100 Books Like The King and the Seed

This book is packed with Taffy Thomas's best riddle tales.

Taffy has been storytelling for many years and is brilliant at it. He knows just how to keep a story short and exciting. Each tale has at least one and often more riddles to be solved by the reader or listener. The expertly drawn pictures are humorous and help you solve the riddles.

It's also great for storytellers, parents, and teachers who want to keep their audience actively engaged. I tell these riddle tales when I want my listeners to join in and be part of the fun. Taffy tells us where and who he learned the riddles from – an enjoyable insight into his extraordinary life as a teller of tales.

This is a fabulous selection of stories from all over the globe. The tales are often funny, thought-provoking and entertaining.

Chris Smith clearly knows how to adapt traditional tales to encourage compelling storytelling. He keeps the stories short and manageable for the family to enjoy. You will find well-crafted retellings of old classics like The Princess and the Pea, Jack and the Beanstalk, Rumpelstiltskin, and Cinderella. And they are not sweetened for the faint-hearted - blood is spilt, and toes are chopped off!

There are also lesser-known stories like Fox's Sack and The Talking Skull that will enthral children from all cultures and their adults. An excellent book for mixed ages and professional teachers and storytellers. The source notes are outstanding, highlighting recorded/audio versions too.

This is a timeless volume of classic Scottish folktales. Judy Paterson has wisely chosen a diverse and enthralling selection of folk stories from Scotland.

Her writing style is superb for children aged 7 plus. She blends her literary skills with an intimate knowledge of Children's literacy needs. They are sensitively chosen stories, nothing overtly scary, but some are supernatural enough for bed covers to be pulled up if needed.

Children will adore the beautiful pictures and the carefully crafted attention to detail within each tale. I particularly loved her tender descriptions of horses. I recommend this book to anyone (children and adults) who want to enjoy Scottish folklore and folktales.

Read this book, and you will be initiated into the Celtic world of myths, giants, kelpies, fairies, and supernatural creatures.

This magical picture book presents seven of the best folk stories from around the world.

Retold by Hugh Lupton, a veteran of storytelling and an inspirational writer. Some stories are deliriously funny, and others contain golden nuggets of universal truth. I've repeatedly told these stories, and they enthrall and delight audiences. They come with a CD of Hugh telling the tales orally, which is fantastic for non-readers, busy families, and people learning English.

Niamh Sharkey's beautiful bold pictures take this book of tales to another level of enjoyment. It's a visual and rhythmical feast of storytelling that can be shared with ages six up to seniors. If I had to choose one favourite book of stories for oral telling, then this is it.

This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.

Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.

In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.

The artwork is delicate and the text simple, but powerful.

This book presents mythology from my own Chinese culture—specifically, a legend from Hong Kong, where I lived from the age of seven to sixteen. We used to go on drives into the countryside on the weekends—Hong Kong still had some semblance of countryside then—and we’d often see the Amah Rock looming above us in the distance. This book tells the sad and poignant legend behind that rock. I love how it takes a tale specific to one geographical spot—one small pile of stones—and turns it into a universal story about love and loyalty. What also makes it special is that the author used to be beside me in the backseat of the car. Natasha Yim, a very well-respected children’s author, is my sister.

This book stands out because it delves deeper into popular characters that appear repeatedly in similar books. I have also enjoyed coming across new names and places not previously found. But far from being obscure names, I have encountered these in Chinese fantasy dramas.

Best of all, it includes pictures of relevant artwork and museum artifacts. I get to see these without having to travel to the four corners of the world. Giving us a sense of where we are in place and time, these displays show that throughout the long Chinese history, these legends and myths are integral to the lives of Chinese people.

Writers often ask, “What if I don’t know what really happened?” Memory is so slippery that many writers trip up with self-doubt. Here’s when I turn to Maxine Hong Kingston. Unable to hunt down the facts, Kingston instead revels in speculation: Maybe this is what happened, or maybe this. She might not know why her pregnant aunt drowned herself in the family well, but she sure as heck knows the impact of her aunt’s story on her family dynamics.

This is an exceptionally smart rendering of emotional truth regardless of facts, and as such, signs a permission slip for memoir writers. We can let our DNA speak. We can speculate on the page without having to pin down the facts. Speculation can become part of the story.

This is an exquisitely-arrayed anthology of translated contemporary Chinese horror and has a hearty share of corpses, self-harm, graphic violence, torture, and all manner of physical and psychological abuse.

It’s a culturally immersive miscellany that draws attention to marginalised humans and non-humans in subversive activism that breaks a circle of silence through clever use of mythology, folklore, and superstition.

Historical records of the Chinese immigrant experience in the West are sparse or non-existent. Much has been erased. Yet powerful stories are there for the telling. Zhang begins this gripping novel in a politically troubled China where a young girl is kidnapped and trafficked to San Francisco for the brothels there. She escapes, but her American journey has only just begun. Wending its way from China to California to the rough-and-tumble mining towns of Idaho, where the Chinese are viewed with swelling suspicion, this novel is dramatic, beautifully imagined, and heart-rending. Its portrait of Lin Daiyu, who seeks only safety and independence, is beyond compelling. The book also features a remarkable (and remarkably fierce) ghost. And who doesn’t love a ghost?