Books like African Ghost Short Stories — picked by fans

This book is an unusual anthology that speaks loud to the reader, reminding them of their loves and hurts, longings, terrors, and dreams.

It’s a cross-lingual hybrid with a literary bend that integrates poetry and short fiction, and is inclusive in its cast of authors of Black, Black-Latinx, Cherokee, Japanese-American, and contributors of much diversity.

The anthology is both visually aesthetic—in the artistic array of its poetry—and textually arresting with stories of ancestry, superstition, and the deity.

This rare anthology is distinct in its focus on music and sound magic and the languages of Mother Africa, as authors of African descent take their imagination to the furthermost reaches, with short stories and accompanying stimulating illustrations.

Mothersound brings together years of worldbuilding through Afrocentric stories set in the Sauútiverse, with its vision to "create a space for African and African diaspora writers and creators to collaborate and share fantastical ideas."

This book arrives with a profound introduction on "writing ourselves into being," and casts a crucial gaze on writing from the margins.

It invites the reader to engage with difference, whether the difference is queer or skin colour or cultural heritage or whichever form of diversity. Contributors share with the reader their art, craft, and lived experience, where "writing oneself in," as Octavia Butler did, is fundamental self-creation, snatching space that has been stolen or withheld.

This anthology of personal truths, as authors unskin to their innermost selves, is as startling as it is introspective.

This is an exquisitely-arrayed anthology of translated contemporary Chinese horror and has a hearty share of corpses, self-harm, graphic violence, torture, and all manner of physical and psychological abuse.

It’s a culturally immersive miscellany that draws attention to marginalised humans and non-humans in subversive activism that breaks a circle of silence through clever use of mythology, folklore, and superstition.

These fall more in the young adult world rather than middle grade because of the sexual situations. With that being said, I totally devoured them in middle school.

In my opinion, there is no greater master of the end of chapter cliffhanger than R.L. Stine, which keeps you frantically turning the page waaaaay after lights out. I carried these books around with me in my grandmother’s huge makeup case like my spooky book security blanket. And yes, my family was concerned.

I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.

I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.

Warning: Never read more than one a day.

I read this book to a Kindergarten class in 2006 and then again this past year.

This book is a smash hit with the kids and stands the test of time. The book is simple and the humor is silly which is what makes this book a fantastic read before bed or anytime really. It sets the mood when the leaves start to fall and spooky season is upon us.

It is highly interactive and the kids love to make the “hic-hic” sound while you read. When reading the book out loud, it gives adults a chance to let their silly flag fly and the kids all respond in-kind.

I heard this one on audiobook first. The first book is amazing.

What drew me to this one was the character of Cal James. She’s got an unenviable gift of being able to see recent ghosts and interact with them. Her personal life’s a hot mess, but she has a heart of gold, and doesn’t mind punching ghosts.

These days, “folk horror” is a popular term for movies like Midsommer and The Witch.

In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.

The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).

Though Doyle will forever live on as the creator of Sherlock Holmes, he became an ardent Spiritualist and one of its biggest evangelists in the early 1900s. So strong were his beliefs that he lectured worldwide, and famously butted heads with Houdini over the legitimacy of communicating with the Other Side. This 1918 book explores his investigations into the world Spiritualism and the afterlife.