Here are 58 books that Winter Wheat fans have personally recommended if you like
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I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.
Set in rural Nebraska, Willa Cather's My Antonia is both the intricate story of a powerful friendship and a brilliant portrayal of the lives of rural pioneers in the late-nineteenth century.
Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an afterword by Bridget Bennett and original illustrations by W. T. Benda.
Antonia and her family are from Bohemia and they must endure real hardship and loss to establish a new home in America.…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I’ve read and deeply admired nearly everything Erdrich has written, from Love Medicine to The Roundhouse. Erdrich’s language is always incantatory, and her stories are full of magic, landscape, and history. But this one is my absolute favorite. Even the title is amazing!
The story moves back and forth across the decades, and characters shift and transform before your eyes. Erdrich reminds me of Faulkner or even Homer; though deeply rooted in the lives and experiences of the Ojibwe communities of eastern North Dakota, Erdrich’s novels have a timeless, mythic feel.
A powerfully involving novel from one of America's finest writers, and winner of America's prestigious National Book Award for Fiction 2012
Sister Cecilia lives for music, for those hours when she can play her beloved Chopin on the piano. It isn't that she neglects her other duties, rather it is the playing itself - distilled of longing - that disturbs her sisters. The very air of the convent thickens with the passion of her music, and the young girl is asked to leave. And so it is that Sister Cecilia appears before Berndt Vogel on his farm, destitute, looking for…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.
This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
And another Montana writer, Debra Magpie Earling grew up in Spokane, and is a member of the Salish tribe. Her 2002 debut novel, Perma Red, became an immediate classic. It’s the story of Louise White Elk, a young woman living on the reservation in the 1940s who is determined to avoid the trap of becoming the possession of a man. A challenge for any woman during that time period, but especially for a native woman living in a place with few options. Earling’s prose is elegant but tough, and that would be a pretty apt description of her main character as well as Louise makes a valiant effort to fight off the powerful men trying to take control of her life.
Bold, passionate, and more urgent than ever, Debra Magpie Earling's powerful classic novel is reborn in this new edition.
On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her…
During a lonely stretch of primary school, I recall discussing my predicament with my mother. “You only need one friend,” she said by way of encouragement. Some part of me agreed. I’ve been fortunate to have had (and to have) several friends in my life, never more than a few at a time, more men than women, and each has prompted me to be and become more vital and spacious than I was prior to knowing them. The books I’m recommending—and the one I wrote—feature these types of catalyzing, life-changing relationships. Each involves some kind of adventure. Each evokes male friendship that is gravitational, not merely influential, but life-defining.
“It is those we live with and love and should know who elude us,” Maclean writes, and here brotherhood, religion, and fly-fishing bleed into one another to comprise the river flowing through this stunning novella.
Wild Paul and his measured older brother Norman seem more friends than family, mostly because they choose one another. Meditative asides abound and delight, but the tender stuff concerns memory and acceptance and forgiveness, affirming Emily Dickinson’s adage: “The soul selects her own society.”
When Norman Maclean sent the manuscript of A River Runs through It to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, "It has trees in it." Forty years later, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture for fly fishing, for the woods and their people, and for the interlocked beauty of life and art A River Runs through It…
I’m a long-time mystery fan. In my teen years, I cut my teeth on short YA mysteries presented as puzzles or brain teasers and later graduated to Arthur Conan Doyle, Agatha Christie, P. D. James, Martha Grimes, and others. My favorites are mysteries that combine the challenge of the puzzle, a healthy dose of suspense, a chance to bond with interesting characters, and the pull of evocative language, be it plain or poetic.
When I first read this book, its mastery of suspense blew me away. To escape painful memories of a lost life, Lee Montana takes refuge at her sister Rosie’s farm. There, she begins receiving unnerving gifts from a faceless stranger.
Told in alternating present-tense scenes as Lee and Rosie await the final confrontation and past-tense scenes that lead up to that moment, the story kept me on the edge of my seat almost from the get-go. I’ve sometimes recommended this book to writers who want to learn the craft of suspense.
