Here are 100 books that Mornings in Mexico fans have personally recommended if you like
Mornings in Mexico.
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I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself.
Chatwin’s classic is a must read for anyone interested in the concept of the human relationship with landscape and spirituality.
A deeply thoughtful book that made me think very hard about my own place in the world, about how I connect to and interact with nature, and where my life’s journey may be leading me. By focusing on the quality of journey the destination will take care of itself.
This Moleskine-bound edition is sold together with a blank Moleskine notebook, for recording your own thoughts and adventures. Perfect for the travel writers of the future.
The Songlines is Bruce Chatwin's magical account of his journey across the length and breadth of Australia, following the invisible and ancient pathways that are said to criss-cross the land. Chatwin recorded his travels in his favourite notebook, which he would usually buy in bulk in a particular stationery shop in Paris. But when the manufacturer went out of business, he was told "Le vrai moleskine n'est plus". A decade after its publication, on…
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,…
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
Although its eloquent erudition might now strike some people as a little old-fashioned this is a book about Greece that still works for me and is the product of a lifetime’s immersion in Greece and its history and culture, a place which Leigh-Fermor made his home and whose language he spoke fluently. This is not the Greece of the tourist resorts and the package tours, it is the Greece of the post-classical age brought to life by an independent scholar and consummate stylist.
Patrick Leigh Fermor's Mani compellingly revealed a hidden world of Southern Greece and its past. Its northern counterpart takes the reader among Sarakatsan shepherds, the monasteries of Meteora and the villages of Krakora, among itinerant pedlars and beggars, and even tracks down at Missolonghi a pair of Byron's slippers.
Roumeli is not on modern maps: it is the ancient name for the lands from the Bosphorus to the Adriatic and from Macedonia to the Gulf of Corinth. But it is the perfect, evocative name for the Greece that Fermor captures in writing that carries throughout his trademark vividness of description.…
I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023).
Like many World War I veterans, British Gerald Brenan left the army depressed and dispirited. He moved to Spain and settled in Andalusia, specifically the small village of Yegen. Like many ex-pats, he wanted a simpler life.
He had a small house and humble furnishings but brought his entire library—2000 books—from England. Although he was isolated, Brenan had many visitors, including Virginia Woolf, Lytton Strachey, and Hemingway. He died at 92 in Spain, of course. Brenan’s book is one of the first “ex-pat” Spanish memoirs and sets the standard for the genre.
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,…
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
Colin Thubron is our best living British travel writer whose books about China, India, Russia, the Middle East, and many other places are essential for anyone thinking of visiting those places. In the spirit of the great British Victorian travellers he travels alone, with the minimum of baggage except for his formidably well-informed mind which makes each book an education as well as a pleasure to read because of his wit and lightness of touch. He conveys so well the feel of a journey – which makes the title of this book so appropriate – and knows how to talk to the people he meets on his 600-mile tramp on foot around the island of Cyprus shortly before the conflict erupted there. It made my own journey to Cyprus so much more fruitful and enjoyable.
Cyprus, spring 1972. Tensions are rising between the Greek South and the Turkish North. Within two years, the country will become divided.
It is at this distinctive time in history British travel writer Colin Thubron embarks on a 600 mile trek across the country. Moving from Greek villages to Turkish towns, the author of Shadow of the Silk Road and Night of Fire provides a profound look into the people of Cyprus - from Orthodox monks to wedding parties to peasant families - against the landscape of a beautiful Mediterranean island on the eve of chaos and tragedy. A remarkable…
I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
Bill Wood’s engaging and accessible book is a must-read for anyone who is interested in travelling to Mexico or Mexican arts and crafts. Based on research with Zapotec weavers from Teotitlán del Valle, Oaxaca, Made in Mexico shows how it is impossible to understand how and why such items are made today without also knowing about the ways that Oaxaca and Zapotec people are marketed as part of an industry that sells authenticity and “Zapotecness.” Through clear analysis of the marketing of Oaxaca as a tourism destination and the making and marketing of Zapotec textiles as indigenous art and artifacts in both Mexico and the United States, Made in Mexico shows how Mexican craftworks today are very much global cultural commodities.
Made in Mexico introduces us to the people, places, and ideas that create Zapotec textiles and give them meaning. From Oaxaca, where guides escort tourists to weavers' homes and then to the shops and markets where weavings are sold, to the galleries and stores of the American Southwest, where textiles are displayed and purchased as home decor or ethnic artwork, W. Warner Wood's ethnographic account crosses the border in both directions to describe how the international market for Native American art shapes weavers' design choices. Everyone involved in this enterprise draws on images of rustic authenticity and indigenous tradition connecting…
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
I could have picked almost any of Bowden’s books on the border, for example, the excellent Murder City, but I’m choosing Laboratory of the Future as it’s the first piece of his writing I came across. Bowden, who lived on both sides of the US/Mexican border for many years, was intimate with his subject, and the brutal power of his journalistic writing puts most novelists to shame. He is not afraid to question us or confront us, or hide his anger, but it is never unwarranted. In this book, he, and the thirteen Mexican photographers whose frequently shocking images accompany the text, paints a grim picture of the nature of ultra-capitalism when allowed to run free just south of the border – it is, he says, an experiment: it is the laboratory of our future.
