Here are 100 books that Turn, Magic Wheel fans have personally recommended if you like
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Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I have always loved the image of Jo March hiding up in the attic (she calls it a “garret” because it’s more romantic) of her family’s New England house, munching on russet apples and writing furiously away with her pet rat, Scrabble, as her muse, or curling up with Jane Eyre—it’s the only place she can be alone.
She’s one of the classic aspiring young writers of literature—a totally unconventional, headstrong girl with big ambitions who has provided inspiration for her real-life counterparts for generations, me included.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
The book is genius and totally bonkers in the best way.
When a would-be hermit, a 60something playwright named Charles Arrowby, retreats to a house by the sea to write his memoirs in solitude, he’s besieged by uninvited visitors and interpersonal trouble, much of it of his own making.
The titular sea is ever-present throughout, almost alive in all its changing moods, and there is a lot of food and drink amid the constant conversations. What follows is a masterpiece of self-delusion and nostalgia, obsession and regret, a very British kind of comic madness that resolves into philosophical calm.
Winner of the prestigious Booker Prize-a tale of the strange obsessions that haunt a playwright as he composes his memoirs
Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
How could I not love this book? It’s set in the lovely (really!) city of Pittsburgh, and it’s about a lost weekend of literary hijinks and stoned debauchery.
The protagonist, Grady Tripp, is a young male writer making something of an ass of himself, but Chabon makes him so sympathetic, I can’t help rooting for him even as he digs himself in even deeper.
The dialogue crackles, the supporting characters are vivid and colorful, and the plot sweeps the reader up into a whirlwind of incredibly fun trouble.
A deft parody of the American fame factory and a piercing portrait of young and old desire, WONDER BOYS is a modern classic from the Pulitzer Prize-winning author of THE ADVENTURES OF KAVALIER & CLAY.
Grady Tripp is an over-sexed, pot-bellied, pot-smoking, ageing wunderkind of a novelist now teaching creative writing at a Pittsburgh college while working on his 2,000-page masterpiece, WONDER BOYS. When his rumbustious editor and friend, Terry Crabtree, arrives in town, a chaotic weekend follows - involving a tuba, a dead dog, Marilyn Monroe's ermine-lined jacket and a squashed boa constrictor.
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
In this beautifully subtle, thrilling, and finely drawn novel, Brian Morton captures a certain kind of relationship better than anyone else: an old and nearly forgotten male novelist named Leonard Schiller becomes infatuated with Heather Wolfe, the young, female graduate student who is writing her thesis about his work.
This is a novel about fame, intellectual companionship, and ambition, and Morton handles these themes with compassion, insight, and masterful control. I love this novel as much for its startling truths about human nature as for the brilliance of the writing itself.
Leonard Schiller is a writer in his seventies. All of his books are out of print; he's left no mark in literary history; a lifetime of dedicated labor has brought him few rewards. Heather Wolfe is a graduate student in her twenties. She read Schiller's novels when she was growing up, and they changed her life. She decides to write her master's thesis about Schiller's work, and she sets out to meet him.
Starting Out in the Evening is a novel about the unexpected consequences of that meeting--and the unexpected consequences of art. Heather blows into Schiller's life like a…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
The witty duo from Blue Heaven invade the entourage of a tasteless real estate/media magnate, attempt to turn his talentless wife into a chanteuse, and vie for the affections of a suave magazine editor, in this deftly delicious comedy of bad manners, financial skullduggery, and romantic infighting.
In the hands of a skilled horror author, there is something powerful about a slow-burn romance. When two characters are drawn to each other against the backdrop of dread and danger, the stakes are raised. Every moment the two have together is hard-won, special. The romance doesn’t soften the horror; it sharpens it. It gives readers something to invest in and hope for. That intense emotional investment creates tension. Survival isn’t just about escaping the supernatural threat or a human monster; it’s about what might be lost if they don’t. In horror, love is a luxury because it’s risky and a vulnerability. It's a favorite element of good horror.
Some horror books manage to create a sense of dread that builds slowly over time, dropping little clues and breadcrumbs for the reader along the way, hinting at the horror just around the bend. Other books keep their secrets. If you’re a Devil Wears Prada fan, you will enjoy the trope of “new employee is completely disgusted by the lifestyle & culture modeled by their co-workers but eventually find themselves adapting to the point of getting sucked into it and believing in it.”
