Here are 100 books that The Call is Coming from Inside the House fans have personally recommended if you like
The Call is Coming from Inside the House.
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I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
This book, about a young recluse losing grip on reality, unable to discern truth from her own memory, had me hooked. I found the writing vicious and fierce, the imagery haunting, and the overall focus on memory and trauma as horrors that can both shape and betray us distressing in the very best of ways. Memory and one’s sense of self are important to my own work, and as such, this book managed to tap into some personal unease.
That it’s also so sharply written (and wonderfully f*cked-up) is the icing on an already delicious narrative cake. Recommended for those who like their horror to mess with their sense of reality—personal and not. My favorite read of 2023.
WINNER OF THE 2023 KOBO EMERGING WRITER PRIZE FOR LITERARY FICTION
A GLOBE AND MAIL BEST BOOK OF 2022
49TH STREET EDITOR'S PICK FOR SEPTEMBER 2022
A reclamation of
female rage and a horrifyingly deformed Bildungsroman.
Frances is quiet and reclusive,
so much so that her upstairs roommates sometimes forget she exists. Isolated in
the basement, and on the brink of graduating from university, Frances herself
starts to question the realities of her own existence. She can't remember there
being a lock on the door at the top of the basement stairs-and yet, when she
turns the knob, the door…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.
I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.
'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year
'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed
Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
In my own work, as is likely obvious, mental health is a huge focus. I’m someone with a history of depression, anxiety, and anorexia. That middle element here, anxiety, is something I’ve seen written about a great deal, but rarely have I experienced it as profoundly as I did in this book.
When Alice starts losing control of her reality when her spiral begins in earnest… It was like reading what a panic attack feels like. And I mean that as the highest of compliments. I think this might make this read a difficult pill for some to swallow, but I was left in awe of Elliott’s skill.
The book is captivating in its own right, the story (and story within the story) entertaining and engaging, but this personal connection to the feel of it all has cemented it in my brain.
'Mesmeric, intoxicatingly original' Hannah Kent, bestselling author of Burial Rites
'Haunting and surreal... With its sharp wit and beautiful writing, this book had me flying through the pages.' Ana Reyes, New York Times bestselling author of The House in the Pines
'A towering achievement, stunningly good storytelling.' Melissa Lucashenko, Miles Franklin Award winning author of Too Much Lip
On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl; her ever-charming husband - an academic whose area of study is conveniently her own Mohawk…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Full disclosure: I was an early reader of this book and have offered it a blurb. But I wouldn’t have done so had it not significantly impacted me.
Aiello’s memoir, though not strictly horror, uses aspects of genre and pop culture—including aspects of horror—to detail their own history with mental illness and the surrounding difficulties and stigmas attached to it. They go to great and much-needed lengths to dissect how mental illness has been made out to be one of the great boogeymen of our lives via its myriad portrayals in culture (as a villain, a threat, a diabolical force, etc.) and detail the damage that’s been done as a result.
This is a powerful book in which I saw myself reflected all too often.
Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care
Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains.
A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Recently published and super accessible, this book is a modern catalogue of lesbian and bi culture for women. It looks at the recent evolution of queer female visibility in the mainstream and across pop culture, asking what material changes this visibility has for the life of queer women everywhere. It’s funny and pacey and broad in scope, as it asks: How islesbian culture changing?
'This "love letter of sorts" to inclusive queer women's culture is perfect for anyone who's just come out, wants to know what the heck's going on or has yearned for an entire chapter dedicated to the film Carol.' - DIVA
'An introspective dive into the fast-moving world of queer culture, Daisy unpacks some of the 21st century's biggest lesbian and bisexual moments to paint a portrait of what modern-day queerness looks like.' - GAY TIMES
'Daisy Jones effortlessly explores queer culture' - COSMOPOLITAN ______________________________________________________________________________________
I’ve struggled with mental health for most of my life, as have family members and friends I love. It’s extremely important to me that we normalize discussions of mental health so that we can find the best solutions. Anxiety and depression have been major themes in all of the young adult novels I’ve written; it’s my little way of furthering these conversations with the people who need them. I hope you’ll find these suggestions relatable, enjoyable, and question-inducing!
Anna Birch’s I Kissed Aliceis an enemies-to-lovers story about two gifted artists, Rhodes and Iliana, at a school for the arts who despise each other in person but fall hard for each other’s online fanfiction personas. Rhodes’s depression and anxiety consume her in the race to win a prestigious scholarship and navigate a complicated dynamic with her alcoholic mother. I found Rhodes’s on-page therapy sessions incredibly refreshing and relatable, something I don’t see enough of in YA fiction. The characters in this story are unlikeable and flawed—extremely so—but for that reason, my heart clenched often at their actions, assumptions, and reactions. Bonus points for the beautiful fanfiction graphics illustrated by Victoria Ying.
