Here are 52 books that Nuclear Family fans have personally recommended if you like
Nuclear Family.
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Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
Bridget turns private humiliation into public comedy without ever giving up on her bruised heart.
I like to kid on that I read the classics, and Fielding's book is a true modern classic. Bridget Jones is the uber-loser turned winner. I remember reading this and feeling that delicious shock of recognition: my terrible choices, my doomed self-improvement plans, the way one bad decision always blossomed into five.
What I still love is how Fielding catches the gap between who Bridget thinks she ought to be and first-rate hopeful hot mess.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.
Humor wielded with ill intention is a cruel weapon. Yet in thoughtful and caring hands, laughter is such a balm.
This is a hard story, yet I’m not sure I can count how often I laughed out loud while reading—not at someone’s expense but at Gail Honeyman’s ability to adeptly portray so many of the odd moments that come along with being a human on this earth.
Most importantly, this story beautifully illustrates how one person with more emotional baggage than anyone should have to carry is able to walk herself into a peaceful life so different than the one that nearly crippled her. And of the help she gets along the way.
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
As a now-resting drinker, I instantly recognised Rachel's denial. She's funny, sharp, and wildly convincing in her own defence. And that's what makes the story so utterly devastating when the truth finds its way in.
This list was always going to feature something by Marian Keyes, and Rachel's Holiday earns its place because Marian lets the jokes scatter while the serious stuff gathers below. I'm in everlasting love with her writing.
Here's Rachel Walsh, twenty-seven and the miserable owner of size 8 feet. She has regular congress with Luke Costello, a man who wears his leather trousers tight. And she's fond - some might say too fond - of recreational drugs. Until she finds herself being frogmarched to the Cloisters - Dublin's answer to the Betty Ford Clinic. She's outraged. Surely she's not thin enough to be an addict? Heartsick and Luke-sick, she seeks redemption in the shape of Chris, a man with a past. A man who might be more trouble than he's worth.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
If a book kicks off with someone planning to end it all… at a fancy hotel, in the middle of an influencer wedding… I'm in.
The premise suggests anything but romance and comedy. The Wedding People soon becomes warm, strange, and generous. I've been to a fair few pressure cooker nuptials in my time. Guests ratchet up smiles no matter what.
I loved how, in this book, grief collides with celebration. More than that, I love how the story ends on a hopeful note, rather than trying to leave everything neat and tidy. There's a glorious sense of people behaving very badly indeed, and still finding ways to be happy. And in dark times, that's exactly what I ask of a good book.
A NEW YORK TIMES BESTSELLER A Today Show #ReadwithJenna Book Club Pick
A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.
It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming…
The stories I’ve loved the most in my life have all been about the richness of human relationships, told by a memorable narrator who can find humor and hope in almost everything, no matter how screwed up. Whether it’s Charles Dickens poking fun at his contemporaries in Victorian England or Armistead Maupin sending up friendship and love in San Francisco in the 1980s, I’m a sucker for well-told, convoluted, and funny tales about people who find life with other human beings difficult, but still somehow manage to laugh about it and keep on going. As the author of six novels myself, these are the kinds of stories I always try to tell.
I love this novel. It’s about a young man mourning the death of his wife and trying to deal with crippling grief while also repairing his relationship with his sixteen-year-old stepson. With such a premise you wouldn’t think the book would be funny, but it’s both hysterical and emotionally touching.
Trooper has a gift for making extremely dysfunctional characters lovable, putting them in ludicrous situations and turning them loose on each other. This book really resonated with me because of the damaged-yet-enduring family dynamic after the death of a loved one, which is similar to my own experience following the death of my father.
The evolving relationship between the main character and his stepson is also great, and Tropper nails the adolescent angst I remember so well from my own childhood.
When Doug Parker married Hailey - beautiful, smart and ten years older - he left his carefree Manhattan life behind to live with her and her teenaged son, Russ, in a quiet Westchester community. Three years later, Hailey has been dead for a year, and Doug, a widower at 29, just wants to drown himself in self-pity and Jack Daniels. But his family has other ideas.
Russ is furious with Doug for not adopting him after Hailey died, and has fallen in with a bad crowd. Claire, Doug's irrepressible and pregnant twin sister, has just left her husband and moved…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.
I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.
