100 Books Like Badge of Evil

Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics. 

Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics. 

I’ve always loved mysteries and the detectives that solved them. Sherlock Holmes and Hercule Poirot were heroes to me, but as I grew older and the world grew more complex, I started reading novels where it was not so easy to separate the good guys from the bad. The world was not black and white anymore, and justice was not so simple. Characters who had to work around the law or took matters into their own hands to earn justice became my new heroes. Phillip Marlowe and Sam Spade, while not saints themselves, did whatever they had to in order to serve justice, and I admired them for it.

Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics. 

I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas. 

I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!

I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions. 

I am a Professor of Management at the University of York, England. My interest in ambulances and paramedic work is derived from research I have conducted into England’s National Health Service. This is a ‘free at the point of use’ service which, at its best, provides world-class care to citizens without charge. But the system is terribly underfunded. I am always struck by paramedics’ growing clinical ability, compassion, and devotion to their patients. But equally, I’m alarmed by the extent to which ambulance organizations are desperately overstretched, to the point where the system–and its workers face extreme everyday challenges. 

I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily

I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.