100 Books Like Sinophagia

This book is an unusual anthology that speaks loud to the reader, reminding them of their loves and hurts, longings, terrors, and dreams.

It’s a cross-lingual hybrid with a literary bend that integrates poetry and short fiction, and is inclusive in its cast of authors of Black, Black-Latinx, Cherokee, Japanese-American, and contributors of much diversity.

The anthology is both visually aesthetic—in the artistic array of its poetry—and textually arresting with stories of ancestry, superstition, and the deity.

This rare anthology is distinct in its focus on music and sound magic and the languages of Mother Africa, as authors of African descent take their imagination to the furthermost reaches, with short stories and accompanying stimulating illustrations.

Mothersound brings together years of worldbuilding through Afrocentric stories set in the Sauútiverse, with its vision to "create a space for African and African diaspora writers and creators to collaborate and share fantastical ideas."

This book brings together a diverse cast of writers from Africa and the diaspora to explore spirits, ancestors, and folklore in eerie ghost stories from Africa.

It spotlights new, contemporary, and award-winning writers in their study of ancestral fear or veneration, and retellings or new craftings of gothic horror.

This book arrives with a profound introduction on "writing ourselves into being," and casts a crucial gaze on writing from the margins.

It invites the reader to engage with difference, whether the difference is queer or skin colour or cultural heritage or whichever form of diversity. Contributors share with the reader their art, craft, and lived experience, where "writing oneself in," as Octavia Butler did, is fundamental self-creation, snatching space that has been stolen or withheld.

This anthology of personal truths, as authors unskin to their innermost selves, is as startling as it is introspective.

This book is horrifying, weird as shit, and absolutely beautiful, from China Mieville’s stunning prose to the grotesque splendor of his imagery.

Mieville’s follow-up to Perdido Street Station is a Melvillian Gothic that takes its characters on a sprawling, twisted naval journey that incorporates such horrors as giant mosquito monsters, a symbiotic pair of dictators known as the Lovers, and a Frankensteinian punishment system where bio-thaumaturgists graft foreign limbs or organs onto their victims’ bodies.

The Scar blew my mind when I first read it in college, and made me rethink what a novel could be. Its creativity and depth feel endless, with layers of philosophical and thematic depth. It’s the kind of book that makes you feel like you could read it a hundred times, and still find fresh meaning.

The Scar’s final act also perfectly captures the feeling that you’re beholding something beyond your capacity to fathom—and… show more.

This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.

Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.

In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.

The artwork is delicate and the text simple, but powerful.

Writers often ask, “What if I don’t know what really happened?” Memory is so slippery that many writers trip up with self-doubt. Here’s when I turn to Maxine Hong Kingston. Unable to hunt down the facts, Kingston instead revels in speculation: Maybe this is what happened, or maybe this. She might not know why her pregnant aunt drowned herself in the family well, but she sure as heck knows the impact of her aunt’s story on her family dynamics.

This is an exceptionally smart rendering of emotional truth regardless of facts, and as such, signs a permission slip for memoir writers. We can let our DNA speak. We can speculate on the page without having to pin down the facts. Speculation can become part of the story.

This book presents mythology from my own Chinese culture—specifically, a legend from Hong Kong, where I lived from the age of seven to sixteen. We used to go on drives into the countryside on the weekends—Hong Kong still had some semblance of countryside then—and we’d often see the Amah Rock looming above us in the distance. This book tells the sad and poignant legend behind that rock. I love how it takes a tale specific to one geographical spot—one small pile of stones—and turns it into a universal story about love and loyalty. What also makes it special is that the author used to be beside me in the backseat of the car. Natasha Yim, a very well-respected children’s author, is my sister.

This book stands out because it delves deeper into popular characters that appear repeatedly in similar books. I have also enjoyed coming across new names and places not previously found. But far from being obscure names, I have encountered these in Chinese fantasy dramas.

Best of all, it includes pictures of relevant artwork and museum artifacts. I get to see these without having to travel to the four corners of the world. Giving us a sense of where we are in place and time, these displays show that throughout the long Chinese history, these legends and myths are integral to the lives of Chinese people.

This is a one-story picture book from another great storyteller, Eric Maddern, with fantastic illustrations by Paul Hess.

I love this clever, funny folktale and have often told it to festival and school audiences. The text is elegant and easy to read for ages 7 plus, but younger children will enjoy having it read to them. The humour in the tale is brilliantly portrayed in Paul Hess's colourful, amusing pictures. Look out for the three blind mice.

As with most folk stories, the meaning or moral of the tale is shown through clever wit and riddle-like logic. This story has a particularly surprising and satisfying end.