Here are 64 books that Infinite Constellations fans have personally recommended if you like
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I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This rare anthology is distinct in its focus on music and sound magic and the languages of Mother Africa, as authors of African descent take their imagination to the furthermost reaches, with short stories and accompanying stimulating illustrations.
Mothersound brings together years of worldbuilding through Afrocentric stories set in the Sauútiverse, with its vision to "create a space for African and African diaspora writers and creators to collaborate and share fantastical ideas."
Mothersound: The Sauútiverse Anthology is the first anthology of stories set in a fictional shared world based on a blend of African cultural worldviews. Edited by Locus award nominated editor Wole Talabi with contributions from around the African continent and diaspora, Sauúti is filled with wonder, mystery, and magic.
African-based intergalactic worldbuilding
Space travel
Humanoid and non-humanoid creatures
Artificial intelligence
Intricate magic system based on sound, oral traditions, and music
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book brings together a diverse cast of writers from Africa and the diaspora to explore spirits, ancestors, and folklore in eerie ghost stories from Africa.
It spotlights new, contemporary, and award-winning writers in their study of ancestral fear or veneration, and retellings or new craftings of gothic horror.
Following the hugely successful Black Sci-Fi Short Stories and Asian Ghost Short Stories, comes this deluxe edition of new African writing and tales rooted in ancient culture. This collection explores the deep-seated supernatural element in African storytelling - whether reaching back to the spirits, ancestors and ogres of folklore or the vibrantly modern ghosts of today's African horror. New and contemporary stories complement poignant folktales such as 'The Story of Takane' from Lesotho and 'The Disobedient Daughter Who Married a Skull' from Nigeria.
With a foreword by award-winning Nigerian-British writer Nuzo Onoh, an introduction by Prof. Divine Che Neba, and…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book arrives with a profound introduction on "writing ourselves into being," and casts a crucial gaze on writing from the margins.
It invites the reader to engage with difference, whether the difference is queer or skin colour or cultural heritage or whichever form of diversity. Contributors share with the reader their art, craft, and lived experience, where "writing oneself in," as Octavia Butler did, is fundamental self-creation, snatching space that has been stolen or withheld.
This anthology of personal truths, as authors unskin to their innermost selves, is as startling as it is introspective.
In Ex Marginalia, 20 authors of speculative fiction explore what it means to create at the intersections of their multiple marginalities. A gay man pens a letter to his departed muse, an African woman ruminates on the end of a marriage, a Filipino writer defends romantic villains.
These essays chart identities and perspectives systematically excluded by a field that has failed to deliver on its promise of progress. But these voices cannot—will not—remain in the margins any longer.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This is an exquisitely-arrayed anthology of translated contemporary Chinese horror and has a hearty share of corpses, self-harm, graphic violence, torture, and all manner of physical and psychological abuse.
It’s a culturally immersive miscellany that draws attention to marginalised humans and non-humans in subversive activism that breaks a circle of silence through clever use of mythology, folklore, and superstition.
An anthology of unsettling tales from contemporary China, translated into English for the very first time.
Fourteen dazzling horror stories delve deep into the psyche of modern China in this new anthology curated by acclaimed writer and essayist Xueting C. Ni, editor and translator of the British Fantasy Award-winning Sinopticon.
From the menacing vision of a red umbrella, to the ominous atmosphere of the Laughing Mountain; from the waking dream of virtual working to the sinister games of the locked room... this is a fascinating insight into the spine-chilling voices working within China today - a long way from the…
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
This anthology of African women writers has been my personal lodestar in writing about Regina Twala, a forgotten African writer.
Busby (a pioneering editor and publisher of Ghanaian heritage) was one of the first to recognize that the canon of African writers was much bigger than famous men like Chinua Achebe and Wole Soyinka.
Her work taught me about a longstanding rich female literary tradition on the African continent – some of her earliest examples of women writers date to Ancient Egypt!
Busby recognizes that we can’t always look to the written page for evidence of this, given that many women writers were denied opportunities to publish their work.
So she broadens the focus of her anthology by paying attention to both “wordsandwriting,” thinking about female writers of novels, poetry, plays, non-fiction, and journalism.
Three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie.
A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and…
Women’s fiction is about relationships and issues that women deal with daily. I wish I could write thrillers or fantasy—those are so much fun to read, but I’m most fascinated by people and the life-changing choices they make. Being the daughter of immigrants has made me obsessed with two things, one is identity and the second is success. My books touch on the discovery of self and how that leads to success. And if we're honest, our relationships with our parents have a massive effect on who we become and our beliefs. I’ve explored parent/child relationships in all my novels, but most intimately in Let Us Begin which is based on my father’s life.
