Here are 100 books that Lady's Maid fans have personally recommended if you like
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"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
Sparky, fast-talking and addictive, I adored this book when it came out in the early 1990s. I enjoyed the subsequent film, too.
But you don’t hear much about it any more, though I think it’s probably still a relevant portrait of Black women’s lives in America. It’s about four friends, women in their thirties, each chapter told from the viewpoint of one of the friends.
The voice is so fresh and in-your-face, so funny and engaging. I love how teasing and chiding of each other they are when they’re together, but also so supportive and loving. Below the lighter-than-air surface of their conversations, the reader comes to realise what they mean to each other.
The story of four vibrant black women in their thirties. They draw on each other for support as they struggle with careers, divorce, motherhood and their relationships with men.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
I love most of Anne Tyler’s novels, but this is my favourite. It contains my all-time favourite boy-girl friendship in Barnaby and Martine, who work together. I completely recognise and relate to their colleague-type banter, full of inside jokes, winding each other up, and covering up for each other. I love that Martine is a bit moody - recognisably human - and that she has Barnaby’s back when no-one else does.
No matter how many times I’ve read this, when Barnaby finally realises how important Martine is to him, I always get tears in my eyes.
A NEW YORK TIMES NOTABLE BOOK •NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author tells the story of a lovable loser who's trying to get his life in order.
Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.
But for eleven years now, he's been working steadily for Rent-a-Back, renting his…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
Scruffy, grumpy Billie is my favourite female character in all of literature, and she stars in this, one of my top five all-time books.
It’s novella-length, a series of overlapping short stories, with characters who are absolutely real, living, breathing people. The story is primarily about a love affair, but there is a fabulous friendship in it between Billie and her childhood friend, Penny.
When Billie goes back home for Penny’s wedding, they briefly ditch the reception by rowing out onto the lake as they did when children, Penny in her long white dress. It’s a scene that never fails to make me want to phone my oldest friend and tell her how much I value her.
'Warm, wise, witty, and just plain fun' Maggie Shipstead
At a perfectly ordinary cocktail party, Francis is introduced to Billy and - although it slips right by him at the time - he falls in love with her at once.
Billy is a serious, often glum person. An economic historian, she is indifferent to a great many things (clothes, food, home decor), frowns easily and is frequently irritated.
Francis is older. He likes routine and a well-run household; he likes to pay for dinner, open car doors and call Billy at night to make sure she is safe.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
This funny, lively story tells first one friend’s version of events, then the other’s; the reader has to decide where they think the truth and lies are.
It was one of the books that inspired me to write, and it may not be a coincidence that my first novel also tells a story from two different accounts…!
Here, friends Gemma and Lily hope to never see each other again after a huge falling out over a man, but the more we find out, the more we aren’t sure whose side we should be on. What a rare talent Marian Keyes has for seeing the humanity, and the humour, in everyone.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”
I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.
It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
This book has one of the most refreshing and terrifying take on the concept of immortality that I’ve ever seen. I love it because of how it tackles policing, what it means to be a decent person, and how power unchecked will inevitably consume all it touches. Also, it’s extremely queer, and the prickly immortals were just too hard not to fall in love with.
Gideon the Ninth meets Black Sun in this queer, Maori-inspired debut fantasy about a police officer who is murdered, brought back to life with a mysterious new power, and tasked with protecting her city from an insidious evil threatening to destroy it.
The port city of Hainak is alive: its buildings, its fashion, even its weapons. But, after a devastating war and a sweeping biotech revolution, all its inhabitants want is peace, no one more so than Yat Jyn-Hok a reformed-thief-turned-cop who patrols the streets at night.
Yat has recently been demoted on the force due to "lifestyle choices" after…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Ever since spending a year on a Fulbright teaching grant on the island of Cyprus, where Aphrodite arose from the seafoam, I’ve been enticed by the Greek mythic world, a fascination that began much earlier with reading Edith Hamilton’s Mythology. Subsequent trips to Greek islands, museums, and archeological sites enhanced those ancient resonances, as did Mother Goddess studies and Ovid’s Metamorphoses. Recent writing residencies at Cyprus College of Art and on Evia island immersed me in the Greek atmosphere and mythos as I edited Serpent Visions. My career was spent as a community college teacher, where my courses included ‘World Literature, Homer to Dante,’ and Shakespeare, another keen interest.
