Here are 85 books that African Ghost Short Stories fans have personally recommended if you like
African Ghost Short Stories.
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I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book is an unusual anthology that speaks loud to the reader, reminding them of their loves and hurts, longings, terrors, and dreams.
It’s a cross-lingual hybrid with a literary bend that integrates poetry and short fiction, and is inclusive in its cast of authors of Black, Black-Latinx, Cherokee, Japanese-American, and contributors of much diversity.
The anthology is both visually aesthetic—in the artistic array of its poetry—and textually arresting with stories of ancestry, superstition, and the deity.
A gathering of innovative, speculative fictions by writers of color, both established and emerging
The innovative fictions in Infinite Constellations showcase the voices and visions of 30 remarkable writers, both new and established, from the global majority: Native American/First Nation writers, South Asian writers, East Asian writers, Black American writers, Latinx writers, and Caribbean and Middle Eastern writers. These are visions both familiar and strange, but always rooted in the mystery of human relationships, the deep honoring of memory, and the rootedness to place and the centering of culture.
The writers in this anthology mirror, instruct, bind and unbind, myth-make…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This rare anthology is distinct in its focus on music and sound magic and the languages of Mother Africa, as authors of African descent take their imagination to the furthermost reaches, with short stories and accompanying stimulating illustrations.
Mothersound brings together years of worldbuilding through Afrocentric stories set in the Sauútiverse, with its vision to "create a space for African and African diaspora writers and creators to collaborate and share fantastical ideas."
Mothersound: The Sauútiverse Anthology is the first anthology of stories set in a fictional shared world based on a blend of African cultural worldviews. Edited by Locus award nominated editor Wole Talabi with contributions from around the African continent and diaspora, Sauúti is filled with wonder, mystery, and magic.
African-based intergalactic worldbuilding
Space travel
Humanoid and non-humanoid creatures
Artificial intelligence
Intricate magic system based on sound, oral traditions, and music
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book arrives with a profound introduction on "writing ourselves into being," and casts a crucial gaze on writing from the margins.
It invites the reader to engage with difference, whether the difference is queer or skin colour or cultural heritage or whichever form of diversity. Contributors share with the reader their art, craft, and lived experience, where "writing oneself in," as Octavia Butler did, is fundamental self-creation, snatching space that has been stolen or withheld.
This anthology of personal truths, as authors unskin to their innermost selves, is as startling as it is introspective.
In Ex Marginalia, 20 authors of speculative fiction explore what it means to create at the intersections of their multiple marginalities. A gay man pens a letter to his departed muse, an African woman ruminates on the end of a marriage, a Filipino writer defends romantic villains.
These essays chart identities and perspectives systematically excluded by a field that has failed to deliver on its promise of progress. But these voices cannot—will not—remain in the margins any longer.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This is an exquisitely-arrayed anthology of translated contemporary Chinese horror and has a hearty share of corpses, self-harm, graphic violence, torture, and all manner of physical and psychological abuse.
It’s a culturally immersive miscellany that draws attention to marginalised humans and non-humans in subversive activism that breaks a circle of silence through clever use of mythology, folklore, and superstition.
An anthology of unsettling tales from contemporary China, translated into English for the very first time.
Fourteen dazzling horror stories delve deep into the psyche of modern China in this new anthology curated by acclaimed writer and essayist Xueting C. Ni, editor and translator of the British Fantasy Award-winning Sinopticon.
From the menacing vision of a red umbrella, to the ominous atmosphere of the Laughing Mountain; from the waking dream of virtual working to the sinister games of the locked room... this is a fascinating insight into the spine-chilling voices working within China today - a long way from the…
I spent all my teenage years daydreaming about being magical (cue a handful of sparkling glitter). Even as an adult, those daydreams haven’t stopped. Magic promises the ability to change the story. I revisit those teen years when I can because ultimately, what each of these stories of magic offer is a coming-of-age story. The struggle of being pulled between two different worlds has always felt familiar to me, whether those worlds are literally different worlds (magical vs non-magical) or figurative (childhood vs adulthood). I’ve felt some version of that struggle my whole life, and I think I always will, which is why these stories will always feel like home.
Suze Simon might be one of my favorite characters of all time.
She’s a mediator (which means she speaks to the dead, and sometimes kicks their butts too). She grew up in New York, which made her tough and edgy. Our story starts when her mom remarries and they move to sunny California to live with Suze’s new stepdad and step-brothers (who are all varying degrees of hilarious, annoying, and down right adorable). Suze has to figure out how to navigate going from life as an only child to life as one of four kids kind of overnight.
