100 Books Like Diva

During the Great Depression, a charming con artist and his precocious young accomplice navigate the American Midwest, pulling off small-time scams while forging an unexpected bond. Their adventures blend humor and heartache in a vivid portrayal of survival and unlikely family ties.

Originally released as Addie Pray, the novel inspired the 1973 Peter Bogdanovich film, Paper Moon. Tatum O'Neal, who played Addie Loggins, won the Academy Award for Best Supporting Actress at the age of 10, making her the youngest competitive Oscar winner in history.

The film is also known for its nostalgic depiction of Depression-era America and the vibrant chemistry between Tatum and her father, Ryan O'Neal. This movie was so successful that modern printings of Addie Pray use the better-known film title. 

Set in the idyllic French countryside, this two-volume novel delves into the lives of a tight-knit community whose fate hinges on a dispute over a vital water source. Pagnol's lyrical prose captures the beauty and complexities of rural life, blending drama with a deep sense of place and tradition.

In 1986, Claude Berri directed two compelling films based on this story: Jean de Florette and Manon des Sources. Noted for their breathtaking Provence landscapes and heartfelt portrayal of rural life, these adaptations are considered faithful to Pagnol's original work and remain classics of French cinema.

I love this book because of its breathtaking suspense.

I read it years ago and remember it keeping me up at night. Because it is from a child’s point-of-view, the fears and understanding of the evil shadowing them are all the more harrowing.

I was afraid for the children, even as their shrewdness for survival kept them one step ahead of their nemesis and wanted to know what happened to them—and their benefactor—after the final page.

In a corrupt border town, a principled Mexican narcotics officer clashes with a jaded American cop, unraveling a web of deceit and murder that tests their loyalties and sense of justice in a gripping noir thriller.

Directed by Orson Welles, the 1958 film adaptation Touch of Evil is famous for its opening tracking shot, often cited as one of the greatest long takes in film history. Despite initial studio interference, the film has been reevaluated over the years and is now considered a classic of film noir and is often listed among the best films of all time.

Tom Drury has been called “the greatest writer you’ve never heard of” and when you discover his work, you’ll feel a thrill similar to the joy of knowing the gems hiding in plain sight throughout the Midwest (Get it? Plain sight?). The End of Vandalism, Drury’s first novel (you could read any of them- they’re all great, but start with this one as the same characters reappear in future books), takes place in a fictional Iowa town and follows the lives of three of its residents, who are involved in a love triangle. Drury writes real, beautiful, complicated, and thoroughly Midwestern characters. Although Grouse County is fictional, it could just as easily be a real place. And if you find you need more Iowa, read Shoeless Joe by W.P. Kinsella (this is my sneaky way of recommending more than 5 books).

I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.

Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.

This is mom culture at its best: Wolitzer traces the members of a clique who drop their kids at pre-k and enjoy over the ensuing years the gravitational pull of parenting, school volunteering, and part-time work.

She explores familiar dilemmas about aging, career versus family, and female friendship, while offering a sometimes heartbreaking, but always realistic, look at the choices moms face as they watch their kids grow.

A Kirkus review aptly described this novel as “mysterious, bizarre, frustrating, weirdly smart and pretty cool”. 

It’s mostly a fiercely intelligent exploration of both political and personal crises in 2017, the year of Trump and Brexit. Radical feminist Kathy has also fairly inexplicably agreed to get married. Pre-wedding she travels to a resort in Italy with her fiancé where she tumbles through a range of highly-emotive stances on intimacy and closeness.

After an argument about prosciutto and fig ciabattas with her husband “she hated him, she hated any kind of warmth or dependency, she wanted to take up residence as an ice cube in a long glass of aqua frizzante.”  Her fury quickly dissolves “anyway they sorted it out” and the novel travels brilliantly onwards.

Another hilarious tale about trying something new!

Ten-year-old Zoe Elias sets out to find fame when she starts piano lessons, but the road to Carnegie Hall isn’t as straightforward as she expects. Then her Dad accidentally purchases an electric Hammond organ at the local shopping mall, Zoe is propelled into a whole new world.

I love the way her ambition gradually grows into compassion for others, and making music for the joy of it.

I loved this novel for its savage intelligence and frank exploration of the problems of inhabiting a body while trying to live a “life of the mind.”

Protagonist Dorothy is an adjunct English professor whose ectopic pregnancy and miscarriage are not so much the subject of this book as a metaphor for Dorothy’s life in general: her hopes have not materialized, and her nonstop thoughts rarely lead to action. Readers who have struggled to claw their way up the academic ladder (particularly those who’ve spent a lot of time at the bottom of that ladder) will especially enjoy this book.

Be prepared for visceral descriptions of Dorothy’s body—of all that it produces, and all that it fails to produce.