I also enjoyed the sapphic longing and desire that developed between some of the main characters. This works in tandem with the complexity of the story and the growing tension. I will not spoil the direction of the storyline and what ultimately makes this book land squarely in the horror genre, but I will say, it does not disappoint.
Sly, surprising, and razor-sharp, Natural Beauty follows a young musician into an elite, beauty-obsessed world where perfection comes at a staggering cost.
Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.
Holistik is known for its remarkable products and procedures—from remoras that suck out cheap Botox…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
For years, I refused to re-embrace Holden Caulfield, because Mark David Chapman, John Lennon’s assassin, declared it inspired him to bloodshed. I’m glad I did, getting the juices circulating for my novel.
Holden, manic-depressed over his brother’s death, cut loose from his prep school, may speak in a stream-of-consciousness babble, but he enunciated an old-soul contempt of Ivy-League elitism that reverberates today.
When Holden declares, “The more expensive a school, the more crooks it has,” it’s a literary MRI on American classism still tearing us asunder.
I love the thrill of the chase and have always been passionate about the dramatic. In school, I was always the evil sorceress in plays. Later, as a professional actress, I sought dramatic roles or outrageously funny characters. Psychological thrillers fulfill the need to make my world more dramatic than it actually is. I call good thrillers “fudge reading.” Because having them in my life is like pigging out on the best fudge you can find, now, as a writer of psychological thrillers, I try and give my readers a roller coaster ride on daring topics just the way these five writers have inspired me to do.
I became obsessed with the two main characters in this book. You could say good vs. evil, but it’s more than that. For me, this was an existential journey into the tunnels of two people’s minds. I learned everything about the way Captain Delaney’s mind worked and the man he chased, Daniel Blank.
For me, this was the kind of mystery/thriller in which you eventually know more about the characters than they know about themselves. Even more thrilling was how similar they both became in the end. It was like their personalities blended into one man.
Rock music has been in my blood and my soul for as long as I can remember. I’ve recorded two albums, "Twice Upon a Rhyme" (1972) and "Welcome Up: Songs of Space and Time" (2020). My most recent novel is It’s Real Life. I’m also Professor of Communication and Media Studies at Fordham University, and my students will tell you that from time to time, I’ll sing a bar or two from a song in my class. A book about music is always a hard-to-resist temptation.
I’ve lived in New York City all of my life. I sang doo-wop in Washington Square Park in Greenwich Village when I was a teenager, and then folk rock with my group, The New Outlook.
If ever there was a time-travel ticket to a past and a place that I knew so well I could still see the sun glinting through the tree leaves, hear the din of the eateries as I walked by, and, most important, still hear the music by people vastly more famous than me, music that actually defied any given time or place, it would be David Browne's book, Talkin' Greenwich Village.
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
I’m a voracious reader, an author, and also a book critic, so hundreds of books cross my desk. What I love the most is the feeling of discovery—reading a book whose likes I haven’t seen on any bestseller list or on a front display in a bookstore. There are so many, many hidden gems—books that have stayed with me long after the publication day, and I always want others to have the same devotion to them that I do!
Maybe not a hidden gem (it was a Good Morning America Buzz Pick), but this one surely should be in everyone’s book bag.
New York City’s the bustling backdrop of this wildly witty novel about two adult daughters and their meddling advice columnist mother. Clementine struggles with working and bringing up her six-year-old boy, and her one comfort is the beautiful Queens home she thought she owned—right up until she discovers her husband has mortgaged their house for his failing start-up.
Sister Barb has a cheating girlfriend, and advice columnist mom has issues of her own! Can Wendy swoop in to save the day? Or does she? Smart, smart fun.
A Good Morning America Buzz Pick and one of Read With Jenna's Most Anticipated Books of 2022
"I laughed and shook my head in recognition as the three Wise women crashed through love relationships, terrible advice, and delightful moments of connection. The Wise Women is a smart and tender novel about how hard-and vital-it is to find the place where we belong." -Amanda Eyre Ward, New York Times bestselling author of The Jetsetters and The Lifeguards
A witty and wildly enjoyable novel, set in New York City, about two adult daughters and their meddling advice columnist mother, for readers of…