Books like The Spire — picked by fans

I abhorred Robert Moses from the first time I opened this book 20 years ago.

This power-grabbing bureaucratic functionary made me ill on some level, mad as hell on another, and want to take a shower after each time I opened the book.

In the end, I still hated Moses for his gall and immoral audacity, but you could not deny his accomplishments, as he saw them. Nevertheless, I had to love a book that could take such a scoundrel whom I grew to loathe and make me glad I read it.

Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.

Another parable, another legend, another work of manual labour turned mystical. In this tale of a bridge-building gone wrong, Albanian novelist Ismail Kadare considers the harms and inevitabilities that come from spanning disparate cultures. This book features a human sacrifice at the altar of erection; it feels antique and yet timeless; it explores the boundaries of human endeavor. Notes the narrator, a silenced sceptic, “all great building works resemble crimes.” It is a recognisable concern from Kadare, an exile of Hoxha’s totalitarian regime.

Among Robert Moses’ many divisive projects, the Verazzano-Narrows Bridge hits three Power Broker criteria: superlative (longest suspension bridge in the world); tyrannical (an entire neighborhood evicted from their homes); and indelible (who can imagine New York without its soaring Brooklyn-Staten Island link?). A sidebar to Moses’ expansion from Triborough to all-borough authority is the role of a bridge in birthing a fresh literary genre. A mid-century stylist of creative nonfiction, Talese wanted to celebrate the men who risked life and limb to span the narrows. His brand of detached observation has aged awkwardly (the stance on women, for example, or on Indian ironworkers “incapable of enforcing discipline, only capable of handing dollar bills around”). But it is a canonical work of New Journalism, written one year before the legendary essay, “Frank Sinatra has a cold.”

I found this book by accident and was very glad I came across it while pottering around the shelves of my favourite second-hand bookshop.
On first appearances, the book looks like a missing-person-stroke-body-turning-up-many-years-later-in-mysterious-circumstances kind of story, but it goes much further into a world of conspiracy theories, malign medical technologies, and seemingly unfathomable crimes.
I loved the sheer pace of the book – very hard to put down – and how Iain Edward Henn set about weaving the characters, settings, and indeed reader into a possible (probable) new scientific paradigm.

Great stuff.

This selection of essays focuses on the important concept of “downward causation” (a designation first employed by Donald T. Campbell), that is, the idea that, in addition to the “upward” causal influence of parts on wholes, which is the focus of stereotypical (bottom-up) reductionist views, wholes also exercise top-down emergent causal influences on their parts.

This has been a vital recurring issue and an identifying principle in most theories of emergence. Campbell and Mark H. Bickhard provide the culminating chapter in this book.

In this book, one of the great philosophers of the first half of the 20th century sketches his take on two central philosophical tasks -- explaining what kinds of things exist in reality, and how they are related, and delineating what we can know and how we know it. In so doing, Russell illustrates the new method of logical and linguistic analysis he used in The Philosophy of Logical Atomism (1918), to lay the foundations of an epistemological and metaphysical system rivaling the great systems of the past. A key transitional figure linking the history of the subject to contemporary concerns, he raised logic and language to central subjects of philosophical study in their own right, without losing sight of their relevance for more traditional philosophical quests.

I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.”

With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!)

Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent… show more.

Pippin’s book impresses me because it makes clear how the modern German philosophy of Kant, Hegel and others, may fail to get to grips with deeper questions concerning why things matter at all.

Western philosophy is concerned with reconciling thinking and reality, but this neglects the fact that meaningfulness is not fully grasped by what can be rationally known and explained. Our sense of things mattering precedes whatever we may come to know about them: think of how music can grip us in ways which we can never fully explain. This issue leads Pippin to a hugely enlightening account of the difficult (and problematic) work of Martin Heidegger that I find the most plausible interpretation of his work.

This book shows how one can question the very status of philosophy in the modern era, and think about alternative ways of making sense of things.

Aristotle’s Metaphysics marks the beginning of attempts to articulate the philosophy of metaphysics as a science. Retrospectively applying Kant’s division of metaphysics as transcendental philosophy to Aristotle’s writings: Aristotle’s Metaphysics is an in-depth examination of cosmological and theological metaphysics.

I personally enjoy Aristotle’s Metaphysics because it is mysterious. It is difficult to read, and the fact that it was written with an entirely different alphabet is exciting. Aristotle’s Metaphysics is his attempt to systematically blend his particular preference for empiricism with metaphysical insights learned from Plato’s philosophy.

The history of Aristotle’s Metaphysics – in terms of, for example, its title and organization – is fascinating in itself; however, what always stood out for me was recognizing Aristotle’s own excitement. Book 5 of his Metaphysics is often thought of as a kind of metaphysical dictionary, and shortly after this summary of vocabulary terms, it is as if Aristotle grabs hold of… show more.