Here are 100 books that Plot & Structure fans have personally recommended if you like
Plot & Structure.
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I had zero interest in creative writing until a remarkable family story gripped my heart 30 years ago and wouldn’t let go. Years later, I decided to jump in at the deep end and write this story as fiction, but I had a problem: I had absolutely no idea what I was doing. I worked hard to learn the craft of writing fiction, and my award-winning historical novel, Of White Ashes, was published five years later. These five books inspired and helped me to understand the essentials of writing and build my confidence. I hope they’re helpful to you as you bring the novel only you can write to life!
King’s practical advice and inspiration guided me in writing my debut historical novel.
As a new swimmer in the waters of creative writing, I appreciated King’s opinion that writers learn best by reading and writing, and that the most valuable lessons are the ones we teach ourselves.
I’ve always considered myself an experiential learner. Writing Of White Ashes was a masterclass in asking, “Wait, how do you do that?” And quirky quotes from King, like “the road to hell is paved with adverbs,” helped me choose strong words, construct them into vibrant sentences, and piece together a story I was uniquely suited to tell.
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
From my days as editor of The Barret Banner in sixth grade, I wanted to find out about people and tell their stories. Through decades as a newspaper reporter and editor, I discovered again and again how much stories matter—and how fascinating in-depth research and interviews are. Everyone has a story, and capturing the voices of real people is important. Getting to know ordinary families whose lives were turned inside-out by an adoption scandal has been a great honor. Listen to someone’s story. You may be surprised what you learn.
Oh, boy! I came upon this book while seeking the answer to a basic style question, and, wow, am I glad I did. Dreyer, copy chief of Random House, knows his stuff and can help you learn yours, too, from word usage to punctuation. The book’s way more than that, though. You’ll feel like you’ve taken a lively college class in writing and wish you could have coffee with the professor. I’ve bought copies for several word-nerd friends — it’s humorous, too.
'An utterly delightful book to read, Dreyer's English will stand among the classics on how to use the English language properly.' ELIZABETH STROUT
'A complete joy. For those who care about words - and for those who don't - Dreyer's English is the book we have all been waiting for. Wise, funny, no-nonsense, stylish and brilliantly practical.' RACHEL JOYCE _____________ An indispensable, New York Times-bestselling guide to the craft of writing from Random House's long-time copy chief and one of Twitter's leading language gurus.
We all write, all the time: books, blogs, tweets, emails, emails, emails - and we all…
When your storytelling simulates imagined physiological experiences, it guides your listeners to vicariously see, hear, smell, taste, and touch the world of your story. While my books suggest six kinds of stories and four buckets to find stories, I also use these favorite resources for training my brain to think in sensory language. Dip in to find a steady supply of metaphors, images, mannerisms, and context builders that make your story come alive. Current strategies that maximize clicks rarely tap into the wealth of sensory language needed to build epic, long-lasting results.
Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.
Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I’ve always been fascinated by books since a young age. Not just reading the stories but also how they’re written, the cover design, literary agents, and the publishing industry in general. I’ve written five novels (four of which are USA Today bestsellers) and my work has been translated into twenty-five languages worldwide. My second novel, Rise & Shine, Benedict Stone, was made into a Hallmark movie in 2021. I still get excited about generating ideas for characters to take on unusual and joyous journeys of discovery. I’m a huge fan of reading books about the craft of writing, and I especially love novels about bookshops and libraries.
Story Trumps Fiction is a non-fiction book that encourages you to tear up the rule book when it comes to plotting and planning a novel. I’m a plotter at heart, but this book offers some thought-provoking arguments for writing organically, to craft exciting and surprising plots. It’s written by an award-winning novelist, so he’s ideally placed to offer great advice on how to make a story more powerful, emotional, and gripping. I recommend it for both novice writers and more experienced ones, too.
All too often, following the "rules" of writing can constrict rather than inspire you. With Story Trumps Structure, you can shed those rules - about three-act structure, rising action, outlining, and more - to craft your most powerful, emotional, and gripping stories.
Award-winning novelist Steven James explains how to trust the narrative process to make your story believable, compelling, and engaging, and debunks the common myths that hold writers back from creating their best work.
• Ditch your outline and learn to write organically. • Set up promises for readers - and deliver…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
It was a wake-up call to me when I was a newly published author, and having researched and plotted and written and endlessly revised my book, I was also responsible for selling it. This is compounded by the fact that the ins and outs of the book business are changing at what seems like warp speed. For instance, self-publishing, which used to be poo-pooed as a last resort, has gone mainstream.
Jane Friedman is an expert on what’s happening, the good news and the bad, along with gory details and hard-nosed advice. And her book (and her blog…) helps would-be blissfully ignorant writers like me stay afloat and possibly even make a living writing. Jane doesn’t pull her punches.
Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business. The reality is, those who want to make a full or part-time job out of writing are going to have a more positive and productive career if they understand the basic business principles underlying the industry. The Business of Being a Writer offers the business education writers need but so rarely receive. It is meant for early career writers looking to develop a realistic set of expectations about…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
Probably the #1 challenge for me as a mystery writer is holding the readers’ attention and keeping them engaged from Page One to The End. The answer is: create suspense. Keep the reader wondering What’s going to happen next. Ask unanswered questions. Not so much “Whodunnit?” but the more complex: “What’s going on here?”
