Will I love The Devil's Candy?

We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.

This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab… show more.

The perfect companion to Final Cut from a radically different perspective. Salamon is a journalist who was given extraordinary access by director Brian De Palma during the making of The Bonfire of the Vanities, which, like Heaven’s Gate, turned out to be an infamous flop.

Salamon was on set constantly and shows just how difficult it was for De Palma to manage a massive production and try to keep his vision intact; the difficulty of managing stars like Tom Hanks, Bruce Willis, and Melanie Griffith; and the pressure studios put on filmmakers as budgets escalate and the desperation… show more.

Granted unlimited access to the film production of Tom Wolfe’s best-selling The Bonfire of the Vanities, Salamon serves up a fascinating portrait of one of Hollywood’s most notorious flops. Miscast (Tom Hanks as an arrogant Wall Street heel?) and tone-deaf, the resulting film ran roughshod over Wolfe’s satire and Salamon was there to record every juicy and head-scratching nugget explaining just how the disaster unfolded. Detailing the head-on collision between ego, money, and power in smooth, vivid prose, Salamon will keep any reader interested in Hollywood turning pages long into the night.

When Tom Wolfe published The Bonfire of the Vanities, he managed to capture the zeitgeist of the go-go Big Money ‘80s in a way that no one else had. Of course, it didn’t take Hollywoof very long to turn his bestseller into a film…and screw it up royally. Salamon’s tremendous access to Brian De Palma’s big-budget fiasco provides an insane fly-on-the-wall immediacy, showing us how even talented people with good intentions can completely whiff. There’s schadenfreude on every page.