Here are 95 books that Suspicious Minds fans have personally recommended if you like
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In 2011, after years reporting on media and technology for Wired, I published The Art of Immersion, about how digital technology is changing the way we tell stories. Then I joined Columbia University’s Digital Storytelling Lab, started the executive education course Strategic Storytelling, and put together the toolkit that inspired The Sea We Swim In. The ostensible subject of all this was storytelling, but the common thread, I came to realize, was the role stories play: They facilitate pattern recognition, the skill we need to make sense of our random world. The pattern that’s governed the past 15 years of my life, in other words, has been pattern recognition.
Obviously, some of us are more aware of patterns than others. Simon Baron-Cohen—a psychologist at Cambridge, and one of the world’s leading authorities on autism—has found that a facility for pattern recognition is strongly correlated not only with gender (males predominate) but with autism.
He led a survey of 600,000 Britons aimed at determining if they were primarily empathizers, adept at connecting with other people, or systemizers, more interested in detecting patterns and learning how things work. Those at the extreme end of systemizing were considerably more likely to be autistic.
Baron-Cohen’s empathizer/systemizer questionnaire is included at the back of the book. Taking the bait, I found myself on the cusp of extreme. Which may explain a lot.
A groundbreaking argument about the link between autism and ingenuity. Why can humans alone invent? In The Pattern Seekers, Cambridge University psychologist Simon Baron-Cohen makes a case that autism is as crucial to our creative and cultural history as the mastery of fire. Indeed, Baron-Cohen argues that autistic people have played a key role in human progress for seventy thousand years, from the first tools to the digital revolution. How? Because the same genes that cause autism enable the pattern seeking that is essential to our species's inventiveness. However, these abilities exact a great cost on autistic people, including social…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a scientist, educator, successful entrepreneur, and author. I believe that human civilization is threatened by the wonderful and dangerous technologies that we created in the last two centuries: fossil fuels, nuclear weapons, gene editing, AI, and social media. As a creator of technologies, I feel responsible that more hasn’t been done to properly control them. My current mission is to sound an alarm about the potential tyranny of technology through my novels, 100 Years to Extinction and the sequel, 12 Years to AI Singularity, on my website and on social media. While the recommended books on my list are nonfiction, my fictional story presents the science and technology accurately as nonfiction would.
I loved the way Nexus looks at human history to consider how the flow of information has shaped us and our world.
For the last 100,000 years, we Sapiens have accumulated enormous power. Will we lose that power to AI? I believe Harari adds an important historical perspective to complement Kurzweil’s view of the future.
I found Harari’s account about the role of Facebook’s AI in the persecution of the Rohingya minority in Myanmar to be fascinating.
#1 NEW YORK TIMES BESTSELLER • From the author of Sapiens comes the groundbreaking story of how information networks have made, and unmade, our world.
“Striking original . . . A historian whose arguments operate on the scale of millennia has managed to capture the zeitgeist perfectly.”—The Economist
“This deeply important book comes at a critical time as we all think through the implications of AI and automated content production. . . . Masterful and provocative.”—Mustafa Suleyman, author of The Coming Wave
For the last 100,000 years, we Sapiens have accumulated enormous power. But despite allour discoveries, inventions, and conquests,…
In 2011, after years reporting on media and technology for Wired, I published The Art of Immersion, about how digital technology is changing the way we tell stories. Then I joined Columbia University’s Digital Storytelling Lab, started the executive education course Strategic Storytelling, and put together the toolkit that inspired The Sea We Swim In. The ostensible subject of all this was storytelling, but the common thread, I came to realize, was the role stories play: They facilitate pattern recognition, the skill we need to make sense of our random world. The pattern that’s governed the past 15 years of my life, in other words, has been pattern recognition.
Gladwell became famous for uncovering patterns in the social behavior of humans; I wanted to find the patterns—some would say formulas—that characterize his books. Why are these books so popular? Why are critics so disdainful?
Here he revisits his first, a huge bestseller, and finds that the model of viral contagion that seemed hopeful and bright a quarter-century ago now looks dark and foreboding.
What makes both books work is a combination of diligent reporting, narrative sleight-of-hand, and a nose for patterns. “There must be a set of rules,” he writes, “buried somewhere below the surface.” No, his rules don’t always hold. But our need for patterns that explain the chaos around us has a lot to do with his success.
Most Anticipated in: AARP | Associated Press | Time Magazine | Oprah Daily | Chicago Tribune | Literary Hub | Publishers Weekly | Publishers Lunch
Twenty-five years after the publication of his groundbreaking first book, Malcolm Gladwell returns with a brand-new volume that reframes the lessons of The Tipping Point in a startling and revealing light.
Why is Miami…Miami? What does the heartbreaking fate of the cheetah tell us about the way we raise our children? Why do Ivy League schools care so much about sports? What is the Magic Third, and what does…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
In 2011, after years reporting on media and technology for Wired, I published The Art of Immersion, about how digital technology is changing the way we tell stories. Then I joined Columbia University’s Digital Storytelling Lab, started the executive education course Strategic Storytelling, and put together the toolkit that inspired The Sea We Swim In. The ostensible subject of all this was storytelling, but the common thread, I came to realize, was the role stories play: They facilitate pattern recognition, the skill we need to make sense of our random world. The pattern that’s governed the past 15 years of my life, in other words, has been pattern recognition.
