how the city’s creativity did not die with the fall of the Habsburgs but became the source of everything we think of today as “modern”, from shopping, to cooking, to economics, to housing, education and the interaction of state and society.

Berlin may have been livelier in the 1920s, but the new ideas that would take root across the world and shape modern society were still coming out of Vienna. 

This novel shocked and even horrified me at first with its graphic description of a woman’s sexual fantasies. What has this to do with the horrors that are to follow? What is the relevance to the Holocaust of Freud’s attempt to treat this disturbed woman? The novel created huge controversy on its publication, and it took me several readings to understand what the author was suggesting–at least, what I think he meant because nothing is spelled out for the reader.

This is the heartbreaking story of a young woman and her small son caught up in the horror of what the Nazis did in Ukraine, and what I think D. M. Thomas is doing in the most inventive and daring manner is to show how deeply embedded in the psyche of Europe is the wickedness, the psychological sickness, that led to the Holocaust. I’m usually uneasy with the supernatural in… show more.

I studied with Joe Heller at City College in New York, earned my MA in Creative Writing under his tutelage.

Catch-22 is his most well-known and celebrated work, of course; nevertheless, I consider his second novel, Something Happened, his deeply unsettling portrait of Bob Slocum, a mid-level executive in a disintegrating marriage and estranged from his children who is navigating the minefield of his corporate life, and the devastating anxiety, soul-numbing alienation and paralyzing dread his journey produces that bears fruit at last in the tragedy he has expected and feared and sought desperately to avoid for so long, to be his true masterpiece.

It provided me with an essential lesson in the use of narrative tension to engage readers on a deeper, more subliminal level and keep them engaged until the very last word.

Structurally, stylistically, even thematically, echoes of Something Happened permeate my own novel: the often… show more.

Dedicated to two essentials that make me jump up and salute: how to write by getting in touch with your unconscious and an amazing way to outline. That's all. Two ideas. But they're two of the most important concepts to master to become a writer who gets paid. 

This book excites me because I know how much aspiring writers need it. From the year I first read it until I left university teaching, I required it in every writing class in my department. If, for decades I made students read it, you can bet I'm delighted for you to put it on your reading list.

For years everyone thought the only two options for writing were to pants or plot, i.e., wing it or outline. Turns out there is another method and Lisa Cron lays that out in her book. 

I found this to be a truly valuable resource based on science and creative process. Cron’s book takes you from idea to actual writing using an innovative and original take on the conventional writing process.

This is a collection after my own heart as a reader and writer. I love how tenderly Porter portrays his characters—people so much like ones I’ve known—as they try to come to terms with who they’ve become and who they used to be.

I felt like these stories spoke directly to the way I often find myself tripping through time, mourning friendships or romantic relationships that were suddenly cut short, and others that simply faded over time.

Another novel with a great opening line, "Sometimes in the night he dreamed about the dead," The Master is a subtle and complex portrayal of the Victorian writer Henry James.

It begins at a moment in his career when, although lauded as a novelist, he has failed as a dramatist. He retreats from public life, buying a house in Rye, Sussex, where he lives alone, haunted by people from his past and preoccupied with the details of the Oscar Wilde case.

I loved the exploration of creativity and the consequences of dedicating yourself to the creative life, especially in terms of the uncomfortable relationship between artistic integrity and public response. This is a virtuoso depiction of social and psychological repression, the pain of unacknowledged sexuality, and the cost of art.