Here are 100 books that Xuxub Must Die fans have personally recommended if you like
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I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
In my opinion, Bill Taylor is the greatest living American historian of Mexico. He has written big books and small books, all brilliant, all canonical, and his latest is no exception. In this labor of love, he traces the lives of two charlatans wandering the Mexican countryside, living and suffering by their wits, usually impersonating priests. The stories, in themselves, go nowhere: our two lowlife protagonists bounce from town to town, jail to jail, and never learn a thing or reach an epiphany; but taken together they paint a picture of Spanish American society as exceptionally mobile, and dysfunctionally unstable. Marked by displacement, dislocation, and immigration, New Spain gave birth to the picaresque novel, rooted in an abiding sense that nothing was ever as it seemed. This is Taylor’s real reward: a glimpse at two unpolished, real-life pícaros in the historical record.
The curious tale of two priest impersonators in late colonial Mexico.
Cut loose from their ancestral communities by wars, natural disasters, and the great systemic changes of an expanding Europe, vagabond strangers and others out of place found their way through the turbulent history of early modern Spain and Spanish America. As shadowy characters inspiring deep suspicion, fascination, and sometimes charity, they prompted a stream of decrees and administrative measures that treated them as nameless threats to good order and public morals. The vagabonds and impostors of colonial Mexico are as elusive in the written record as they were on…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
On May 20, 2004, a relatively “ordinary” teenager and two of his friends murdered his mother, his father, and his little sister. Unraveling the triple murder, investigative journalist Sandra Rodríguez Nieto paints a brilliant portrait of Ciudad Juárez in 2004 – a city just about to become the world’s murder capital. However, even before it became the central battleground for Mexico’s competing organized crime groups, Juárez fostered a milieu of violence, rooted in impunity. In beautiful prose, Rodríguez Nieto argues that Vicente and his friends were practically driven to murder by an overwhelming sense of impunity, which “taught us that any and every savage crime was fair game.” This book is not so much about the so-called “drug war” as it is about the social world it has come to inhabit.
In Ciudad Juarez, just across the Rio Grande from El Paso, Texas, sixteen-year-old Vicente and two of his high school friends murdered his mother, his father, and his little sister in cold blood. Through a Truman Capote-like reconstruction of this seemingly incomprehensible triple murder, Sandra Rodriguez Nieto paints a haunting and unforgettable portrait of one of the most violent cities on Earth. This in-depth and harrowing investigation into the thought processes of three boys leads the reader on an exploration of the city of Juarez, as well as the drug cartels that have waged war on its streets, in a…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
This is not just the story of José de León Toral – the man who killed President Álvaro Obregón in 1928 – but the story of the world he inhabited. Often dismissed as a religious fanatic, Robert Weis seeks (in a sense) to redeem Toral by contextualizing him in a very peculiar postrevolutionary cultural milieu: Mexico City’s network of lay Catholics, forced underground by the revolutionary state. Weis masterfully reconstructs this clandestine ecosystem of private masses and informal convents, and their cat-and-mouse games with the agents of state repression. I love the layers of detail, the reconstructions of daily life, and the author’s compassion for his subjects. I was skeptical at first, but by the end I was convinced that Toral’s action was political, and not driven (just) by religious zealotry.
Why did Jose de Leon Toral kill Alvaro Obregon, leader of the Mexican Revolution? So far, historians have characterized the motivations of the young Catholic militant as the fruit of fanaticism. This book offers new insights on how diverse sectors experienced the aftermath of the Revolution by exploring the religious, political, and cultural contentions of the 1920s. Far from an isolated fanatic, Leon Toral represented a generation of Mexicans who believed that the revolution had unleashed ancient barbarism, sinful consumerism, and anticlerical tyranny. Facing attacks against the Catholic essence of Mexican nationalism, they emphasized asceticism, sacrifice, and the redemptive potential…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
Maybe not the littlest story, but this is a classic. What begins as a pretty straightforward story of Spanish conquest and conversion takes an (even more) sinister turn in 1562, when Franciscan priests find bones and idols in a clandestine ceremonial center. What follows is a full-blown, informal Inquisition, in which Franciscan priests tortured thousands of innocent Maya, disabled thousands more, and burned 17 Maya codices, creating a “hall of mirrors” in which conquistadores were forced to beg priests to take mercy on the Indigenous peoples. Inga Clendinnen probes the psyche of the Inquisition’s mastermind, Bishop Diego de Landa – a man sent to Yucatán to protect the Maya – and draws some shocking and disturbing conclusions, not only about the man, but about impunity and corruption in the colonial project. I am convinced she is the only historian who could have written this book.
This is both a specific study of conversion in a corner of the Spanish Empire, and a work with implications for the understanding of European domination and native resistance throughout the colonial world. Dr Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. She seeks to penetrate the ways of thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders.
I have lived in Mazatlán, Mexico, for the last 6 years and have explored much of this beautiful country, from the Pacific coast to Mexico City to Puerto Peñasca and the region around the Sea of Cortez. It’s fascinating and varied, and the people here are welcoming and kind. I teach art to primary school children at a local school and love sharing Spanish and English books with them about Mexico. These are some of my favorite books that my students love.
The Rynnie Roo books are always such fun, and this one is no different. This book takes the reader on an adventure as they explore the animals that live in the Yucatan jungles of Mexico. It includes some words from the Mayan language and even talks about the many, many dinosaur bones that have been found in the region as well as the types of dinosaurs that were common there.
