Books like Diva

During the Great Depression, a charming con artist and his precocious young accomplice navigate the American Midwest, pulling off small-time scams while forging an unexpected bond. Their adventures blend humor and heartache in a vivid portrayal of survival and unlikely family ties.

Originally released as Addie Pray, the novel inspired the 1973 Peter Bogdanovich film, Paper Moon. Tatum O'Neal, who played Addie Loggins, won the Academy Award for Best Supporting Actress at the age of 10, making her the youngest competitive Oscar winner in history.

The film is also known for its nostalgic depiction of Depression-era America and the vibrant chemistry between Tatum and her father, Ryan O'Neal. This movie was so successful that modern printings of Addie Pray use the better-known film title. 

Set in the idyllic French countryside, this two-volume novel delves into the lives of a tight-knit community whose fate hinges on a dispute over a vital water source. Pagnol's lyrical prose captures the beauty and complexities of rural life, blending drama with a deep sense of place and tradition.

In 1986, Claude Berri directed two compelling films based on this story: Jean de Florette and Manon des Sources. Noted for their breathtaking Provence landscapes and heartfelt portrayal of rural life, these adaptations are considered faithful to Pagnol's original work and remain classics of French cinema.

I love this book because of its breathtaking suspense.

I read it years ago and remember it keeping me up at night. Because it is from a child’s point-of-view, the fears and understanding of the evil shadowing them are all the more harrowing.

I was afraid for the children, even as their shrewdness for survival kept them one step ahead of their nemesis and wanted to know what happened to them—and their benefactor—after the final page.

In a corrupt border town, a principled Mexican narcotics officer clashes with a jaded American cop, unraveling a web of deceit and murder that tests their loyalties and sense of justice in a gripping noir thriller.

Directed by Orson Welles, the 1958 film adaptation Touch of Evil is famous for its opening tracking shot, often cited as one of the greatest long takes in film history. Despite initial studio interference, the film has been reevaluated over the years and is now considered a classic of film noir and is often listed among the best films of all time.

I’ve read this book multiple times over various stages of my life, and I find it funnier and funnier (and more and more impressive) the older I get.

This novel has so much going on: yes, technically it’s a Western, but it’s also a crime novel about the corrosive power of revenge, a buddy comedy about a fourteen-year-old girl and an over-the-hill U.S. Marshal, an oddball historical novel, and a meditation on youth and morality.

And more things, probably, that I’ll spot next time I inevitably pick it up again.

I loved this novel for its savage intelligence and frank exploration of the problems of inhabiting a body while trying to live a “life of the mind.”

Protagonist Dorothy is an adjunct English professor whose ectopic pregnancy and miscarriage are not so much the subject of this book as a metaphor for Dorothy’s life in general: her hopes have not materialized, and her nonstop thoughts rarely lead to action. Readers who have struggled to claw their way up the academic ladder (particularly those who’ve spent a lot of time at the bottom of that ladder) will especially enjoy this book.

Be prepared for visceral descriptions of Dorothy’s body—of all that it produces, and all that it fails to produce.

Shrek! was a book before it was ever a wildly successful film franchise, but the book bears almost no resemblance to the movies.

Yes, William Steig’s ogre is both vile and reviled, and he has a donkey for a friend, but the story itself is very straightforward, detailing Shrek’s rampage across the countryside on his way to meet a “stunningly ugly princess” with whom he can live “horribly ever after.”

Steig had been a celebrated New Yorker cartoonist for almost four decades when he produced his first children’s book in 1968. He wrote and drew Shrek! when he was in his early 80s. He breaks the cardinal rule of using simple language, but makes up for it with fun-to-read-aloud choices in vocabulary and sentence structure, such as “The irascible dragon was preparing to separate Shrek from his noggin.”

The story literally begins with a 100-year-old man climbing out of his window and disappearing into the night. But this is no ordinary man. No, this is Allan Karlsson, a Swedish man who has lived a long and incredibly eventful life. With only a suitcase in hand, he heads to the local bus station, where, much like in Tom Sharpe’s Wilt, he inadvertently becomes involved in a series of absurd and unpredictable events with equally absurd and unpredictable characters.

Unlike the darker tones of Palahnuik or Amis, Jonas's humor is gentle and charming, making for a much lighter read. On the surface, the story might sound rather humdrum, but as we learn more about Allan and his past, the book quickly becomes a glorious page-turner. The narrative alternates between present-day escapades and flashbacks to Allan's involvement in major historical events, including encounters with famous leaders at pivotal moments in… show more.

I devoured these books as a kid! My best friend and I played the different characters in the school yard in elementary school.

Such fun depictions of various animal characters, and it’s serialized, so the characters get to live beyond just one book. Any kid who loves dogs or animals will delight in these.

This was a Covid-read for me. We spent some of Covid in Vermont, next to the Northshire Bookstore in Manchester, VT. If you’ve never been, it’s worth going just for this bookstore. Truly incredible.

Anyway, I saw this book in their sci-fi section and read the back copy and was hooked — a foul-mouthed talking crow, a post-apocalyptic wasteland, shambling human zombies. It’s told from the point of view of animals which have survived. There’s also a nice environmental message. It’s weird, odd, funny, insane, and delightful.