Books like Lady's Maid

Sparky, fast-talking and addictive, I adored this book when it came out in the early 1990s. I enjoyed the subsequent film, too.

But you don’t hear much about it any more, though I think it’s probably still a relevant portrait of Black women’s lives in America. It’s about four friends, women in their thirties, each chapter told from the viewpoint of one of the friends.

The voice is so fresh and in-your-face, so funny and engaging. I love how teasing and chiding of each other they are when they’re together, but also so supportive and loving. Below the lighter-than-air surface of their conversations, the reader comes to realise what they mean to each other.

I re-read this book every couple of years.

I love most of Anne Tyler’s novels, but this is my favourite. It contains my all-time favourite boy-girl friendship in Barnaby and Martine, who work together. I completely recognise and relate to their colleague-type banter, full of inside jokes, winding each other up, and covering up for each other. I love that Martine is a bit moody - recognisably human - and that she has Barnaby’s back when no-one else does.

No matter how many times I’ve read this, when Barnaby finally realises how important Martine is to him, I always get tears in my eyes.

Scruffy, grumpy Billie is my favourite female character in all of literature, and she stars in this, one of my top five all-time books.

It’s novella-length, a series of overlapping short stories, with characters who are absolutely real, living, breathing people. The story is primarily about a love affair, but there is a fabulous friendship in it between Billie and her childhood friend, Penny.

When Billie goes back home for Penny’s wedding, they briefly ditch the reception by rowing out onto the lake as they did when children, Penny in her long white dress. It’s a scene that never fails to make me want to phone my oldest friend and tell her how much I value her.

This funny, lively story tells first one friend’s version of events, then the other’s; the reader has to decide where they think the truth and lies are.

It was one of the books that inspired me to write, and it may not be a coincidence that my first novel also tells a story from two different accounts…!

Here, friends Gemma and Lily hope to never see each other again after a huge falling out over a man, but the more we find out, the more we aren’t sure whose side we should be on. What a rare talent Marian Keyes has for seeing the humanity, and the humour, in everyone.

At first glance, this book of short stories is about Denver gentrification, but the volume is much more – a series of studies of how Native and Mexican women remember and revisit the “lost territory” of northern New Mexico and southern Colorado when they head to the Rocky Mountain metropolis.

I love that rather than look back East or out West when seeking home, the women of Fajardo-Anstine’s work look northward and southward, to the past and to the future. I was not at all surprised to learn that Fajardo-Anstine consulted with Prof. Vanessa Fonseca-Chávez for her work. Fonseca-Chávez’s Following the Manito Trail oral history project let me keep listening for similar voices.

I had long wanted to read this book, and when I finally got around to it, I was absolutely immersed in it from start to finish.

The writing is magnificent, the subject grueling. Nobody in it is safe. It is an unflinching account, told from first-hand experience but fictionalized, of the realities of war at sea. I have read several other Monsarrats, and they are all brilliant.

This one fits best with my own quieter story of the women left behind. An additional detail makes it even more appropriate, because my Aunt Wendy knew Nicholas Monsarrat.

Brandt cuts through the mystique that “writing can’t be taught” and encourages writers to discover the creative and rational aspects of their consciousness—an approach that excites me as a writer and a teacher.

Brandt’s approach is useful for beginning writers and also for writers going through a dry period. I recommend it to all my students.

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.

There are many remedies for racism, including education, transmission, and prevention. So as not to limit myself to the human and social sciences, I suggest this children's novel by Ayaan Mohamud. It's an embodied account, a fictionalized testimony that we discover by following Hanan, the main character, who attends a prestigious school where she is subjected to a very routine form of Islamophobic ostracism.

She follows her mother's advice to stay the course and not overreact for a while. But after a tragedy, this position is no longer tenable and she makes her voice heard, in other words, she takes her place as a visible Muslim in American society in a different way.

This novel will delight young and old alike and is a good complement to the more scientific works cited in this list of recommendations. It was originally written for my children, so they wouldn't shut up.

This is one of the first books I read about writing that gave me that A-HA feeling. Originally published in 1999, it’s still relevant and foundational. What does your character want? Why? And what is standing in their way? It seems like a simple concept, but it isn’t easy! And boy, oh boy, if you are missing one of those elements, it can be the difference between a page-turner and a wall-banger (when a reader throws your book against the wall because you just wasted their time.)

Without really understanding what your character wants and why, writers risk nonsensical plot progression and alienating the reader.