Investigates the myth and reality of the current relationship between the United States and Mexico, with a focus on the more intimate connection between El Paso and the border town of Juarez. The photographers take on issues of immigration, NAFTA, gangs, corruption, drug trafficking, and poverty, and uncover a different Mexico.
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.
This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.
In the tradition of Kahlo and Allende, Turbeville’s brilliantly stylish portrait of her Mexican house evokes both her vivid imagination and the mystique of Mexico. High-ceilinged rooms surround a central courtyard that is lined with faded frescoes of biblical scenes. The glimmer and shafts of diffused light that stream into the courtyards and curtained rooms add to the romantic atmosphere—one feels as though they have entered into a quintessential Turbeville photograph. Turbeville has captured the spiritual nature of Mexican culture by incorporating into candlelit interiors such traditional religious artifacts as colorful painted tin retablos, hand-carved saints, wooden tableau boxes, and…
I’m a person like you who has lived difficult situations, has had losses, made mistakes, and deals with bad days wondering about my existence and purpose in life. I have a gift, and it's writing; I began sending reflective messages to the people at my office and that’s when I noticed that people loved them. Years later, after reading several books and accumulating more experience, I realized that there are several experiences that are common to all, but few questioned. Therefore, I decided to share my insight and thoughts in my second book, hoping to help people be a better version of themselves and live their lives to their fullest.
This book first caught my attention for the title—it’s a common Mexican phrase we use at the end of a fairytale story.
When I began reading it, I loved that the author used different color fonts so we can identify which character is talking. I found it very entertaining and fun.
When I read it, I was living in pain, longing to have a partner. This book helped me to see that nothing can be rushed; everything happens when it must happen. I learned that I could use fear to my favor and live life as I want, because the rest will come. Life is always on our side. And from time to time, I still read again the key parts that helped me when I was in pain.
Not The End was first released in 2001 and since that first edition has been read and reread, given, lent and recommended by readers of all ages, of all genders, of different religions, preferences and countries. It has passed from hand to hand and from mouth to mouth, changed publisher, cover, color and presentation. Less than two years after its publication, it became a national bestseller in Mexico and has deeply touched the hearts and lives of thousands of people.
Now eleven years later, Not The End celebrates its twenty-ninth edition in Mexico and the first one in it´s…
I have lived in Mazatlán, Mexico, for the last 6 years and have explored much of this beautiful country, from the Pacific coast to Mexico City to Puerto Peñasca and the region around the Sea of Cortez. It’s fascinating and varied, and the people here are welcoming and kind. I teach art to primary school children at a local school and love sharing Spanish and English books with them about Mexico. These are some of my favorite books that my students love.
The Rynnie Roo books are always such fun, and this one is no different. This book takes the reader on an adventure as they explore the animals that live in the Yucatan jungles of Mexico. It includes some words from the Mayan language and even talks about the many, many dinosaur bones that have been found in the region as well as the types of dinosaurs that were common there.
I love the characters Jean Johnson has created for this series and the fact that she actually grew up in the Yucatan jungle. It’s always great fun to read this one to my students here in Mazatlán, Mexico. They love learning about the other side of their country.
Rynnie Roo the Kangaroo is going on another adventure! This time Tater Tot the Parakeet joins her in the fun as they visit the Yucatan jungle, make new friends, and discover new animals and dinosaurs!In this book, kids will learn about the Mayan Indian language still spoken in this part of Mexico, including how to say “please” and “thank you.” Be sure you check out Rynnie Roo's Adventures for more locations and learning fun!
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
I was simultaneously horrified and riveted by this painstaking, searing account of a mine fire that took place in the Mexican mining center of Pachuca in 1920 and the subsequent coverup by the government and media.
The underground fire that burns even as those on the surface go about their business is both historical fast and a metaphor for the “silent fury” of many Mexicans over the inhumanity of corporations operating in their country, and over the conditions of impunity created by legal and political institutions.
This fury continues to burn in the 2020s, Herrera suggests, just as it did in the 1920s.
On March 10, 1920, in Pachuca, Mexico, the Compania de Santa Gertrudis - the largest employer in the region, and a subsidiary of the United States Smelting, Refining and Mining Company - may have committed murder.
The alert was first raised at six in the morning: a fire was tearing through the El Bordo mine. After a brief evacuation, the mouths of the shafts were sealed. Company representatives hastened to assert that "no more than ten" men remained inside the mineshafts, and that all ten were most certainly dead. Yet when the mine was opened six days later, the…
