Here are 98 books that Mooncakes fans have personally recommended if you like
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As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
I love stories crammed with internal strife and triumph in the end, especially ones about finding yourself.
In this YA contemporary, teen Ben faces the worst possible reaction from their parents when they come out to them as nonbinary. Fortunately, they round up some supportive family, but this marks the beginning of a long struggle to build up their confidence and come out to everyone, not just their family. Ben may know who they are, but being honest about it is hard, especially in certain places.
There are big differences in being nonbinary or trans in conservative states versus liberal states, and also between smaller towns and bigger cities. This book reminds readers that as long as you’re safe, being true to yourself is more rewarding than hiding yourself.
'A soft, sweet, and incredibly important story about a nonbinary teen finding their voice. This book is going to be so important to so many people.' - Alice Oseman, author of Heartstopper
It's just three words: I am nonbinary. But that's all it takes to change everything.
When Ben De Backer comes out as nonbinary, it doesn't go down as planned: they are thrown out of their house and forced to move in with their estranged older sister.
All Ben can do is try to keep a low profile in a new school. But Ben's attempts to go unnoticed are…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
I love stories about artists, and I loved the creativity of the whole idea behind this adult fantasy set against an Asian-inspired backdrop, where art is magic and can be used to make things happen in the physical world.
But even better is the fact that the main character—a skilled artist roped into working for a corrupt entity—is nonbinary, and this is nothing more than a mundane fact. It’s a clear reminder that gender is just one part of a person’s existence—and probably not the most important one.
Gyen Jebi isn't a fighter, or a subversive. They just want to paint.
One day they're jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government's automaton soldiers.
But when Jebi discovers the depths of the Razanei government's horrifying crimes-and the awful source of the magical pigments they use-they find they can no longer stay out of politics.
What they can do is steal Arazi, the ministry's mighty dragon automaton, and find a way to fight...
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
It’s always great to get a reminder to be true to yourself when you don’t fit in easily.
This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.
But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.
In a futuristic society run by an all-powerful Gov, a bender teen on the cusp of adulthood has choices to make that will change her life—and maybe the world.
Fifteen-year-old bender Kivali has had a rough time in a gender-rigid culture. Abandoned as a baby and raised by Sheila, an ardent nonconformist, Kivali has always been surrounded by uncertainty. Where did she come from? Is it true what Sheila says, that she was deposited on Earth by the mysterious saurians? What are you? people ask, and Kivali isn’t sure. Boy/girl? Human/lizard? Both/neither? Now she’s in CropCamp, with all of its…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
I loved this nonfiction book because it puts the gender binary in the context of other things that we often falsely consider binaries.
For instance, the mind-body binary is ridiculous when you consider that experiencing emotions is not entirely in the mind, given what we know emotions and stress do to the body, both short-term and long-term. The authors also point out that feelings can be something other than completely positive or completely negative, and that the idea that emotion and rationality, or work and play, are mutually exclusive is absurd.
What makes this book especially good is that it shares practical advice for changing the binary mindset, like avoiding the either/or view by making yourself consider what possibilities are real between two extremes—or in both extremes—at the same time. Marginalized people can use these techniques to avoid judging themselves so harshly, and allies can learn better ways to understand…
'The book we all need for this moment in time.' CN LESTER 'An absolute must read' FOX FISHER 'A genius book' LIBRARY JOURNAL REVIEW
Much of society's thinking operates in a highly rigid and binary manner; something is good or bad, right or wrong, a success or a failure, and so on. Challenging this limited way of thinking, this ground-breaking book looks at how non-binary methods of thought can be applied to all aspects of life, and offer new and greater ways of understanding ourselves and how we relate to others.
Using bisexual and non-binary gender experiences as a starting…
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This book surprised me a lot. I was expecting a gory, grimdark, good-for-her revenge story—and it is that—but this book is also darkly funny! It gives What We Do in the Shadows vibes, but with demons.
The comic follows a duo of hapless twin siblings who are way over their heads, coming to terms with their demonic heritage, coping with emotionally unavailable parents, and running the family restaurant. I feel it perfectly balances dark comedy and gripping horror in its themes. (CW: gore)
The Night Eaters: She Eats the Nights is the first volume in a graphic novel horror trilogy from author Marjorie Liu and illustrator Sana Takeda—the creative team behind the New York Times bestselling series Monstress.
NAMED A BEST GRAPHIC NOVEL OF THE YEAR BY THE WASHINGTON POST NAMED A BOOK WE LOVED BY NPR
Chinese American twins Milly and Billy are having a tough time. On top of the multiple failures in their personal and professional lives, they’re struggling to keep their restaurant afloat. Luckily their parents, Ipo and Keon, are in town for their annual visit. Having immigrated from…
I’m a foodie at heart and grew up working in a family restaurant. I currently live in Los Angeles, where I’m delighted to have access to all sorts of edible goodies. As a writer, I insert food into my books, specifically in my culinary cozy mysteries, which have murder—and recipes! I also adore the idea of the fantastical; as a kid, I often created entire imaginary worlds during playtime. I’m happy to combine both loves in my newest series, the Magical Fortune Cookie books.
