Here are 93 books that Great Expectations fans have personally recommended if you like
Great Expectations.
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
I know it’s a bit cliché, but I can never stop myself from talking about my favorite novel of all time—Jane Eyre.
Not only does Jane’s voice sweep me off my feet every time I reopen the novel, but the novel itself always gets me thinking. It’s one of those rare books that somehow contains every genre, and does it well.
I get sucked into the mystery of the noises in Rochester’s house. My heart breaks when Jane’s only friend, Helen, dies. But most of all, I feel the romance, the chemistry between Mr. Rochester and Jane. All of it keeps me coming back for more.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I am, by training, a philosopher, scientist, and clergyman who has spent 47 years speaking on issues pertaining to God, philosophy, science, and culture at many universities. Since childhood I’ve been fascinated both by nature, as well as by why people do the things they do. As for life experience, I’ve worked in several countries, have been married for more than 44 years, and raised 6 children … all of which have been an enormously valuable arena of learning. All of this has given me a deep conviction that I need to spend my life helping people to think about the things that are most important in life.
I have found this book to be a phenomenal exposé on the topic of temptation, presented as a conversation between a senior demon and its junior.
Having many decades of life experience, I have found this book to do such an outstanding job of portraying, through a fictional series of letters, exactly how we can be tempted to do, or not do, or say, or not say, or have attitudes which are destructive vs. beneficial. I walked through this book, chapter by chapter, with my six children when they were in their teens.
On its first appearance, The Screwtape Letters was immediately recognized as a milestone in the history of popular theology. Now, in it's 70th Anniversary Year, and having sold over half a million copies, it is an iconic classic on spiritual warfare and the power of the devil.
This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although…
I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
The writing itself is so stunning that I could get lost in the words themselves. But at its heart, the novel captures something about mistakes and ego and lifelong consequences that makes me want to cry. The progression over the course of the protagonist Briony’s life is painfully beautiful.
It’s one of those books that are so great that it’s hard for me to even describe how it makes me feel.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This novel explores themes of friendship, betrayal, guilt, and redemption against the backdrop of Afghanistan's tumultuous history. The relationship between Amir and Hassan is central, and the story delves into the power of mentorship and the possibility of atonement.
I could see, taste, and hear the sentences. The characters have stayed alive in my mind for years. One of my top ten books. Timeless. Breath-taking.
Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Hernán Díaz’s first novel,In the Distance, was a finalist for the Pulitzer Prize. The book is gorgeously written and meticulously researched. The West’s huge, startling landscapes loom on every page. But the real genius here is the novel’s “reverse epic” structure—how Díaz takes a young Swedish immigrant who gets off his ship at the wrong port (San Francisco) and sends him traveling east, against the migrant tides, in search of his brother. The journey doesn’t go as planned. Håkan makes friends and stymies enemies. Stereotypes warp and tumble as Håkan (and the reader) are forever transformed. The descriptions of California gold fields, science expeditions, questing Mormons, and other frontier communities delight and confound. You’ll never cross a Western desert the same way again.
A young Swedish immigrant finds himself penniless and alone in California. The boy travels East in search of his brother, moving on foot against the great current of emigrants pushing West. Driven back again and again, he meets naturalists, criminals, religious fanatics, swindlers, Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
Hernan Diaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Though I’m not personally an orphan, I’ve always been drawn to books that feature them. Maybe it’s because I felt the lack of a father; mine wasn’t around much during my childhood, since he worked at a job in the city through the week. The absent or distant father is a recurring theme in my novels, including the Shakespeare Stealer series, Moonshine, The Imposter, The Year of the Hangman, and Curiosity. Of course, when you write for young readers, orphans also make ideal protagonists, since they’re forced to use their own resources to confront and resolve the story’s conflict, rather than relying on grownups.
Okay, this is really three novels, but they’re all linked, and all fascinating. Martha, the orphan, is offbeat, often unlikeable, and yet one of the most compelling characters you’re likely to find in fiction. Though Sharp is best known for The Rescuers and its sequels, this series is in a whole different universe, and definitely not for young readers. (By the way, they’re also very funny.)
They met at the Chelsea Arts Ball: he went as a paper parcel, and she as a Spanish dancer. Harry Gibson and Miss Diver fell deeply in love...
But when Mr Gibson decides he'll have to marry the hopelessly unprepossessing daughter of his colleague in order to save his ailing business, Miss Diver is cut off without a penny. She's forced in turn to take in a lodger, Mr Philips, who mistakenly takes Miss Diver for a much richer woman than she is...
Watching over them all is Miss Diver's niece Martha, a clumpy, unappealing child of a certain artistic…