From Allyson McOuat, author of the popular 2020 New York Times Modern Love essay “The Ghost Was the Least of Our Problems,” comes her debut essay collection
In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
I love this book – Hanawalt’s research is intriguing – using manorial court rolls, coroners’ reports, and wills she reveals the lives of ordinary folk and opened the doors for me to peasant homes in the later Middle Ages. I thoroughly enjoyed her description of everyday life from childhood to old age, the household economy, blood ties, wealth, homesteads, and surrogate parents and children. I discovered that family concerns were not so very different then to ours today and was reminded that the past is not a foreign country where they did things differently. It’s both scholarly and readable, a book to dip into or relish from cover to cover, another essential for writing historical fiction about the Middle Ages.
Barbara A. Hanawalt's richly detailed account offers an intimate view of everyday life in Medieval England that seems at once surprisingly familiar and yet at odds with what many experts have told us. She argues that the biological needs served by the family do not change and that the ways fourteenth- and fifteenth-century peasants coped with such problems as providing for the newborn and the aged, controlling premarital sex, and alleviating the harshness of their material environment in many ways correspond with our twentieth-century solutions.Using a remarkable array of sources, including over 3,000 coroners' inquests into accidental deaths, Hanawalt emphasizes…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
This is a very short book with a single brilliant insight into the human condition.
It shows how wrong it is to suppose (as Marx and Engels did) that first there were self-sufficient nuclear families who thenproduced surpluses to exchange with other nuclear families.
Mauss used early fieldwork in the South Pacific and Northwest Coast of Canada, to demonstrate that exchange is the very essence of human social life, inseparable from the incest taboo, marriage rules, and a fully realized highly elaborate symbolic universe based upon principles of animism, sympathetic magic and rites of passage.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I am an unusual scientist in the sense that I have doctorates in both biology and anthropology, so I am very interested in the dichotomy between what our bodies truly want (biology) and how we are supposed to behave, or tell others to behave, in our cultural settings (cultural anthropology). Amazingly, studies show that we spend more time and attention in our lives living for others for what they think of us, than doing what we truly want, and that we often regret that, when we are close to dying. These books make us reconsider that way of living, so we can change this before it is too late.
The book is, to my knowledge, the only one that fully covers the evolution of marriage in the West, including historical details and interesting biological and anthropological data; it changes the way we are indoctrinated to think by showing that sex, love, and marriage were for most of the time completely separate things, while we now try as much to force the three items to be always together.
The most surprising part for people who have not been familiar with the history of these topics is how recent and geographically localized it is the expectation that love, sex, and marriage should be together.
Just when the clamor over "traditional" marriage couldn’t get any louder, along comes this groundbreaking book to ask, "What tradition?" In Marriage, a History, historian and marriage expert Stephanie Coontz takes readers from the marital intrigues of ancient Babylon to the torments of Victorian lovers to demonstrate how recent the idea of marrying for love is—and how absurd it would have seemed to most of our ancestors. It was when marriage moved into the emotional sphere in the nineteenth century, she argues, that it suffered as an institution just as it began to thrive as a personal relationship. This enlightening…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a paranormal romance and fantasy author who fell in love with fantasy as a young girl. My journey as a reader started when I was four, but what changed me entirely was Russian Tales woven with magic. I’m passionate about Lycans, Werewolves, Witches, Vampires, and everything that’s magical. I like to write sizzling tales of love and betrayal.
This series can actually fit into sci-fi as well as shifter romance. The main leads are human experiments whose DNA is spliced with animal DNA. Hence they are stronger with heightened senses with characteristics of animal DNA they have been spliced with. The story opens with their rescue and them being provided a separate compound to reside. Each story follows a rescued species and Smiley is my pick because he’s the most cheerful and free spirited new species among them all. And this story is a heartwarming romance woven with a lot of action that will keep the readers on their toes.
*** THIS IS A RERELEASE OF A PREVIOUSLY PUBLISHED BOOK ***
Vanni is furious when her fiancé tricks her into attending a conference where his father’s church is protesting the New Species Organization. She hates everything those vile bigots stand for. Vanni goes to the bar to cool off and ends up seated next to a handsome New Species. Things heat up fast when they are both drugged.
Smiley doesn't want to believe the sweet human would dose them with the breeding drug. He's willing to trust her and determined to save her life. He'll hold her. Protect her. Offer…