This is a fascinating historical novel about Thomas Jefferson’s oldest daughter, Patsy Jefferson. Aside from learning much more about history than I ever did in high school or college, I enjoyed reading about the relationship that she had with her father.
It’s difficult, I think, to have a relationship with a man like Jefferson who was devoted to his ideals and dreams first and to his family second. He had goals that were so immense that there was no competing with them. And yet, Patsy is completely devoted to her father and his goals. It’s a story about loving an imperfect man and making sacrifices.
It gave me a different perspective on a historical figure, but it also made me think about my own relationship with my father because I could relate to coming second or third in the life of a father you love. I know what it’s like…
In a compelling, richly researched novel that draws from thousands of letters and original sources, bestselling authors Stephanie Dray and Laura Kamoie tell the fascinating, untold story of Thomas Jefferson's eldest daughter, Martha "Patsy" Jefferson Randolph--a woman who kept the secrets of our most enigmatic founding father and shaped an American legacy.
From her earliest days, Patsy Jefferson knows that though her father loves his family dearly, his devotion to his country runs deeper still. As Thomas Jefferson's oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a writer and professor of literary studies whose work has been deeply involved in topics of truth, realism, and public policy. My recent book considers works of fiction that openly and honestly experiment with questions of uncertainty, identity, and risk in the supermodern present. This book draws from disciplinary discourses in law, finance, and economics, which similarly contend with competing claims to truth and value and dive deep into the circumstantial and speculative games that authors play when they write fiction about reality. I have my PhD in Spanish Literature (UVA), M.A. in International Affairs and Economics (Johns Hopkins Univ.), and a B.A. from Harvard University.
I loved this writer’s brilliant combination of memoir, eco- and literary criticism, and an exploration of contemporary life.
Each chapter feels so personal, and yet Schaberg manages to connect these experiences to broader questions of how we live our lives, what matters, and how many things (including the health of the planet and the confidence we have in truth) are under threat–and we need to protect them simultaneously.
I imagine Schaberg is as deeply engaging teacher as he is a writer. I found this book deeply compelling and relevant.
I have always had so-called “authority problems.” It wasn’t the people; it was the rigidity that got to me. But just as much or more, I have always loved things complex, unequivocal, strange, soulful, and poetic. I have loved stories. They helped me to eventually understand the leaders and either make friends with them or avoid them. They helped me to make peace with the rebellious streak in myself. I read about leaders, mangers, and employees, I research them, I write about them and for them. Stories enable me to express all these insights in a form that is, at the same time, truthful and resonant (I hope).
I love reading fiction, and so do many of my students. This book is a gift for us fiction lovers who are also interested in leadership.
From ancient to modern, literature teaches about quite contemporary issues regarding leadership. In fact, I was astounded to realize how much real-life insight fiction is able to offer in this respect–much more than many management textbooks that often present a simplified and rationalized image of what management means. This book teaches how to approach difficult and very human aspects of leadership: everything that is linked to human experience.
I found accounts of Herman Melville, Thomas Pynchon, Maurice Blanchot, and other writers captivating and enlightening.
Management theory is vague about the experience of leading. Success, power, achievement are discussed but less focus is given to negative experiences leaders faced such as loneliness or disappointment. This book addresses difficult-to-explore aspects of leadership through well-known works of literature drawing lessons from fictional leaders.
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
This is the work of a cultural sage with deep wisdom to offer on how political issues affect culture, especially literature.
It illuminated to me how significant cultural artifacts of high modernity like the short story as a phenomenon, the work of Charles Baudelaire in relation to the city, the plays of Bertolt Brecht, and the stories of Franz Kafka - that I had once been uncomfortable with because of their density - mattered and needed to be engaged with to make sense of the intellectual currents of the age.
To take my place among a culturally aware Benjamin is a writer I could not sidestep.
Essays and reflections from one of the twentieth century’s most original cultural critics, with an introduction by Hannah Arendt.
Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht’s epic theater. Illuminations also includes his penetrating study “The Work of Art in the Age of Mechanical Reproduction,” an enlightening discussion of translation as a literary mode; and his theses on the philosophy of history.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
Auerbach wrote this book while he lived in exile in Istanbul, having fled from the Nazis. This forced him to turn his attention very closely to the original texts, classical in their reputation from the ancient through the medieval, and the early modern period. He demonstrated brilliantly the true value of thorough philological work and the great yield of close reading, profiling all of pre-modern European literature in a unique fashion. This book lives on until today.
More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey,…