Here are 100 books that Starting Out in the Evening fans have personally recommended if you like
Starting Out in the Evening.
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Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I have always loved the image of Jo March hiding up in the attic (she calls it a “garret” because it’s more romantic) of her family’s New England house, munching on russet apples and writing furiously away with her pet rat, Scrabble, as her muse, or curling up with Jane Eyre—it’s the only place she can be alone.
She’s one of the classic aspiring young writers of literature—a totally unconventional, headstrong girl with big ambitions who has provided inspiration for her real-life counterparts for generations, me included.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
The book is genius and totally bonkers in the best way.
When a would-be hermit, a 60something playwright named Charles Arrowby, retreats to a house by the sea to write his memoirs in solitude, he’s besieged by uninvited visitors and interpersonal trouble, much of it of his own making.
The titular sea is ever-present throughout, almost alive in all its changing moods, and there is a lot of food and drink amid the constant conversations. What follows is a masterpiece of self-delusion and nostalgia, obsession and regret, a very British kind of comic madness that resolves into philosophical calm.
Winner of the prestigious Booker Prize-a tale of the strange obsessions that haunt a playwright as he composes his memoirs
Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
How could I not love this book? It’s set in the lovely (really!) city of Pittsburgh, and it’s about a lost weekend of literary hijinks and stoned debauchery.
The protagonist, Grady Tripp, is a young male writer making something of an ass of himself, but Chabon makes him so sympathetic, I can’t help rooting for him even as he digs himself in even deeper.
The dialogue crackles, the supporting characters are vivid and colorful, and the plot sweeps the reader up into a whirlwind of incredibly fun trouble.
A deft parody of the American fame factory and a piercing portrait of young and old desire, WONDER BOYS is a modern classic from the Pulitzer Prize-winning author of THE ADVENTURES OF KAVALIER & CLAY.
Grady Tripp is an over-sexed, pot-bellied, pot-smoking, ageing wunderkind of a novelist now teaching creative writing at a Pittsburgh college while working on his 2,000-page masterpiece, WONDER BOYS. When his rumbustious editor and friend, Terry Crabtree, arrives in town, a chaotic weekend follows - involving a tuba, a dead dog, Marilyn Monroe's ermine-lined jacket and a squashed boa constrictor.
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I love all Dawn Powell’s novels, but this 1936 satire of the New York literary scene might be my favorite.
Powell brilliantly captures the metropolitan grit and glamour of New York City in the 1930s, the backstabbing literary gossip, hard-drinking parties and seedy bars, and all the publishing world’s deep loyalties and betrayals. The city itself is a character, and all the people in the book feel both true to life and larger than life.
The book follows the aspiring writer Dennis Orphen, who is guilty of stealing the details of his dear friend’s life in his novel—and what ensues is hilarious, sparkling, and surprisingly moving.
Dennis Orphen is a young, clever novelist with a keen eye for a good story. This time, however, his material is drawn from the romantic woes of his closest friend, Effie Callingham. More than a decade earlier, Effie's husband-the superstar writer Andrew Callingham-abandoned her for a younger, prettier woman. In the years since, Effie has stubbornly defended his reputation, clinging to the desperate hope that he might one day come to his senses and return.
When Dennis's novel is published, their friendship is put to the test. In his thinly veiled portrait, Effie's private pain is exposed to a scandal-hungry…
It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.
This is the first in a long-running, action-packed science fiction series starring Miles Vorkosigan. He is brilliant, driven, ambitious, hyperactive, and neurotic. He also suffers from a chronic disability that makes him unfit for military service on his home planet. This is why he takes to the stars for a life of adventure and excitement under the pseudonym Miles Naismith, Admiral of the Dendarii Free Mercenaries.
This book is our introduction to Miles and shows the birth of the Naismith persona, and it is fabulous fun on every page. I devoured this series like potato chips.
NEW YORK TIMES BEST-SELLING AUTHOR. NEW EDITION OF THE BOOK THAT STARTED THE VOKOSIGAN SAGA LEGEND. WITH AN ALL-NEW INTRODUCTION BY LOIS MCMASTER BUJOLD!
