Books like Moroccan Households in the World Economy — picked by fans

An instant best-seller when it first appeared in 1978, Montaillou uses Inquisition records of the cross-examinations of Cathar heretics and their Catholic neighbours and kin to recover the religious, social, emotional and sexual lives of medieval Pyrenean villagers.

Shepherds, mayors, matriarchs and servants, priests and laity, come vividly to life as they recount their work and pleasures, friendships and enmities, doubts and beliefs. 

Montaillou is the most influential example of what was then a speciality of the French Annales school of history, namely, studies of everyday life (la vie quotidienne) in a particular historical milieu.

Since then micro-histories, detailed accounts of social microcosms and what they tell us about the wider worlds in which they were embedded, and the historical shifts or transformations to which they bear witness, have become the bread and butter not only of local but of global historians.   

On a cold winter night in 1960 the families of Dachuan village were forced out of their homes to make way for the waters of a huge new dam. Some managed to retrieve a few bones from the family graves to take to their new homes. But the ancestral temple that had been at the heart of village life and identity for centuries was lost to the rising waters. 

For decades Maoist policy suppressed all religious expression in China, but the reforms of the 1980s saw many forms of religious revival, including the triumphant reconstruction of Dachuan’s Confucius temple, its rituals, ethics, and ancestral spirit tablets. 

Jing’s book is an outstanding study of social memory, its powers of resistance to crisis and oppression, and its mobilization as a resource to rebuild community and history. A unique window onto the travails of modern China, it also invites us to reflect on… show more.

I read this book long before Annie Ernaux was awarded the Nobel Prize. It was the first of her books that I read, and I was so seized by her style of narration that I proceeded to read with devotion everything she had written.

In one of the early pages of this book, Ernaux declares that in writing about her father, she didn’t want falsity or an overblown style, no artsy attempt to produce something “’ moving’ or ‘gripping.’” The style she followed was true to the life she was describing as a working-class man with minimum education. Here is a book that pays tribute to life but also enacts a credo for what Ernaux calls a “neutral way of writing”: “no lyrical reminiscences, no triumphant displays of irony.”

This too is a tale of three village generations grappling with historical change.

Here the story is about changing ideas of stewardship of the land, an enthralling account of farming ways in flux and of the intricate, back-breaking, and unpredictable work of restoring degraded farmland to health.

The Rebanks family run a hill-farm in a Lake District village. Rebanks’ grandfather started with horse-ploughs. A tractor replaced the horses, yet he still knew the individual ways of every ewe and cow and farmed lightly on the land. But Rebanks’ father, caught in market pressures, industrialized his farming methods.

Progress became the mantra of all the village farmers, including the young Rebanks himself.

Today, although they recognize the precarity of their livelihood and the damage to the land, most see no alternative to intensifying production. When Rebanks decides to switch to regenerative farming to preserve the land for future generations, his… show more.

The books I like about certain places tend to be written by people who have not been born and raised there. It’s because the author has detachment, which makes their sense of observation all the keener. But, best books about places seem to be by authors who have some ancestral connection to that place. It’s as though they’re attached to it through their genes. Saeida Rouass, was born in London to Moroccan parents. From the very first line on the very first page of her book Assembly of the Dead, you can feel she’s not English, but rather that she’s connected by some magical alchemy to Morocco, the land of her ancestors. Rouass is a dazzling writer, one who bridges East and West in the most exceptional and unusual way.

This is an amazing book!

Ben Jelloun was a political prisoner in Morocco for several years and was imprisoned in a dark cell in the ground in unimaginably horrific conditions. This book demonstrates politics gone wrong and the extent of the brutality that can be ravaged on other human beings in a system lacking justice or any sense of human rights and dignity.

Despite the intensely inhumane conditions of imprisonment, Ben Jelloun carries us along his journey and offers his readers an inspiring account of endurance and courage.

This book needs to be read by people in an era of democratic backsliding because it helps to demonstrate some of the things that are at stake when electorates become tempted by authoritarian leaders.

This book haunts me in a way that almost no other published work does. It’s like one of those movies we all have on a secret list – that we adore but can’t bear to ever watch again (like the Killing Fields or Fight Club). A memoir of almost unparalleled beauty and horror, it tells the true-life tale of the daughter of General Oufkir, who was put to death for attempted regicide. Malika and her five siblings were imprisoned for fifteen years in a penal colony, from where they mounted a daring escape.

Another powerful debut on border-crossing, this novel begins with a frame-chapter or a prologue of sorts called “The Trip” that shows a group of Moroccans fleeing to Spain for a better life on a ramshackle boat. The following subsections, “Before” and “After,” zoom into the lives of the characters introduced in the opening chapter to highlight the socio-economic reasons leading them to risk their lives by crossing the Mediterranean Sea illegally, and their gritty fate once the boat fails them, as they’re stranded in Spain or deported to Morocco. Some critics have called the novel a collection of interconnected stories, although the book’s “prologue” is hardly a standalone story; it aligns the novel instead with an alternative structural aesthetic, one that recalls the frame narratives of oral storytelling traditions like The Thousand and One Nights, an obvious influence on the book. 

Jane Green is an icon in every sense, and this is my absolute favorite of her many bestselling books. I love stories with a strong sense of place, stories that transport me. This book does just that, whisking the reader to a forgotten scene from the Swinging 60s, an ex-pat community in Marrakesh once frequented in real life by the Rolling Stones, the Beatles, Yves Saint Laurent, and other luminaries of the era.

The narrator is an outsider who falls under the spell of Talitha Getty, a magnetic actress and model who presides over the whole swirling scene. This novel feels like the literary equivalent of a starry summer night. 

This is an exciting new book by Meredith Hindley. Instead of Humphrey Bogart and Rick’s Café, this book features interesting real people, such as the famous singer Josephine Baker, who, although not members of armed forces, still did their part to help the Allied cause. After conducting extensive research in archives and secondary sources, Hindley crafted an engaging narrative in which she connects exiles who gathered information about the Germans with the fight for control of North Africa and the Mediterranean. I recommend this book because it provides a human dimension to the story of the Battle for North Africa.