The most basic, the most life-determining story is the one you tell yourself about yourself. Who are you? How did you get to be that way? And by the way, what is reality?
I reviewed this book for The Wall Street Journal and found it eye-opening. I was struck by Berns’s account of “how other people’s narratives worm their way into our brains,” creating a consensus version of reality he calls “a shared delusion.”
This delusion can become self-limiting, even self-destructive. And so we have counterfactuals, the narratives of possibiity that allow us to escape these constraints—to change our story, if we have the will to do so.
A New York Times–bestselling author reveals how the stories we tell ourselves, about ourselves, are critical to our lives
We all know we tell stories about ourselves. But as psychiatrist and neuroscientist Gregory Berns argues in The Self Delusion, we don't just tell stories; we are the stories. Our self-identities are fleeting phenomena, continually reborn as our conscious minds receive, filter, or act on incoming information from the world and our memories.
Drawing on new research in neuroscience, social science, and psychiatry, Berns shows how our stories and our self-identities are temporary and therefore ever changing. Berns shows how we…
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
Nick Mamatas never writes a typical novel and his latest offering is no exception. Built on the very real rumors and conspiracy theories surrounding mass shooting events in the United States, Mamatas' work offers hints and innuendos throughout of an invisible force seeking to create chaos, death, and destruction in collusion with a conspiracy theorist radio host fanning the flames. Like a real-life conspiracy theory, it’s all connected — somehow. Mamatas’ ability to draw a plot line and themes so at odds with our general perception of reality, the story, sadly, begins to reflect our real world of conspiracy theories and political paranoia in what has become a bat-shit age of American life.
"There was video of the second shooter. There was video."
In the first reports of every mass shooting, there's always mention of a second shooter-two sets of gunshots, a figure seen fleeing the scene-and they always seem to evaporate as events are pieced together.
Commissioned by a fringe publisher to investigate the phenomenon, journalist Mike Karras finds himself tailed by drones, attacked by a talk radio host, badgered by his all-knowing (and maybe all-powerful) editor, and teaming up with an immigrant family of conspiracy buffs.
Together, they uncover something larger and stranger than anyone could imagine-a technomystical plot to 'murder…
I’m a law professor who, among other things, writes about the culture and law of secrecy. I’ve written two books: Conspiracy Theories: Secrecy and Power in American Culture, the second edition of which was published in 2008, and The Transparency Fix: Secrets, Leaks, and Uncontrollable Government Information (2017). I hold a J.D. from Yale Law School and a Ph.D. from the Institute of Communications Research at the University of Illinois at Urbana-Champaign, and I teach at the University of Florida.
Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.
The United States of Paranoia is a history of America's demons. Conspiracy theories, Walker explains, aren't just a feature of the fringe: They've been a potent force across the political spectrum, in the center as well as the extremes, from the colonial era to the present. Walker argues that conspiracy stories need to be read not just as claims to be either believed or debunked but as folklore. When a tale takes hold, it says something true about the anxieties and experiences of the people who believe and repeat it, even if it says nothing true about the objects of…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
I’ve never read another book that got under my skin like A Head Full of Ghosts.
I felt unsettled, not just by the horror, but by the way Tremblay made me question memory, faith, and family. I remember finishing it and just sitting there, trying to figure out what was what. It’s rare for a book to make me feel compassionate and terrified at the same time.
That’s why I recommend it: because it doesn’t leave you when you close the cover. It lingers, and I love that.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
Researching DevilsGame, about an Internet meltdown caused by an unknown evil, I exposed myself to some harrowing truths. I learned how astonishingly frail our internet ecosystem is and how imperiled it is by bad actors who have burrowed deeply and often invisibly into its infrastructure. So, beyond writing a fictional thriller, I was moved to ring a warning bell! And I hope by formatting DevilsGame as “hyperlinked fiction,” mixing real news sites with fictional sites created for the novel, readers will experience the story in a way that parallels and parodies the way we experience real, live crises these days: navigating from fact to fiction, often without observing the boundaries.
I was impressed by the way author Auerbach distills what has changed in our relationship with the internet over the past 20 years: there has been a gradual but momentous shift from “search” on the web” to “recommendations” offered by the web. Initially, we searched for what we were interested in–but now, networks tell us what we are interested in!
Auerbach defines the meganet as that “new creature…born [to] manage the data boom and absorb, filter, and recommend it,” and I was sobered by his graphic warning of the dangers that emerge from “off-loading our decision-making” to the internet.
How the autonomous digital forces jolting our lives - as uncontrollable as the weather and plate tectonics - are transforming life, society, culture, and politics.
David Auerbach's exploration of the phenomenon he has identified as the meganet begins with a simple, startling revelation: There is no hand on the tiller of some of the largest global digital forces that influence our daily lives: from corporate sites such as Facebook, Amazon, Google, YouTube, Instagram, and Reddit to the burgeoning metaverse encompassing cryptocurrencies and online gaming to government systems such as China's Social Credit System and India's Aadhaar.
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.
The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.
Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."
Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.
The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
This novel starts out in an almostMrs. Dallowayish way—Lovely has gone out for the day to buy something. Then you realise that Lovely at the age of forty has never gone out by herself for a day. Then, as the day unfolds, the novel brings you backward into the past as you find out about Lovely and Beauty’s paranoid and controlling mother, the oppressiveness of their home life, the dark secret at the heart of their parents’ marriage…
