Books like Moroccan Households in the World Economy — picked by fans

An instant best-seller when it first appeared in 1978, Montaillou uses Inquisition records of the cross-examinations of Cathar heretics and their Catholic neighbours and kin to recover the religious, social, emotional and sexual lives of medieval Pyrenean villagers.

Shepherds, mayors, matriarchs and servants, priests and laity, come vividly to life as they recount their work and pleasures, friendships and enmities, doubts and beliefs. 

Montaillou is the most influential example of what was then a speciality of the French Annales school of history, namely, studies of everyday life (la vie quotidienne) in a particular historical milieu.

Since then micro-histories, detailed accounts of social microcosms and what they tell us about the wider worlds in which they were embedded, and the historical shifts or transformations to which they bear witness, have become the bread and butter not only of local but of global historians.   

On a cold winter night in 1960 the families of Dachuan village were forced out of their homes to make way for the waters of a huge new dam. Some managed to retrieve a few bones from the family graves to take to their new homes. But the ancestral temple that had been at the heart of village life and identity for centuries was lost to the rising waters. 

For decades Maoist policy suppressed all religious expression in China, but the reforms of the 1980s saw many forms of religious revival, including the triumphant reconstruction of Dachuan’s Confucius temple, its rituals, ethics, and ancestral spirit tablets. 

Jing’s book is an outstanding study of social memory, its powers of resistance to crisis and oppression, and its mobilization as a resource to rebuild community and history. A unique window onto the travails of modern China, it also invites us to reflect on… show more.

I read this book long before Annie Ernaux was awarded the Nobel Prize. It was the first of her books that I read, and I was so seized by her style of narration that I proceeded to read with devotion everything she had written.

In one of the early pages of this book, Ernaux declares that in writing about her father, she didn’t want falsity or an overblown style, no artsy attempt to produce something “’ moving’ or ‘gripping.’” The style she followed was true to the life she was describing as a working-class man with minimum education. Here is a book that pays tribute to life but also enacts a credo for what Ernaux calls a “neutral way of writing”: “no lyrical reminiscences, no triumphant displays of irony.”

This too is a tale of three village generations grappling with historical change.

Here the story is about changing ideas of stewardship of the land, an enthralling account of farming ways in flux and of the intricate, back-breaking, and unpredictable work of restoring degraded farmland to health.

The Rebanks family run a hill-farm in a Lake District village. Rebanks’ grandfather started with horse-ploughs. A tractor replaced the horses, yet he still knew the individual ways of every ewe and cow and farmed lightly on the land. But Rebanks’ father, caught in market pressures, industrialized his farming methods.

Progress became the mantra of all the village farmers, including the young Rebanks himself.

Today, although they recognize the precarity of their livelihood and the damage to the land, most see no alternative to intensifying production. When Rebanks decides to switch to regenerative farming to preserve the land for future generations, his fellow… show more.

Shah, a self-proclaimed “broke writer,” somehow affords a Moroccan mansion with maids, gardeners, and endless renovations. He doesn’t bother to develop his wife and kids as characters—they get even less attention than an extra in a movie. But at least you get to see Morocco through his self-obsessed eyes, which, fortunately, pay a lot of attention to detail. His immaculate use of sensory details will give you a traveling experience for even less than a Ryan Air flight. The book is a prime choice for anyone who wants to dive into Moroccan culture with all its superstitions. 

This book haunts me in a way that almost no other published work does. It’s like one of those movies we all have on a secret list – that we adore but can’t bear to ever watch again (like the Killing Fields or Fight Club). A memoir of almost unparalleled beauty and horror, it tells the true-life tale of the daughter of General Oufkir, who was put to death for attempted regicide. Malika and her five siblings were imprisoned for fifteen years in a penal colony, from where they mounted a daring escape.

Daniel Schroeter’s The Sultan’s Jew focuses on the colorful life of Me'ir Macnin (d. 1835), an ambassador-at-large for two successive Moroccan sultans. Schroeter uses Macnin’s life to discuss three main topics: the relationship between Jews and Muslims in Morocco; the relationship between Moroccan Jews and the Sephardic world beyond; and Morocco’s relationship with Europe. Macnin’s ambassadorial stint in London, which eventually saw him become the president of the city’s main synagogue, also allows Schroeter to talk about the complexities of Jewish life in Britain and of Sephardic/Ashkenazic rivalries. The power of Schroeter’s work is in presenting a sophisticated political and socio-economic study through the lens of a gripping biography.

This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.

You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.

When we talk about the need to read Jewish history in the Middle East within its original context, and within the understanding that Jews lived among non-Jews, interacted with non-Jews, and had a tremendous influence on their respective societies, from time to time, we need to change the perspective and see how their non-Jewish compatriots viewed them and remember them. In this book, Aomar Boum recorded the ways in which the Muslims of Morocco remember the large Jewish communities that lived in that country for millennia and shrunk to a fraction of their former self after 1956-1967. This book allows us to examine multiple perspectives simultaneously. The national and colonial identities, the essence of Middle Eastern Zionism, and the place of the memory of Jews after they had left in the modern societies.

Jane Green is an icon in every sense, and this is my absolute favorite of her many bestselling books. I love stories with a strong sense of place, stories that transport me. This book does just that, whisking the reader to a forgotten scene from the Swinging 60s, an ex-pat community in Marrakesh once frequented in real life by the Rolling Stones, the Beatles, Yves Saint Laurent, and other luminaries of the era.

The narrator is an outsider who falls under the spell of Talitha Getty, a magnetic actress and model who presides over the whole swirling scene. This novel feels like the literary equivalent of a starry summer night.