I love how Meg Cabot plays with what it’s like to be the new kid, particularly the new kid with a BIG secret.
Shadowland is the first book in the thrilling, romantic Mediator series, from the New York Times bestselling author of the Princess Diaries, Meg Cabot.
Suze is a mediator—a liaison between the living and the dead. In other words, she sees dead people. And they won't leave her alone until she helps them resolve their unfinished business with the living.
But Jesse, the hot ghost haunting her bedroom, doesn't seem to need her help. Which is a relief, because Suze has just moved to sunny California and plans to start fresh, with trips to the mall instead of the cemetery, and…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
I will read absolutely anything that Richard Estep writes. He has written books about the Villisca Ax Murders, Malvern Manor, and other crazy-haunted places. This one, about a site in his native England, is utterly terrifying. Estep writes with a very straightforward, matter-of-fact style (his writing reminds me much of my own style), and the evidence he presents for this haunted site is deeply chilling -- especially since his team is one of the groups that has investigated the Cage.
When single mother Vanessa Mitchell moved into a historic cottage in Essex, she had no idea that a paranormal nightmare was about to unfold. The cottage, known as the Cage, used to imprison those accused of witchcraft back in the 1500s. From her first day living there, Vanessa saw apparitions walk through her room, heard ghostly growls, and was even slapped and pushed by invisible hands. Unable to handle the dark phenomena after three years, Vanessa moved out and paranormal investigator Richard Estep moved in. Spirits of the Cage chronicles the years that Vanessa and Richard spent in the Cage,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.
I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.
The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.
I think of reading horror stories as perfect armchair adrenalin-thrill-seeking. I prefer horror on the quiet side, dark and thematic, with any depiction of blood and gore in measured quantities. My favorite is historical horror with a moral edge, or underlying theme that explores who we are—good, bad, or in-between—as human beings, and how societal norms have changed from one era to another. The monsters of our imaginations are scary, but for true terror, there's nothing more frightening than the things we've done to each other throughout history. Dress society’s ills or expectations in monster clothes and write a story about them, and I’ll want to read it.
I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.
This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.
From the author of the million-copy bestselling The Art of Racing in the Raincomes the breathtaking and long-awaited new novel.
This novel centres on four generations of a once terribly wealthy and influential timber family who have fallen from grace; a mysterious yet majestic mansion, crumbling slowy into the bluff overlooking Puget Sound in Seattle; a love affair so powerful it reaches across the planes of existence; and a young man who simply wants his parents to once again experience the moment they fell in love, hoping that if can feel that emotion again, maybe they won't get divorced after…
I was five when we moved to Australia, and soon after I discovered two things: I am the seventh child of a seventh child, with magic powers including the ability to see ghosts. My mother’s brother Dennis drowned when he was six. Naturally I started talking to him. Mind you, Mum also told me if the wind changed my face would stay like that, so the ghost thing probably wasn’t true either. Technically she only brought two of us to term. Dennis and I still talk, but we don’t have much in common anymore. With that in mind, please enjoy my ghosty best friends book recommendations.
I found this one in a charity shop and read it in a day. It was a while after that I saw the tv series, and a while after that the movie. And it’s another one I still have in my bookshelves.
It’s another story about finding your place in the world, but at the same time, it’s about a timid widow, mother of two, finding herself through the mentorship of the ghost of a well travelled sailor. One who’s there waiting for her at the end of her life, not her bloody husband!
The basis for Joseph L. Mankiewicz’s cinematic romance starring Gene Tierney and Rex Harrison.
Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Through the struggles of supporting her children, seeking out romance from the wrong places, and working to publish the captain's story as a book, Blood and Swash,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
Though Doyle will forever live on as the creator of Sherlock Holmes, he became an ardent Spiritualist and one of its biggest evangelists in the early 1900s. So strong were his beliefs that he lectured worldwide, and famously butted heads with Houdini over the legitimacy of communicating with the Other Side. This 1918 book explores his investigations into the world Spiritualism and the afterlife.
Sir Arthur Conan Doyle, a Scottish writer and physician. He was born on 22nd May 1859 and was died on 7th July 1930. He was renowned for his ‘Sherlock Holmes Stories’.His famous work includes: A Study in Scarlet, The Sign of the Four, The Valley of Fear, The Mazarin Stone and His Last Bow etc.