Although this is not Mary Renault’s first novel set in Bronze Age Greece, it’s a classic.
She retells the story of Theseus in his own words, but not as a simple hero tale. Set long before the Trojan War, much takes place in Minoan Crete where Theseus performs his first heroic act.
Renault depicts the advanced Minoan culture and Mother Goddess religion intriguingly and gives fresh interpretations, from the character of Theseus himself to the Minotaur in the Labyrinth and what follows.
First read while I was a college student (not for a class), this book inspired me to one day create my own mythic retelling.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
As a queer, disabled YA author, I focus on writing stories that reflect the complexities of identity, disability, and mental health. I believe every teen who is disabled and/or struggles with mental illness deserves to see themselves represented, but I’m also passionate about stories that allow able-bodied readers to gain insight into new perspectives. These book recommendations showcase diverse voices and highlight a disabled experience, and I hope books like these will foster a new generation that values inclusivity and representation. Happy reading!
I was absolutely hooked by the theme of chaotic teenage girldom and hilariously relatable characters, but the thoughtful discussions centering on disability and identity were simply fabulous!
I greatly enjoyed the portrayal of universal feelings of youth—confusion, longing for adventure, and a quest for meaning. The protagonist, who is autistic and Palestinian, highlights representation the world desperately needs more of.
A contemporary teen romance novel, now available in paperback, featuring a Palestinian-Canadian girl trying to hide her autism diagnosis while navigating her first year of high school, for fans of Jenny Han and Samira Ahmed.
Fifteen-year-old Jessie, a quirky loner obsessed with the nineties, is diagnosed as autistic just weeks before starting high school. Determined to make a fresh start and keep her diagnosis a secret, Jessie creates a list of goals that range from acquiring two distinct eyebrows to getting a magical first kiss and landing a spot in the school play. Within the halls of Holy Trinity High,…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I fell in love with Lizzy and Ciaran as they tried to find their way back to each other after over a decade of not speaking. I loved the glamour of the Cannes film festival, which was a backdrop to the very real, human, unglamorous resentments they were harbouring, and I was gripped by the sense of time running out as the festival progressed.
The flashbacks to their time in France when they first met were gripping, and I was swept away by these two completely believable characters but was also caught up in the sizzle between them, and it’s such a funny, heartfelt book too.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A good part of my life has been devoted to trying to think and write creatively about politics, history, media, and democracy. Under the pseudonym Erica Blair, my first writings were about the meaning and significance of civil society. In early 1989, in London, I founded the world’s first Centre for the Study of Democracy (CSD); more recently, I designed and launched the experimental Democracy Lighthouse platform. My books have been published in more than three dozen languages, and I’ve also contributed interviews and articles to global platforms such as The New York Times, Al Jazeera, South China Morning Post, The Guardian, Letras Libres, and the Times Literary Supplement.
Brimming with paradoxes and ironies, this 18th-century novel about language and power is more than an ingenious attack on the bland literary fashions of a closed-minded ancien régime of aristocratic power and privilege.
I love its playful celebration of heterodoxy and its witty defense of the clever thoughts of an upstart servant who demands to be treated with respect by daring to call into question his master’s illusions about the meaning of life.
Denis Diderot (1713-1784) was among the greatest writers of the Enlightenment, and in Jacques the Fatalist he brilliantly challenged the artificialities of conventional French fiction of his age. Riding through France with his master, the servant Jacques appears to act as though he is truly free in a world of dizzying variety and unpredictability. Characters emerge and disappear as the pair travel across the country, and tales begin and are submerged by greater stories, to reveal a panoramic view of eighteenth-century society. But while Jacques seems to choose his own path, he remains convinced of one philosophical belief: that every…
