100 Books Like Picture

We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.

This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.

Until I read Wasson’s provocative book, it was my understanding that Robert Towne crafted his Oscar-winning Chinatown script with guidance from his star (Jack Nicholson), producer (Robert Evans), and director (Roman Polanski), all of whom urged Towne to find a cogent narrative inside a sprawling concept embedded with powerful metaphors.

Then Wasson debunked the romantic myth of the genius scribe working in isolation by revealing not just the extent of Polanski’s notes but, even more explosively, the involvement of Edward Taylor as Towne’s “editor” and possible uncredited co-writer. I didn’t think it was possible for me to be shocked anymore by discoveries about my chosen field, but Wasson’s book reminded me that solo screenwriting credits are, at best, abstractions and, at worst, misnomers.

Who can resist a story of reinvention? We certainly can’t. Alfred Hitchcock’s reputation as the Master of Suspense was secure when Rebello began telling his story. But Hitch, the artist, wanted to continue challenging himself creatively, while Hitch, the businessman, understood that audience tastes were changing as the 1960s dawned.

With Psycho (1960), he risked everything to tell an unexpected, transgressive story. Rebello reveals that, by changing how he made movies, Hitchcock changed the movies entirely. As Robert Bloch’s novel Psycho spawned the film, Rebello’s meticulous history became the movie Hitchcock (2012).

We’ll be honest. We don’t really remember the romantic drama Up Close & Personal (1996), starring Robert Redford and Michelle Pfeiffer. But we won’t forget this book by Dunne, who wrote the film with his wife, Joan Didion. This is a forthright look at the writer’s lot in Hollywood. It’s a manual for massaging egos and dealing with conflicting notes, told with bracing honesty.

Sometimes, you take a job because you need health insurance. Sometimes, a movie that starts out based on the tragic true story of newscaster Jessica Savitch becomes a glossy sudser in which she lives. Sometimes, a troubled project becomes a hit despite itself. That’s always show business.

I loved the pacing of the book. It kept me turning pages. I wanted to know more about Lillian Ross. For a debut book, I was impressed with the characterization of Lillian. I wanted to know what made her tick.

The entire book was a study of the mind, why it does what it does, how it sometimes continues to make the same mistakes, and how untreated trauma keeps cycling over and over. 

I picked up this book while on a study course in the United States – I was based in Washington DC and intended to visit some of the nearby Civil War battlefields, and decided that I needed to know more about the conflict. It was perhaps the first American history book I had read, and immediately I was struck by the very different style of writing when compared with European works.

For a single-volume account of a terrible conflict that did so much to shape the United States, this is probably unmatched. The people involved, from those in high-level political positions to the men and women caught up in the fighting, are brought to life in an unforgettable way.

Yes, I know: “Eight volumes? Are you mad, Kratman?” 

This is unquestionably the greatest single history on the American Civil War ever written. There are over sixty thousand books about the Civil War in existence. You cannot hope to read them all. This being true, if the subject interests you—and it ought, because the Civil War made the United States what it is—if you can read only eight, make this series the eight. Think of it as a really long single volume work.

Former Confederate Admiral Raphael Semmes, commander of infamous Rebel commerce raiders Sumter and Alabama, presents a picturesque portrait of nineteenth-century war at sea and foreign lands with salty terminology well calibrated for landlubbers. He composes not only as a preeminent seaman, but as an accomplished international lawyer and superb narrator. He also is an unapologetic, unreconstructed Rebel. Semmes interprets his ships and men as personifying the conflict—its causes, progression, and outcome—discoursing over seamanship, meteorology, oceanography, geography, naval technology, strategy, diplomacy, international law, and constitutional theory. I found Memoirs of Service Afloat to be an erudite, compelling portrait of the Confederate mind well worth studying for its own sake as well as a great sea story. It ranks among the best Civil War memoirs.

It truly is a diary, and it rests in the local county museum in rural Pennsylvania. Being a Pennsylvanian myself, I was fascinated to read this Civil War account of a foot soldier who came back alive and lived to a ripe old age as a local businessman. Bull’s story really does read like a movie script and I plan at some point to do exactly that with it. The story of courage and the logic he uses to get through each day as a soldier, wanting nothing more than to do his duty and to return home.

Before the Civil War broke out, tens of thousands of freedom seekers fled enslavement in the South, trying to reach British Canada. Only there could they be truly free, and even today, Canadians pride themselves on being on the “good side” of the Civil War. But the real story is much more complicated.

Some Canadian businessmen, politicians, and financiers supported the Confederacy. Montreal became a hub for rebel spies and mercenaries. In fact, when John Wilkes Booth was apprehended after assassinating Abraham Lincoln, a banknote from a branch in Montreal was found on his person.

The New York Times proclaimed many of those involved in the plot to kill the president had been “harbored in Canada.”