100 Books Like Punished by Rewards

I love this book for two reasons: First, Nathan showed (me) how to turn an anthropological eye on our everyday context, revealing its strangeness. And second, my students love this book, which might be all the recommendation you need to hear! 

Anthropologists often go “to the field,” but what if “the field” is your actual place of work? And what if that place of work is basically a “total institution,” in Goffman's sense? Then you have to live there. Nathan's year living in dorms and taking classes was modeled on traditional fieldwork, but it's ethically and even logistically complicated in different ways.

As I reread this book every few years, I am reminded that even though I interact with students all the time, there is much about their lives that remains out of reach for me. It's a reminder, all the time, that students are fully embodied, social, emotional… show more.

I love this book because Ivan Illich pulls no punches. I love the way he clearly points out how intertwined schools are with the nature of society, in a feedback loop of influence. Our very souls may be wounded by these structures, even when they are established with good intentions.

This “radical” book gave me permission to understand that I could connect the ecological and pedagogical, the theological and the social, the economic and the affective. Our nature permits endless noncoerced learning, but schools pervert that. Even though I understand how this message can be twisted for purposes of privatization and control, I love the idealism and humanism at its core.

My private art school offers classes exclusively in basic to advanced drawing techniques, with a focus on achieving varying degrees of realism across a range of subjects.

To accomplish this, I have designed a method that utilizes exercises and structured instruction. However, I am cautious not to impose too many limitations with my Monart® Method because I believe that too much structure can hinder students' creativity. 

Nicolaides' The Natural Way to Draw was the perfect addition for my lesson plans. The loose style effectively captures the essence of the subject while encouraging students to maintain a realistic interpretation.

The speed that is involved in his quick sketching technique makes it possible for the student to practice shape and feeling. 

The book provides clear and simple instructions with lots of illustrations.

As a speaker at a conference on Howard Gardner's work on the "Nature of Intelligence," I learned that drawing what you are learning can result in eight times faster and longer retention of the information.

This inspired me to use drawing for learning. Nancy Margullies' book on using diagram drawings, to remember information, was invaluable to me.

As I trained teachers in my drawing methods across the U.S. and Canada, they reported improved student learning and retention. They suggested integrating the method into other subjects, such as drawing parts of a flower during a science lesson, which led to increased comprehension and retention.

I applied Margullies' Mind Mapping system to conference information and shared it with my drawing students, who successfully used the technique for homework and school subjects.

I personally recommend this book because it is a must-read for anyone dealing with students who struggle with learning or underperform in certain subjects.

Over the course of my 45-year career, I have encountered hundreds of individuals, including myself, who have struggled with math despite being highly skilled in drawing or art.

Howard Gardner, the head of Harvard University's Project Zero, has been a leader in the field of intelligence research since the late 1970s. His work rendered IQ tests irrelevant for measuring intelligence in education.

Understanding Gardner's work is critical to understanding how individuals function, and it has changed the way I interact with difficult students.

Reading this book gave me a new perspective on intelligence and helped me see it in a completely different light.

After reading this book, I discovered a new art form.

Lucia was a multifaceted creative professional. She collaborated with schools to train teachers in creative journal writing, developed a method called "healing the inner child," and co-wrote The Arts in Schools program with L.A. school officials.

The book discusses brain functions and ways to enhance creativity. The author recounts her experiment with drawing and writing using her non-dominant hand and encourages readers to try it themselves.

I tried it out as a test subject, and instead of drawing upside down, the author asked me to write a question with my dominant hand and answer it with the other.

The answers were unexpectedly profound, and drawing with my non-dominant hand was an eye-opener.

My students loved this process.

I love this book because I learn something new each time I open it. And I've opened it hundreds of times.

I love the boundless information here about how human societies, across time and space, have created concepts of the child and childhood, which always intertwine with ideas and practices about learning. Almost nowhere has it ever looked like the familiar-to-us “WEIRD” (Western, Educated, Industrial, Rich, Democratic) societies that are usually used to represent “human nature.” In fact, each time I read anything in this book, our own social and cultural practices look stranger and stranger.

This book gives me ideas about the struggles we often have to nurture children and students in our familiar ways—and that's because we are fighting all the natural tendencies of involvement, autonomy, and competence that guide most learning everywhere.

I love this book because Frank Smith, with the forgettable name, dares to point out the unmentionable: students forget almost everything they learn in school, at least the things they learn through coercion. I love the way he takes on all the orthodoxies about the necessity of teachers and schools, and instead shows the absolutely breathtaking learning that happens through connections with others in meaningful contexts.

I love his use of language learning as an exemplar of how learning works, because we anthropologists know so much about how it really occurs, without direct instruction, and through meaningful interaction with others, and it is so contrary to widely held, erroneous beliefs.

I love books like this, which take on received wisdom, especially when written beautifully and accessibleibly—and in just about a hundred pages.

Alfie Kohn offers an eye-opening perspective on the perils of punishment and rewards.

If you've ever questioned the wisdom of using gold star charts and m&m motivators for children, this groundbreaking book is for you. Here is the science behind why extrinsic rewards can extinguish intrinsic motivation, and what to do instead. I found it both an enlightening and entertaining read. It may profoundly change your approach to parenting.

This book by Frankl is one that has probably had the most impact on me. I quote him all the time in my work. It weaves together humanism, psychology, and philosophy to explore our search for meaning as humans and the impact this search has on our mental health.

I love how he approaches life’s struggles with deep compassion, insight, and science. I found it to be a powerful guide to understanding myself and to help explain why seeking meaning and purpose through ethics is so important to...everything and everyone. I think this is one of the most important psychology/philosophy books ever written.