This book contains interviews with Alfred Hitchcock, the premier master of suspense, talking to the great director Francois Truffaut and dissecting the how-to of creating suspense. His examples and explanations made me truly understand the choices I make when I structure a plot, a scene, or even a moment in the book. Do I want the reader to inhale or exhale or gasp, and why does it matter?
One is ravished by the density of insights into cinematic questions...Truffaut performed a tour de force of tact in getting this ordinarily guarded man to open up as he had never done before (and never would again)...If the 1967 Hitchcock/Truffaut can now be seen as something of a classic, this revised version is even better. Phillip Lopate The New York Times Book Review
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
When I was struggling to write my first mystery novel, I realized that I hadn’t a clue what makes a mystery novel a compelling page-turner. My Beta readers thought that my main character was flat. A cipher. I needed to transform the manuscript into a story that made the reader care about the characters (especially the protagonist). Not just present a clever trail of clues and red herrings.
This book focuses on screenwriting, but what McKee says about plotting in general (three-act structure, scene structure, etc.) is completely applicable to writing a mystery novel, and he gives such practical advice. Through this book, I understood the importance of a character arc. Reassuringly, it’s not rocket science.
For more than 15 years, Robert McKee's students have been taking Hollywood's top honors. His "Story Seminar" is the world's ultimate seminar for screenwriters, filmmakers, and novelists. Now, Robert McKee's Story: Substance, Structure, Style, and the Principles of Screenwriting reveals the award-winning methods of the man universally regarded as the world's premier teacher on screenwriting and story. With Hollywood and publishing companies paying record sums for great stories, and audiences clamoring for originality, McKee's Story gives you the strategies you need to win the war on clichés.
Story is about form, not formula. McKee's insights cut to the hidden sources…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
This is not a how-to book. It’s a series of essays written by a really smart and funny guy about something at which he excels: writing fiction.
He offers great advice, often with his tongue planted firmly in cheek. His essay on rewriting is titled Washing Garbage. His essay on getting to the finish line is titled Do It Anyway. His great advice: “Give yourself permission to write badly.” I like to have it on my bedside table for leavening those moments when I take myself too seriously.
Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.
From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.
This recommendation list is a celebration of these authors’ creativity! Like every reader I love a good story, and this list highlights five books that not only weave entertainment within their respective genres—but also tell their stories in unique visual ways by being fearless with formatting. I love being into a story and seeing there’s a journal entry or letter coming up—it’s like an intimate view into the characters’ world and experiences, and I want to eat it up! If you’re interested in finding more authors who do this, Googling “epistolary novels” will help.
I loved Maame not only because it is the perfect concoction of tender and funny, but because the Google searches formatted within the story were like the perfect cherry on top of the perfectly assembled turtle sundae.
I found myself looking forward to every time the main character Google-searched her next new-adulthood obstacle—like friendship, grief, dating, and caregiving.
It was visually stimulating, and hilarious, and a fun edition to the story.
AN INSTANT NEW YORK TIMES BESTSELLER! • A Today Show #ReadWithJenna Book Club Pick • A February 2023 Indie Next Pick
"Sparkling." ―The New York Times
"An utterly charming and deeply moving portrait of the joys―and the guilt―of trying to find your own way in life." ―Celeste Ng, #1 New York Times bestselling author of Our Missing Hearts
"Lively, funny, poignant . . . Prepare to fall in love with Maddie. I did!" ―Bonnie Garmus, #1 New York Times bestselling author of Lessons in Chemistry
Maame (ma-meh) has many meanings in Twi but in my case, it means woman.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I love old records: there’s a romance to thinking about who originally owned them, where they were listened to, what life soundtrack they defined. My connection to the music industry is tenuous at best. I’ve been in recording studios, helped load equipment in and out of gigs—roadie duty?—designed liner notes, and even performed as a backup singer in a pick-up band of coworkers from the retailer where I worked. (We had two gigs.) I also like when humor is used in mysteries to offset the darkness of murder and define a character—how he or she will get through the challenge. I hope you enjoy the books on this list as much as I have!
I’m a fan of characters who have messy lives that need fixing, and that’s Dahlia “Doll” Devine (lead singer of a country band).
Instead of the record side of the industry, this one gives us the grimy dive bar version with a house all-girl band. I easily pictured being up there on stage with Dahlia (drums, maybe? tambourine?). There’s a strong character growth arc, too, which was satisfying.
From award-winning author Lori Rader-Day, Wreck Your Heart is an engaging, “wisecracking and wonderful” crime novel with a big heart, about a country and midwestern singer out to catch her big break before family―or murder―wrecks everything.
Dahlia “Doll” Devine had the kind of hardscrabble beginning that could launch a thousand broken-hearted country songs, but now she’s the star of her own stage at McPhee’s Tavern. As part of Chicago’s―yes, Chicago’s―country music scene, Dahlia is an up-and-coming singer in spangles and boots of classic country tunes. Up and coming, that is, until her boyfriend Joey up and went, taking the rent…
