Books like Out of the Silent Planet — picked by fans

I read this trilogy in 1998 when I had just finished high school.

Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.

Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.

I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.

I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?

For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?

Don't panic.

Science fiction can be hilarious without becoming merely ridiculous. It can bend the genre’s conventions without losing its way, and unleash its imagination while still taking sharp aim at human arrogance.

I read this book before it was widely recognized as a classic, and immediately loved its mixture of adventure, unforgettable characters, and jokes so brilliant that they became cultural touchstones around the world.

Most of all, I loved never being able to imagine what would happen on the next page. Few books offer the same combination of speed, adventure, unpredictability, and genuine laughter. Ever since I finished it, I have kept a small towel nearby, just in case the world ends.

I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.”

With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!)

Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent… show more.

George MacDonald’s mystical adoration of nature shines through all his writings. His books take place in Nineteenth-Century Scotland and England, in an obviously much quieter age. His insights into the living chorus of the natural world transcend any I have ever read.

His characters walk everywhere and absorb the natural world as if through a loving relationship with another soul. I consider George MacDonald my teacher, as did C.S. Lewis. This was written for children, or the childlike in all of us. I read it every year and have dedicated my book, Whippoorwill Willingly to MacDonald.

I loved this story! The world is darker than I expected but tactfully done. I found myself shivering with the descriptions of the fangs and getting angry at them, right along with the characters, when they did awful things—which was always.

I loved the forest, full of freshly created dangerous creatures I’d not read about before. I was tickled to read about the treehouse, and the treetop walk within this forest as it reminded me of some elements in my own story.

I found myself hoping Janner, a 12-year-old boy, would uncover the truth about his family and respected his determination to do so. I was often anxious about his younger sister's pet dog as I'm not fond of seeing pets harmed.

An excellent start to the series.

This book is an allegory that shows life as full of struggles and doubts as we make our way to our spiritual destination. I fully related to the main character, Much-Afraid, and her insecurities. This book helped me to focus less on my fears and more on trusting a loving God who wants to help me to overcome my insecurities and fears.

While not perhaps a “romance” novel in the established-formula sense, this book is achingly romantic. This epic story truly focuses on the gradual development of the two protagonists’ relationship and how time travel both created and challenged their love. This book ignited my passion for magic-realism romantic novels and remains one of my top books of all time.

I adore the contrast of romantic love between two seemingly destined souls and the brutality of some events caused by Henry’s uncontrolled time travel. There’s also the tricky angle of the age gap (only sometimes, depending on where Henry and Clare are in their lives, but it is occasionally extreme), which the author doesn’t shy away from. And I confess this is probably the book that made me sob the most!

The concept of this story is amazing, especially at a time when they are “bringing back” different species. I am often amazed at what scientists have been able to accomplish in real life, and it’s even more fun to read about it in fiction. 

Another thing that I loved about this story is how it shows that nature cannot be contained. We can manipulate it, but we’d better not make too many assumptions about how things will progress because nature has its own way of doing things.

The characters were also great in both the book and the movie.

It’s hard to beat Scalzi for nailing the execution of a high concept.

Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.

Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time.