I loved the echoes of culture I experienced with this novel, which has a Chinese American protagonist. The cultural expectations and even tidbits of language made me feel represented.
I also admired that Vanessa could tell fortunes through examining the dregs of a teacup; as a tea lover, I wholeheartedly endorsed the notion. I was already familiar with Lim’s storytelling and knew I’d be in for a treat of a read, especially one filled with vivid details of Paris and its excellent culinary ambiance.
From the critically acclaimed author of Natalie Tan’s Book of Luck and Fortune comes a new delightful novel about exploring all the magical possibilities of life in the most extraordinary city of all: Paris.
Vanessa Yu never wanted to see people's fortunes—or misfortunes—in tealeaves.
Ever since she can remember, Vanessa has been able to see people's fortunes at the bottom of their teacups. To avoid blurting out their fortunes, she converts to coffee, but somehow fortunes escape and find a way to complicate her life and the ones of those around her. To add to this plight, her romance life…
When I was a kid, I moved from Sri Lanka to the US without any knowledge of English. I first learned the language through the stories I watched and then the ones I read. I spent hours in the library and was most strongly attracted to stories with magic and witches, which allowed me to escape my own life and find refuge in my imagination. These stories are why I became a writer, and many of these stories still hold sway over me today. When life gets hard, I love to escape into these magical worlds.
Who doesn’t love Miyazaki? With the absolutely beautiful art tradition of Studio Ghibli on display, this book is the first in a series based on the movie of the same name. I loved that movie as a kid, and I loved the book as an adult. Kiki’s resilience in the face of hardship and the quirky, wholesome nature of the witchcraft is pitch perfect.
Now that she's 13 years old, it's for Kiki to learn how to become a witch.
Now that she's 13 years old, it's time for young Kiki to start thinking about her future. So one night, under the shine of a full moon, she grabs her black cat Jiji, hops on her mother's broom and heads off into the night. The next day she alights upon a friendly oceanside city, and this, she tells her loyal and furry companion, is where she'll spend the next year learning how to become a real, honest-to-goodness witch.
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”
In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and…
My favorite memoirs are joyful, personal, and uplifting, especially those that tell of travel, intercultural understanding, food, cooking, creating art, and personal growth, all subjects for which I am passionate. Years ago, I taught adults cooking, specializing in the food from places I had traveled (India, China, Iran, Denmark, Spain, Afghanistan). Now, at 82, though I live alone, I still cook every day and collect recipes to try. When I was writing my own travel memoir, I constantly read other memoirs, always searching for the best of the best. I found I especially loved books that included recipes, maps, or illustrations. These recommendations are only a few of my favorites.
The subtitle, Lessons in Food and Love from a Year in Paris, drew me to this memoir of a woman stranded in the city of her dreams without her husband. She fills her lonely days learning about French food. I enjoyed the memoir’s structure. Each chapter studies an iconic local dish: the history of the dish, the way it is made, her travels to find it, and tasting...lots of tasting. Her recipes, adjusted for American kitchens, are the bonus de resistance.
But Mah doesn’t write only about food. She also shares her struggles with loneliness, missing her husband, and finding her way around France on her own. I totally recommend this personal and informative memoir by a Chinese American Francophile.
The memoir of a young diplomat's wife who must reinvent her dream of living in Paris—one dish at a time
When journalist Ann Mah's diplomat husband is given a three-year assignment in Paris, Ann is overjoyed. A lifelong foodie and Francophile, she immediately begins plotting gastronomic adventures à deux. Then her husband is called away to Iraq on a year-long post—alone. Suddenly, Ann's vision of a romantic sojourn in the City of Light is turned upside down.
So, not unlike another diplomatic wife, Julia Child, Ann must find a life for herself in a new city. Journeying through Paris and…
Ying Chang Compestine is the multi-talented author of 25 books including fiction, picture books, and cookbooks. Frequently sought after by the media, Ying has been featured on numerous national television programs, is regularly profiled in prestigious news media outlets, and has been named one of the "50 Great Writers You Should Be Reading" by The Author's Show. Her keen interest in cuisine has led her to weave food into all of her writing–including cookbooks, novels, and picture books for young readers. Ying grew up in Wuhan, China during the Chinese Cultural Revolution. She uses these experiences, as well as her passion for food, in all her writing.
The middle-grade novel, New from Here, really hits home for me. The main character, Knox, a resilient young boy protecting his friends during the COVID-19 pandemic, makes this book incredibly relatable to young readers.
The book combats racism and promotes togetherness, issues that I am passionate about in my own writing.
Don't miss the stunning no.1 New York Times bestseller. New country. New life. Whole new world . . .
When the coronavirus hits Hong Kong, ten-year-old Knox's mom makes the last-minute decision to move him and his siblings to California, where they think they will be safe from the virus.
But life in America isn't easy. At Knox's new school, the other kids think that because he is from Asia, he must have brought over the virus. At home, Mom's freaking out because she just got fired, and Dad doesn't know when he'll see them all again, because all flights…
