Books like Drawing in the Dust — picked by fans

My life was altered forever when my family moved from California to Suffolk, England. I attended an English school and was exposed to English literature, music, and history. I visited Poet’s Corner in Winchester Cathedral in London, Shakespeare’s home and grave in Stratford-Upon-Avon, and numerous English villages and gardens. Through these experiences, I fell in love with words and rhythm and how they can be used to tell stories. In college, I took a trip across Europe that further transformed my life as I encountered the art and history of Italy and France and the fascinating tableau of cultures across the continent, a trip that further expanded my appreciation of art, architecture, and creativity. 

I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.

Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.

Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.

I'm very interested in neuroscience, and it turns out that when you are in a state of wonder, you activate parts of the brain that correlate with creativity, gratitude, hope, and connection with oneself and others. In a way, wonder is an antidote to the doom-and-gloom ideologies that surround us. I'm very drawn to art and ideas that help me connect with my sense of wonder and remind me that I'm connected with a vast and mysterious universe! 

That’s the eternal question, isn’t it? Out here in the manifestation, I am Duff McDonald, author and journalist, father of Marguerite, husband of Joey, and general man about town. I’m a Canadian who moved to the U.S. to go to college and never went back. But who am I, really? I am the same thing as everyone else, a speck of consciousness in the possibility machine, a perfect creation. This whole thing has divine origins, something I only realized not that long ago, and it set me free. I can’t wait to see what happens next. I have, of late, discovered that maximizing one’s awareness is the main quest of a human life.

When I realized years ago that the universe isn’t merely a concrete reality, I turned to metaphysical/visionary books to understand my experience. There weren’t that many books, but the ones I found became dear friends. Now, after decades as a freelance editor, I am writing fiction in this genre because I believe stories can be as powerful as expository writing for awakening consciousness. However, I’ve noticed many metaphysical writers discourage the engagement and commitment needed to make this world a better place. For this reason, I seek to gather—and contribute to—writing that is visionary and also advocates for democracy and social justice.

When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.

I love writing group biographies (I‘ve written four and my next book, Spellbound by Marcel: Duchamp, Love, and Art, will be another). I enjoy the intellectual scope they offer, the way they let you explore a world. I’m less interested in the details of individual lives than in the opportunity biography offers to explore social history, and group biography is particularly suited to that. They’re not easy to do, it’s no good putting down just one damn life after another, but I enjoy the challenge of finding the shape that will let me fit everyone’s personalities and ideas into a coherent story.