Here are 100 books that Drawing in the Dust fans have personally recommended if you like
Drawing in the Dust.
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I didn’t sit down to write Carried Away with a personal sermon in my back pocket. No buried lessons or hidden curriculum—it was just a story I wanted to tell. But stories have a way of outsmarting you.
So when I chose these books, I wasn’t looking for perfect comparisons—I was looking for echoes. Some of these books will drag you through POW camps or strand you on a lifeboat with a tiger; others will lean in and whisper that you’ve been running a program and calling it personality. A few say the quiet part out loud—about grit, meaning, and purpose. Others ring you up with fable, abstractions, or science, but they leave their mark just the same.
Hell, I think I actually wore the pages out, if that’s even possible. When I was younger, I went back to it like a lab rat hitting the lever for a pellet—each parable connecting another dot. To me, the mystery was life, the teacher the universe, and I was the student—albeit a lousy one.
The Alchemist is one of those rare novels that feels both timeless and uncomfortably personal. At its foundation, it’s about following your own path—trusting the itch of intuition and chasing something bigger than yourself, even when it feels a little foolhardy in the moment.
What I love is how Coelho cuts through with fable-like simplicity: those who love walking go farther than those who love the destination—and they usually learn a hell of a lot more if they’re paying attention.
A global phenomenon, The Alchemist has been read and loved by over 62 million readers, topping bestseller lists in 74 countries worldwide. Now this magical fable is beautifully repackaged in an edition that lovers of Paulo Coelho will want to treasure forever.
Every few decades a book is published that changes the lives of its readers forever. This is such a book - a beautiful parable about learning to listen to your heart, read the omens strewn along life's path and, above all, follow your dreams.
Santiago, a young shepherd living in the hills of Andalucia, feels that there is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
This book is a beautiful tale that demonstrates the ugliness of first impressions when it comes to viewing others. When Vivienne is looked down upon by the local mayor for being a single mother and nomadic traveler, he is making assumptions based on his own narrow-minded authority.
I love how, despite his attempts to harm her financially, she continues to show how being an individual who is true to oneself means more than trying to fit the mold of what someone else might think you should be.
Even before it was adapted into the Oscar-nominated film starring Juliette Binoche and Johnny Depp, Chocolat entranced readers with its mix of hedonism, whimsy, and, of course, chocolate.
In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows.
Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch?
Soon the parish no longer cares, as it abandons itself to temptation,…
Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.
I’ve read the first sentence of The Angel’s Gameover and over, never tiring of the simple wisdom—and truth—of protagonist David Martin’s words: “A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story…” And for the rest of the novel, I’m caught in the web of an author whose prose is as pleasurable to read as the story itself.The Angel’s Game is an example of visionary/metaphysical fiction, a little-known genre under the umbrella of speculative fiction containing paranormal and/or supernatural elements that don’t exist in the realworld. Carlos Ruiz Zafon, however, makes the unreal seem real and the impossible seem possible, a sign of a truly gifted writer.
The stunning new novel from the internationally bestselling author of THE SHADOW OF THE WIND.
In an abandoned mansion at the heart of Barcelona, a young man - David Martin - makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books, and spends his nights spinning baroque tales about the city's underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house letters hinting at the mysterious death of the previous owner. Like a…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.
I’m willing to bet thatDean Koontz would be the first to admit that, like many of his characters, he’s a little weird. But in a good way. Weird like those knowledgeable about quantum physics, synchronicity, and artificial intelligence. Weird like those into Edgar Allan Poe, T.S. Eliot, Werner Eisenberg, and Carl Jung. And weird like authors who use the last line of their stories to leave their readers with unsettling questions long after the reading is through. In my opinion, this very quality, this weirdness, applied to the art of fiction, results in tales that not only entertain but make a captivating read. The Big Dark Sky is an example of both, with its unforgettable characters, especially Jimmy Two Eyes and Artimis (the most intriguing—and scary—of them all), and the thought-provoking scientific, psychological, and philosophical concepts woven into the tale.
A group of strangers bound by terrifying synchronicity becomes humankind's hope of survival in an exhilarating, twist-filled novel by Dean Koontz, the #1 New York Times bestselling master of suspense.
As a girl, Joanna Chase thrived on Rustling Willows Ranch in Montana until tragedy upended her life. Now thirty-four and living in Santa Fe with only misty memories of the past, she begins to receive pleas-by phone, through her TV, in her dreams: I am in a dark place, Jojo. Please come and help me. Heeding the disturbing appeals, Joanna is compelled to return to Montana, and to a strange…
I'm very interested in neuroscience, and it turns out that when you are in a state of wonder, you activate parts of the brain that correlate with creativity, gratitude, hope, and connection with oneself and others. In a way, wonder is an antidote to the doom-and-gloom ideologies that surround us. I'm very drawn to art and ideas that help me connect with my sense of wonder and remind me that I'm connected with a vast and mysterious universe!
I love the dreamy art and timeless wisdom in this unique book. It reminds me that I'm in an eternal state of oneness with the universe right here and right now. This book is soothing and beautiful and speaks to the deepest longings of the soul!
Your Illustrated Guide to Becoming One with the Universe will set you free on a visual journey of self-discovery. Set against a surreal backdrop of intricate ink illustrations, you will find nine metaphysical lessons with dreamlike instructions that require you to open your heart to unexplored inner landscapes. From setting fire to your anxieties to sharing a cup of tea with your inner demons, you will learn how to let go and truly connect with the world around…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Wittgenstein’s Mistress is a novel by David Markson that takes the form of a journal written by a woman living on a beach who believes she is the only person left on earth. It is made up of short paragraphs—often no more than a sentence—that record her lonely travels, like a surrealist Robinson Crusoe. At the risk of spoiling a conceptual twist, what begins as a metaphysical examination of language and the self turns out to be a study of grief and betrayal. If you are lonely, Wittgenstein’s Mistress is wonderful company: captivating, playful, intellectually rich, and unexpectedly moving.
Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.
Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a classically and formally trained philosopher. I have a Doctorate in Philosophy from Duquesne University (2011). I've been interested in philosophy for as long as I can remember; however, I began formally studying philosophy when I first discovered the work of Friedrich Nietzsche. I began teaching philosophy at the university level in 2004. I've taught over 100 university-level courses, including graduate-level courses in both philosophy and psychology. I'm presently finishing my tenth philosophy book, along with over 50 professional peer-reviewed articles in philosophy. These days my attention is devoted to sharing philosophy on the internet through The Philosophemes YouTube Channel, @Philosophemes on Instagram, and the Basic Philosophical Questions Podcast.
Aristotle’s Metaphysics marks the beginning of attempts to articulate the philosophy of metaphysics as a science. Retrospectively applying Kant’s division of metaphysics as transcendental philosophy to Aristotle’s writings: Aristotle’s Metaphysics is an in-depth examination of cosmological and theological metaphysics.
I personally enjoy Aristotle’s Metaphysics because it is mysterious. It is difficult to read, and the fact that it was written with an entirely different alphabet is exciting. Aristotle’s Metaphysics is his attempt to systematically blend his particular preference for empiricism with metaphysical insights learned from Plato’s philosophy.
The history of Aristotle’s Metaphysics – in terms of, for example, its title and organization – is fascinating in itself; however, what always stood out for me was recognizing Aristotle’s own excitement. Book 5 of his Metaphysics is often thought of as a kind of metaphysical dictionary, and shortly after this summary of vocabulary terms, it is as if Aristotle grabs hold of…
Arthur Madigan presents a clear, accurate new translation of the third book (Beta) of Aristotle's Metaphysics, together with two related chapters from the eleventh book (Kappa). Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle sets out what he takes to be the main problems of metaphysics or 'first philosophy' and assesses possible solutions to them; he takes his starting-point from the work of earlier philosophers, especially Plato and some of the Presocratics. These texts serve as a useful introduction both to Aristotle's own work on metaphysics and to classical metaphysics in general; they are…
From dancing on a crane in a meteor shower, to earning a history degree at the top program in my country; bathing under a waterfall to cradling the dying as a physician—I’ve always straddled the line between adventure and hunger for the truth beyond. Some books are the same way: they pull you in with fun and plot, and colors, and they leave you with bigger thoughts and questions about the Universe at large. All genres have this capacity for surprise and depth, but space opera’s best—here’s a list of reads with that special metaphysical power.
I’m a physician, so it’s probably not surprising that a book by a physician about an alien physician might hit my list of meaningful space operas.
What is surprising is Star Surgeon’s double-twist—the patients aren’t who we think they are, and the secret to getting Earth into the prestigious Galactic Confederation isn’t what we think it is—both of which actually had huge real-world thematic implications.
On face level, it’s a medical thriller: the protag’s the first alien to graduate from human medical school, and he’s got to prove himself by curing an epidemic on a remote planet without arousing the ire of his human teachers. (I felt like this in residency.) But on a metaphysical level, Star Surgeon is a quiet manifesto dissecting the origins of racism—and the very biology of sentience itself.
A Sector General Novel In the far future Humans are part of an intergalactic civilization populated with countless alien races. Humans are prized for their medical expertise and make up almost all of doctors in the galaxy. Dal Timgar is the first non-human to attempt to become a qualified physician recognized by the Hospital Earth. But, before he reaches his goal he and his companions find a plague planet that may change the course of history.
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
Mario Bunge’s study is notable for the variety of its analyses of various diverse phenomena in which emergence is evident: in general systems theory, for example, as well as in language systems, social analysis, theories of holism, social systems, biology, epistemology, and biomedical sciences.
Bunge singles out a sense of “convergence” that highlights the integration of multiple sub-processes. It’s not just the specific relation between distinct parts that is a hallmark of emergence, but the integrated relation among these sub-processes. This book certainly broadened my perspective of the whole subject area.
Two problems continually arise in the sciences and humanities, according to Mario Bunge: parts and wholes and the origin of novelty. In Emergence and Convergence, he works to address these problems, as well as that of systems and their emergent properties, as exemplified by the synthesis of molecules, the creation of ideas, and social inventions.
Along the way, Bunge examines further topical problems, such as the search for the mechanisms underlying observable facts, the limitations of both individualism and holism, the reach of reduction, the abuses of Darwinism, the rational choice-hermeneutics feud, the modularity of the brain vs. the unity…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Through both a former career as an engineer and my writing, I have developed a craving (bordering on obsession) for all things scientific, historical, archaeological, metaphysical, and a more than avid interest in quantum physics which I like to introduce into my books and stories. I also have a fondness for the dark and macabre, for the bizarre, the wondrous, and the plain out there. The weirder the concept – the more I like it… get consumed by it.
I found this book by accident and was very glad I came across it while pottering around the shelves of my favourite second-hand bookshop. On first appearances, the book looks like a missing-person-stroke-body-turning-up-many-years-later-in-mysterious-circumstances kind of story, but it goes much further into a world of conspiracy theories, malign medical technologies, and seemingly unfathomable crimes. I loved the sheer pace of the book – very hard to put down – and how Iain Edward Henn set about weaving the characters, settings, and indeed reader into a possible (probable) new scientific paradigm.