Lee Montara is anxious to escape the painful memories of a lost love, and the unwanted attentions of photographer Stewart McLaren. The perfect solution: a visit to her sister in tranquil Taconic Hills. After all, Rosie and Paul and their sunny six-year-old son Andrew have been begging her to come and stay with them. But when someone starts leaving presents for the sisters - each one eerie, each one tied with a black satin bow - the country calm Lee so desperately sought is cruelly shattered. Impulsive and impetuous, Lee insists on confronting the man whose gifts hint of a…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
In a tale of Scottish immigrants who homestead Montana ranches in the shadows of the Rocky Mountains, Dancing at the Rascal Fairfeatures a cast of characters who cooperate and sometimes clash as they build lives in a harsh new country. Human relationships prove as challenging as the land, the livestock, and the weather. Doig, like few authors who write about the West, presents a faithful picture of ranch life.
The central volume in Ivan Doig's acclaimed Montana trilogy, Dancing at the Rascal Fair is an authentic saga of the American experience at the turn of this century and a passionate, portrayal of the immigrants who dared to try new lives in the imposing Rocky Mountains.
Ivan Doig's supple tale of landseekers unfolds into a fateful contest of the heart between Anna Ramsay and Angus McCaskill, walled apart by their obligations as they and their stormy kith and kin vie to tame the brutal, beautiful Two Medicine country.
I’ve been a reader all my life. It started with books like Where the Red Fern Grows, and as I got older, I moved on to books like The Bean Treesby Barbara Kingsolver andSkipped Parts by Tim Sandlin. Whatever I was reading, it was taking place somewhere in the wilds of the mid and western United States. I’m from a small town, and growing up, everybody knew their neighbor’s business. These are the places I love to read and write about. Add some steamy romance, and I’m there! So when the MMC from my first book, Burned, cowboy Jack Cade, showed up in my head, I knew he was from a small town.
This book broke me! Eli, a big, silent cowboy, and Abigail, a determined ranch owner come together in this book in explosive ways. The steam knocked my socks off, and I could picture the dusty ranch and barn set in Deep River, Montana so easily from the author’s descriptions. The love story is intense, filled with angst and a little bit of kink. Breaking Him is a book I will remember for a long time to come.
Folks in town call him a monster—say he’s dangerous. But I know him simply as Elijah Hays, the quiet, gentle giant who works with the horses on my ranch. I can feel him watching me, that steady intense gaze making me crave things I don’t quite understand, burn in a way that frightens me. He’s always kept his distance…until that night.
I remember him coming to my rescue, me following him into the barn, giving him his first taste of a woman, and his inexperienced yet barely reined touch turning me to ash.
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The author, a history professor and Tennessee State Historian, provides an in-depth look into Montana history, region by region. The academic tone is nicely balanced by the people and events presented on the pages – plain folk to preachers and everything in between. A great companion to Jonathan Raban’s Badland.
Montana writer and historian Joseph Kinsey Howard described Montana as "high, wide, and handsome." It is difficult to find better words for Montana's geography. Between these covers, Carroll Van West discusses Montana's physical and historical landscapes, the settings for important events involving exploration, the military, Native Americans, miners, cowboys, homesteaders, and railroad builders as well as the physical remnants of Montana's prehistoric past. With this guide in hand, readers can discover a Montana past unavailable in more standard histories.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
The first time I finished reading this book, I felt ambushed. The description is breathtaking and the dialogue is hilarious.
So much of the book is surreal: The main character hunts for a runaway girlfriend who’s absconded with his electric razor (which is useless; it has no cord). A woman at a bar blows smoke rings without a cigarette. A guy known only as “airplane man” winds up nabbed, with a large plush bear, by the FBI—and the main character’s major epiphany is sparked by a horse fart. Then, suddenly, near the end, I cried so hard the words blurred. And the final scene is perfection.
Funny, heartbreaking, absurd, and poignant at once.
A contemporary classic from a major writer of the Native American renaissance — "Brilliant, brutal and, in my opinion, Welch's best work." —Tommy Orange, The Washington Post
During his life, James Welch came to be regarded as a master of American prose, and his first novel, Winter in the Blood, is one of his most enduring works. The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by…
