Here are 100 books that Paper Moon fans have personally recommended if you like
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I'm an American Christian author based in Austin, Texas. I’ve spent decades in contemplation and spiritual exercise seeking a deeper understanding of spiritual warfare in our “modern” world…inside institutions, families, and our hearts and minds—where pride, shame, and fear can function like prisons for the soul.
Writing Redemption Row and its companion field guide pushed me to look for books that don’t just talk about angels and demons in the abstract, but actually sharpen embodied discernment, stronger faith, and soul revival in people who feel trapped. I’m drawn to writers who take evil seriously without fear-mongering—and who insist that courage, divine love, and truth lead to God’s kingdom, power, and glory now and forever.
I love this book because it trains my eye for the quiet, clever warfare that happens in ordinary thoughts.
Lewis makes temptation feel practical—a thousand tiny nudges toward distraction, resentment, self-importance, and spiritual sleep. It’s also a masterclass in how language can be used as a weapon: the enemy twists words until the soul can’t tell truth from tone.
When I’m writing about men trying to reclaim a new identity, Lewis reminds me that the battle often turns on what you believe about yourself when nobody’s watching.
On its first appearance, The Screwtape Letters was immediately recognized as a milestone in the history of popular theology. Now, in it's 70th Anniversary Year, and having sold over half a million copies, it is an iconic classic on spiritual warfare and the power of the devil.
This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have read adventure, crime, and thriller books all my life. Reading is a huge relaxation for me and a good novel will transport me from the stresses and strains of daily life into another place in my head. A place where I feel involved with the characters and the environment, a place where I can imagine I could be. A good storyteller is different from a crime writer. They take the reader on a journey that might be through history or different continents. A journey that the reader wants to travel as well. I try to emulate this in my writing.
The story of the young orphan Pip, the escaped convict Magwitch, the recluse Miss Haversham, and her adopted daughter Estella. Dickens weaves the story back and forth between the characters.
You could pick many of Dickens’ books, but I think this story has everything: murder, love, intrigue, and tragedy. A storyteller extraordinaire. I’d go as far as to say that he is Britain’s greatest storyteller.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
Before I was an author, I was primarily a national magazine copy editor, a job I finally scored after eight years of climbing up the magazine journalism ladder.
I wrote once in a while, but this mostly meant TV recaps by the time I was entrenched in magazines. But one day, an article about a safe-driving activist crossed my desk, and soon I was speaking with him in high schools.
Around the time I checked off “swim the width of a river” from my father’s bucket list, I also read Huckleberry Finn, as the setting seemed only right. I wrote a tribute to it in the second chapter of my book. My dad’s favorite author was Twain, but what I appreciated about him was that he wrote the novel as veiled propaganda. It’s a book that professes Twain’s anti-racism perspective. He just put his cause into a novel.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
For years, I refused to re-embrace Holden Caulfield, because Mark David Chapman, John Lennon’s assassin, declared it inspired him to bloodshed. I’m glad I did, getting the juices circulating for my novel.
Holden, manic-depressed over his brother’s death, cut loose from his prep school, may speak in a stream-of-consciousness babble, but he enunciated an old-soul contempt of Ivy-League elitism that reverberates today.
When Holden declares, “The more expensive a school, the more crooks it has,” it’s a literary MRI on American classism still tearing us asunder.
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
Set in the idyllic French countryside, this two-volume novel delves into the lives of a tight-knit community whose fate hinges on a dispute over a vital water source. Pagnol's lyrical prose captures the beauty and complexities of rural life, blending drama with a deep sense of place and tradition.
In 1986, Claude Berri directed two compelling films based on this story: Jean de Florette and Manon des Sources. Noted for their breathtaking Provence landscapes and heartfelt portrayal of rural life, these adaptations are considered faithful to Pagnol's original work and remain classics of French cinema.
Tells the story of Jean de Florette, a 35-year-old, city-bred, hunchbacked idealist, his wife, Aimee, and his daughter, Manon. In the second novel, Manon seeks revenge for her father's death, and it is she who brings the wheel full circle in a final dramatic retribution in the town square.
