Books like The War for the Union, Vol. 1 — picked by fans

This book gave me a deeper appreciation of how moral intuitions shape political divisions—not as accidents of ideology but as features of human psychology. Haidt’s metaphor of the elephant and the rider helped me see why rational argument so often fails to persuade across political lines: because reason follows intuition, not the other way around.

His mapping of multiple “moral taste buds”—including authority, loyalty, and sanctity—also challenged the narrow moral frameworks that dominate secular discourse. While I don’t agree with everything—particularly his optimistic lean toward moral equilibrium or his underemphasis on structural power—I admire his effort to move us beyond outrage toward curiosity. It’s a valuable guide for understanding why we talk past one another—and how we might start listening instead.

If earlier European History in the dashing “Age of Napoleon” draws your interest, I again offer the clear master of the subject, David Chandler.

Beginning with Young Bonaparte’s apprenticeship in the art of war as an Artillery officer, you learn the battle experience that led Napoleon to one day assert that: “God is on the side of the one with the best artillery.” Chandler then recounts Napoleon’s Meteoric rise after the battles of Arcola and Rivoli and his exotic excursion to Egypt. Then, with the crown on his head placed there by his own hand, Napoleon Bonaparte became a living terror on the battlefields of Europe with an understanding and art of war that befuddled one adversary after another.

This book was essential in guiding the writing of my book, Field Of Glory. (Volume #1 in my Keyholder series visiting an alternate History Waterloo.)

Written around twenty-five centuries ago, this remains the seminal work of history, political science, man as he is, war, and diplomacy. The author expressly intended that it be “a work for all time,” and so it remains. Moreover, it serves still as an example of a civilization ruining itself, as Europe did in the Great War. Thus, it continues to warn.

Everyone’s surely heard the old saw, “Amateurs study tactics while professionals study logistics.” It’s not exactly true; real professionals study everything, down to and including the plastic arts, because war is the art that subsumes all other arts and sciences. That said, while studying everything, the real professional still gives pride of place to logistics. Van Creveld explains in this brief volume how that has historically worked or failed, and why.

We are in danger of engaging with war as though it were a philosophical enquiry or a strategic game if we leave out its essence: the death, the suffering, the destruction, the fear, the devastation that it brings, reflected in many among the texts in this anthology, written by eye-witnesses. Others – including the poems – are the product of a different sort of engagement with war: not the attempt at rational analysis but of artistic sublimation of the experience. This, too, represents a thoroughly valid approach missing from the academic works recommended in this section. 

If this collection can be faulted, it is for leaving out works – many of great impact at their time, and some not without literary merit – that turned the experience of war into its direct or indirect praise. We thus look in vain for excerpts from Ernst Jünger’s Storm of Steel, for example.… show more.

Battle-hardened and wounded veteran Ambrose Bierce recounted his army experiences in a series of grim short stories that reveal the horrors of the Civil War. In graphic detail, he paints a disturbing and twisted picture of the conflict. His writings stand in stark contrast to reminiscences by other veterans in the twilight of life who reflected on their participation in the battles and campaigns with pride and esprit de corps. A collection of these fictional writings by “Bitter Bierce” first published as Tales of Soldiers and Civilians explores the dark side of the Civil War—and human nature—with a unique brand of wit and satire.

Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.   

I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.

The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.  

One of the boys whose story I frequently share in my presentations is 12-year-old Gustave Shurmann. During the war, he had a fascinating experience, serving four different generals as a regimental bugler and spending time in the White House with Tad Lincoln. 

I thoroughly enjoyed how William Styple researched Gus’s life and then turned it into a novel through which young readers could live history with Gus through a great story. I appreciated sharing Gus’s life in both formats as I lived it with him while reading this book and researched it, including in Gus’s own words, through excerpts from his own writings.

The bonds of comradeship formed by volunteer soldiers during the Civil War lasted a lifetime for those who survived its bloody campaigns. Most regiments held annual reunions, during which the veterans rekindled friendships and remembered their service. Many collected reminiscences in book form, and these regimental histories are treasure troves of personal accounts. One of the most outstanding of this genre is the History of the Twelfth Regiment, a narrative of the men and officers who served in the 12th New Hampshire Infantry. Author Asa Bartlett, a beloved officer, humanizes the service of these Granite State volunteers.

I love that Jay’s book focused on the youngest to serve, not just in the Union Army but also in the Confederate service. He also delved into a group not mentioned by other researchers, the Home Guard–kids usually 6-12 years of age, most prevalent in the South.  I also had the honor of several years of friendship with Jay Hoar by way of correspondence and phone calls.

I treasure his work as it allowed me to journey with these kids in their life stories and, when possible, to see who they were through their images, though many were from later in life. We exchanged our work, his nonfiction research for my historical fiction.