Rhodes and Iliana couldn't be more different, but that's not why they hate each other. Hyper-gifted painter Rhodes has always excelled at the Alabama Fine Arts Academy despite a secret bout of creator's block, while transfer student Iliana tries to outshine everyone with her intense work ethic. But since only one of them can get the coveted Capstone scholarship, and the competition between them grows fierce. They both escape the pressure on a fanfic site where they are unknowingly collaborating on a webcomic. Their anonymous online identities I-Kissed-Alice and Curious-in-Cheshire begin to fall in love, despite being worst enemies in…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Megan is a long-time resident of queer fantasy romance and keeps herself busy reading and writing it. She has been doing so for nearly twenty years, and hopes to do it at least another twenty. She is asexual, biromantic, and married to a wonderful woman. When she’s not busy writing, she likes to cook, harass her wife and cats, or watch movies and play video games.
This book is a beautiful execution of slow burn, watching a character grow and come into his own and realize that he loves and is loved. The world-building is fantastic, and the story keeps you reading until you realize it's four in the morning and you've got a long day ahead of you. I loved the main character, his love interests, the history, and recent war that provide the setting and drive for much of what happens. It's a beautiful love story, a wonderful fantasy, a fantastic combination of both genres.
Everyone expects the king to rage at the suggestion that he find a new spouse to stand alongside--or better yet, replace--his beloved husband. Some might be planning on it, hoping to incite another conflict like what has plagued the country since the death of the last legitimate ruler. But to everyone’s surprise, the infamous Traitor King, Arden Canamorra, reacts to the suggestion with amusement, perhaps even interest.
Decades of chaos ended with Arden’s ascension to the throne. But many in the oldest noble families want more influence over the crown--noble influence, that is. Not from the king’s lower-rank and somewhat…
If society considered your desires illegal, would you save records of it? As a historian of sexuality in the US and as a queer person, I’m drawn to stories about convention-defying love. We know much more about straight people’s passions because these were the socially approved ones. Learning about queer people’s desires is more challenging—and the result feels even more precious.
I wanted to listen to Blues music all day after reading Woolner’s enlightening tour of queer Black women’s loves and lusts in the early 20th century United States. From fights that erupted in lesbian love triangles to affairs among Blues performers and their fans, Woolner keeps the story humming.
The book convinced me that “lady lovers,” as Black Americans called queer women at the time, created a vibrant world of desire, friendship, and love.
Black queer women have shaped American culture since long before the era of gay liberation. Decades prior to the Stonewall Uprising, in the 1920s and 1930s, Black "lady lovers"-as women who loved women were then called-crafted a queer world. In the cabarets, rent parties, speakeasies, literary salons, and universities of the Jazz Age and Great Depression, communities of Black lady lovers grew, and queer flirtations flourished. Cookie Woolner here uncovers the intimate lives of performers, writers, and educators such as Bessie Smith, Ethel Waters, Gladys Bentley, Alice Dunbar-Nelson, and Lucy Diggs Slowe, along with the many everyday women she encountered…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book arrives with a profound introduction on "writing ourselves into being," and casts a crucial gaze on writing from the margins.
It invites the reader to engage with difference, whether the difference is queer or skin colour or cultural heritage or whichever form of diversity. Contributors share with the reader their art, craft, and lived experience, where "writing oneself in," as Octavia Butler did, is fundamental self-creation, snatching space that has been stolen or withheld.
This anthology of personal truths, as authors unskin to their innermost selves, is as startling as it is introspective.
In Ex Marginalia, 20 authors of speculative fiction explore what it means to create at the intersections of their multiple marginalities. A gay man pens a letter to his departed muse, an African woman ruminates on the end of a marriage, a Filipino writer defends romantic villains.
These essays chart identities and perspectives systematically excluded by a field that has failed to deliver on its promise of progress. But these voices cannot—will not—remain in the margins any longer.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Two things I absolutely loved growing up: fantasy novels and history. Swashbuckling pirate stories are like a fantastic combination of both, and the way that the age of sail touched all corners of the world creates an opportunity for so many different kinds of stories to be told through this lens. As a queer writer, my passion is writing the kind of stories I loved as a child. As a trans adult, I find joy in making the next generations feel comfortable in their own skin. Living in Vancouver, B.C. I write novels and animated television, and I also co-host a podcast about advertising called Ad Creeps.
I’m a huge fan of queer re-tellings (as you can probably sense from this list) as well as lush, detailed historical fiction, and C.B. Lee delivers both in this vivid, adrenaline-spiking adventure. My favorite thing about this story is how Lee takes the bones of Treasure Island and reanimates them, bringing a new perspective to a classic by shifting the focus from traditional Western pirate narratives. Riding the waves with Xiang as she discovers her own identity and family history is an absolute delight, and seeing her relationship with Anh grow is a beautiful thrill.
China, 1826. The sun is setting on the golden age of piracy, and the legendary Red Banner Fleet, the scourge of the South China Sea, is no more.
Sheltered her whole life, Xiang desperately wants to set sail and explore like her late father. Her only memento of him is a plain gold pendant. But the pendant's true nature is revealed when a mysterious girl named Anh steals it, only to return it to Xiang in exchange for her help in decoding the tiny map scroll hidden inside. Rumour has it that the legendary Dragon Queen had one last treasure…