I love the characters Jean Johnson has created for this series and the fact that she actually grew up in the Yucatan jungle. It’s always great fun to read this one to my students here in Mazatlán, Mexico. They love learning about the other side of their country.
Rynnie Roo the Kangaroo is going on another adventure! This time Tater Tot the Parakeet joins her in the fun as they visit the Yucatan jungle, make new friends, and discover new animals and dinosaurs!In this book, kids will learn about the Mayan Indian language still spoken in this part of Mexico, including how to say “please” and “thank you.” Be sure you check out Rynnie Roo's Adventures for more locations and learning fun!
I grew up in Valladolid, a semi-rural city of Yucatan. My parents loved the history and archaeology of the Yucatan peninsula, which not long ago was a single cultural and linguistic entity. I grew up dreaming of becoming an archaeologist. With time, I became fascinated with people and sociality within and beyond Yucatan, so I became an anthropologist. I trained as an anthropologist in Mexico and Canada, and have done research in Canada, Italy, Mexico, and Spain. I live and work in Yucatan, as a professor of anthropology. Good ethnographies are what anthropology is about, and those I write about here are some of the best.
I grew up, like many other Yucatecans, convinced by my family and friends that Yucatecan cuisine is one of the best in the world, and it took many years and an anthropology degree for me to see this as a form of ethnocentrism.
Ayora-Diaz examines and deconstructs this belief, deep-seated in Yucatecans' minds, through his sophisticated study of Yucatecan regionalism through the lens of food and gastronomy.
The author proposes that what is now understood and acknowledged as “Yucatecan food” has been created out of three converging threads: home kitchens, recipe books, and restaurants. Through food, Yucatecans have carved a regionalism almost in opposition to a “Mexican” identity.
Weaving theory, ethnography, and food anecdotes, this book will leave you hungry, wanting to try all the food in Yucatan.
The state of Yucatan has its own distinct culinary tradition, and local people are constantly thinking and talking about food. They use it as a vehicle for social relations but also to distinguish themselves from "Mexicans." This book examines the politics surrounding regional cuisine, as the author argues that Yucatecan gastronomy has been created and promoted in an effort to affirm the identity of a regional people and to oppose the hegemonic force of central Mexican cultural icons and forms. In particular, Yucatecan gastronomy counters the homogenizing drive of a national cuisine based on dominant central Mexican appetencies and defies…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
Reed’s wonderful writing style and great turns of phrase make this an enjoyable read, while his attention to detail and excellent research make it requisite to understanding the long Caste War of the Maya after 1847. It is a critical antidote to works that pay too little attention to indigenous agents, to religious motivations, and to a long-simmering insurrection with vibrant cultural voices. Other works have taken this on since, but it remains a classic.
This is the classic account of one of the most dramatic episodes in Mexican history-the revolt of the Maya Indians of Yucatan against their white and mestizo oppressors that began in 1847. Within a year, the Maya rebels had almost succeeded in driving their oppressors from the peninsula; by 1855, when the major battles ended, the war had killed or put to flight almost half of the population of Yucatan. A new religion built around a Speaking Cross supported their independence for over fifty years, and that religion survived the eventual Maya defeat and continues today.
I am the author of 30 books. I live and teach in Mexico. I became interested in the St. Patrick's Battalion story when I moved here in 1990. The only book at the time was Shamrock and Sword, and while I enjoyed the book, I was dismayed that there were no Mexican or Irish sources. I did intensive research in the military archives of both countries and visited every battle site. Spurred on by the fact that one of my ancestors fought in the war, it became a passion. Later, I wrote my book and was a consultant for the film One Man's Hero. The rest, as they say, is history.
This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.
We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.
A complete, accessible, and nonacademic history of Mexico for general readers, this volume is a solidly researched introduction to a surprisingly multicultural, multifaceted nation. Presenting Mexico as it is and often with a refreshing wit and humor, this history puts flesh and bones on the dusty figures of the past while shedding light on the common humanity of the uncommon humans who created this unique country and its culture. From Mayans and Spanish conquistadors to guerillas and tourist invasions, the full thread of Mexican history is told here in a fresh, lively, uncompromising narrative for scholars, general readers, and generations…
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
The colonial period of Mexico was a mystery to me, so I turned to the ultimate source, this book by Paz. Surprisingly, I found that I did not agree with all of Paz’s conclusions about Sor Juana and the time she lived. He wrote from a male perspective, a middle-aged scholarly male perspective. Sor Juana was a young woman, a distinguished scholar in her own right. Had she written such a history, it would be quite different.
Sadly, there is no such book written from a woman’s perspective, so I invite you to join me in discovering what nuggets of wisdom you can in this book, truly the ultimate deep dive into Sor Juana’s life and times. Yes, I relied a great deal on Paz’s research. You will find it fascinating too.
Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.
This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.
In the tradition of Kahlo and Allende, Turbeville’s brilliantly stylish portrait of her Mexican house evokes both her vivid imagination and the mystique of Mexico. High-ceilinged rooms surround a central courtyard that is lined with faded frescoes of biblical scenes. The glimmer and shafts of diffused light that stream into the courtyards and curtained rooms add to the romantic atmosphere—one feels as though they have entered into a quintessential Turbeville photograph. Turbeville has captured the spiritual nature of Mexican culture by incorporating into candlelit interiors such traditional religious artifacts as colorful painted tin retablos, hand-carved saints, wooden tableau boxes, and…