I’ve always loved mysteries and the detectives that solved them. Sherlock Holmes and Hercule Poirot were heroes to me, but as I grew older and the world grew more complex, I started reading novels where it was not so easy to separate the good guys from the bad. The world was not black and white anymore, and justice was not so simple. Characters who had to work around the law or took matters into their own hands to earn justice became my new heroes. Phillip Marlowe and Sam Spade, while not saints themselves, did whatever they had to in order to serve justice, and I admired them for it.
I love this book because of its breathtaking suspense.
I read it years ago and remember it keeping me up at night. Because it is from a child’s point-of-view, the fears and understanding of the evil shadowing them are all the more harrowing.
I was afraid for the children, even as their shrewdness for survival kept them one step ahead of their nemesis and wanted to know what happened to them—and their benefactor—after the final page.
The bestselling, National Book Award–finalist novel that inspired Charles Laughton’s expressionist horror classic starring Robert Mitchum and Shelley Winters.
Two young children, Pearl and John Harper, are being raised alone by their mother in Cresap’s Landing, Ohio. Their father Ben has just been executed for killing two men in the course of an armed robbery. Ben never told anyone where he hid the ten thousand dollars he stole; not his widow Willa, not his lawyer, nor his cell-mate Henry “Preacher” Powell. But Preacher, with his long history of charming his way into widows’ hearts and lives, has an inkling that…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
Paris pulses with intrigue as a young mail courier becomes entangled with a mysterious opera singer and a series of dangerous encounters. Featuring outstanding descriptions, this stylish thriller weaves together music, romance, and underworld secrets against the backdrop of a vividly depicted cityscape.
The 1981 film adaptation of the same name, directed by Jean-Jacques Beineix, is celebrated for its stylish cinematography and influential soundtrack, which includes opera performances and an electronic score by Vladimir Cosma. Its lush romanticism became a significant cultural phenomenon in the early 1980s and helped popularize France's cinema du look movement.
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
In a corrupt border town, a principled Mexican narcotics officer clashes with a jaded American cop, unraveling a web of deceit and murder that tests their loyalties and sense of justice in a gripping noir thriller.
Directed by Orson Welles, the 1958 film adaptation Touch of Evil is famous for its opening tracking shot, often cited as one of the greatest long takes in film history. Despite initial studio interference, the film has been reevaluated over the years and is now considered a classic of film noir and is often listed among the best films of all time.
A revisit of the 1950s classic that inspired Orson Welles's film Touch of Evil
Assistant District Attorney Mitch Holt suspects the wrong people have been arrested in the murder of Rudy Linneker. But if it wasn't Linneker's daughter and her fiance, who was it? And why do two of the city's most decorated and beloved cops look like they're not shooting straight? If they've planted evidence in this case, what else are they guilty of in the past?
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession.
Marie, a nurse on the island of Mayotte, adopts an abandoned baby and names him Moise, raising him as a French boy. As he grows up, Moise struggles with his status as an "outsider" and to understand why he was abandoned as a baby. When Marie dies, he is left alone, plunged into uncertainty and turmoil, ending up in the largest and most infamous slum on Mayotte, nicknamed "Gaza".
Narrated by five different characters, Tropic of Violence is an exploration of lost youth on the French island of Mayotte in the Indian Ocean. Shining a powerful light on problems of…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve always been fascinated by the 1930s. In Britain, the decade was haunted by troubling memories of the Great War and growing fears of a more terrible conflict to come. In other words, it was a decade dominated by geopolitics. After more than 30 years as a journalist for the Reuters news agency, I’ve learned that geopolitics will never leave us alone. My novel is the first in a series of stories examining what geopolitics does to ordinary people caught in its grip. This selection of fiction and nonfiction titles is a fascinating introduction to what the poet WH Auden called ‘a low dishonest decade’.
Many consider this book one of the finest modernist novels of the 20th century. However, it is still not read as widely as it deserves to be. I love the way Elizabeth Bowen fuses the intense spirit of modernism with observation that is as disarming as it is accurate. The novel follows the faltering progress of naive but plucky Portia, a sixteen-year-old orphan thrown upon the indifferent mercy of her half-brother and his wife.
There’s an unsuitable boyfriend, a stern but kind maid, a lively school friend and a seaside holiday that goes rather wrong. Throughout, we’re under the skin of Bowen’s characters in true modernist style – and then we’re clambering aboard a 153 bus on Marylebone High Street. Priceless stuff.
The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations.
In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing…