I grew up in Santa Fe, New Mexico. My mother’s family traces their ancestry to the arrival of Spanish settlers in the Southwest, and my family taught me to draw strength from our sense of being deeply rooted in the region. I attended the United World College of the American West, which has an extensive outdoors education program, and I learned there to value the natural world that I had previously taken for granted. I left New Mexico at nineteen and haven’t lived there a full year since. Reading and writing are my salve for my homesickness and my portal to the ever-changing world that is the American Southwest.
At first glance, this book of short stories is about Denver gentrification, but the volume is much more – a series of studies of how Native and Mexican women remember and revisit the “lost territory” of northern New Mexico and southern Colorado when they head to the Rocky Mountain metropolis.
I love that rather than look back East or out West when seeking home, the women of Fajardo-Anstine’s work look northward and southward, to the past and to the future. I was not at all surprised to learn that Fajardo-Anstine consulted with Prof. Vanessa Fonseca-Chávez for her work. Fonseca-Chávez’s Following the Manito Trail oral history project let me keep listening for similar voices.
NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands.
“Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros
WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION
Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I’ve loved murder mysteries since I first discovered the genre. As a child, I loved watching Morse, Miss Marple,and other detectives as they got to the bottom of whodunit. I was hooked. It wasn’t long before I started to read books starring these detectives. I really love the way that female amateur detectives often have far more ideas of what’s going on and why things have happened than the men who populate the books. What woman can’t resist reading about another woman who just gets to the bottom of it all? I know I can’t, but these books are some of the very best in the genre.
My all-time favorite amateur detective is Miss Marple, and if I had to pick a favorite book she is in, it would be this one. I love the idea of a quiet, mostly ignored spinster who most people dismiss being the one character who seems to know exactly what is going on and what people are up to.
I really like the way Miss Marple figures out why the main character thinks she is going mad and proves that she isn’t. In this book, Miss Marple really proves her status as one of the best amateur detectives, and I love it.
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.
At the age of five, a blind African-American boy is handed over to a brutal state home. Here Ludlow Washington will suffer for eleven years, until his prodigious musical talent provides him an unlikely ticket back into the world.
The property of a band, playing for down-and-outs in a southern dive, Ludlow's pioneering flair will take him to New York and the very top of the jazz scene - where his personal demons will threaten to drag him back down to the bottom.
A Drop of Patience is the story of a gifted and damaged man entirely set apart -…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
Brandt cuts through the mystique that “writing can’t be taught” and encourages writers to discover the creative and rational aspects of their consciousness—an approach that excites me as a writer and a teacher.
Brandt’s approach is useful for beginning writers and also for writers going through a dry period. I recommend it to all my students.
A reissue of a classic work published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande's creative writing classroom of the 1920s. Decades before brain research "discovered" the role of the right and left brain in all human endeavor, Dorothea Brande was teaching students how to see again, how to hold their minds still, and how to call forth the inner writer.
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
I'm Marwan Mohammed, a sociologist for the Centre National pour la Recherche Scientifique (CNRS), a pure product of the French working-class suburbs; having failed at school, taken to the streets, and ended up in research after a detour through social work and community organizing. I founded several grassroots organizations in the Paris suburbs, such as C'noues (which became a futsal club that trained several top-level players, including my brother Abdessamad Mohammed, the French national team's all-time top scorer) and more recently NormalZup, an association that tackles educational inequalities at source. I'll be telling the whole story in a forthcoming book.
There are many remedies for racism, including education, transmission, and prevention. So as not to limit myself to the human and social sciences, I suggest this children's novel by Ayaan Mohamud. It's an embodied account, a fictionalized testimony that we discover by following Hanan, the main character, who attends a prestigious school where she is subjected to a very routine form of Islamophobic ostracism.
She follows her mother's advice to stay the course and not overreact for a while. But after a tragedy, this position is no longer tenable and she makes her voice heard, in other words, she takes her place as a visible Muslim in American society in a different way.
This novel will delight young and old alike and is a good complement to the more scientific works cited in this list of recommendations. It was originally written for my children, so they wouldn't shut up.
"Will leave you feeling moved and inspired. A must read!" Cosmopolitan
A stunning debut about finding the strength to speak up against hate and fear, for fans of The Hate U Give and I Am Thunder.
People like me are devils before we are angels. Hanan has always been good and quiet. She accepts her role as her school's perfect Muslim poster girl. She ignores the racist bullies. A closed mouth is gold - it helps you get home in one piece. Then her friend is murdered and every Muslim is to blame. The world is angry at us again. …
