100 Books Like Phoenix Extravagant

I love stories crammed with internal strife and triumph in the end, especially ones about finding yourself.

In this YA contemporary, teen Ben faces the worst possible reaction from their parents when they come out to them as nonbinary. Fortunately, they round up some supportive family, but this marks the beginning of a long struggle to build up their confidence and come out to everyone, not just their family. Ben may know who they are, but being honest about it is hard, especially in certain places.

There are big differences in being nonbinary or trans in conservative states versus liberal states, and also between smaller towns and bigger cities. This book reminds readers that as long as you’re safe, being true to yourself is more rewarding than hiding yourself. 

Reading this graphic novel just feels good. It’s so positive and full of all kinds of sweet relationships—romantic, friends, and family.

It’s also a fantastic portrayal of numerous people with something that makes them different from most others, including wearing hearing aids, lesbian grandmas, large bodies, and last but not least, being nonbinary. None of these things is an issue in the book, and instead they’re presented as being as normal as breathing.

I just love the normalization of human differences. Add to that the fun urban fantasy elements of magic and werewolves, and it’s a perfect mix.  

It’s always great to get a reminder to be true to yourself when you don’t fit in easily.

This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.

But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.

I loved this nonfiction book because it puts the gender binary in the context of other things that we often falsely consider binaries.

For instance, the mind-body binary is ridiculous when you consider that experiencing emotions is not entirely in the mind, given what we know emotions and stress do to the body, both short-term and long-term. The authors also point out that feelings can be something other than completely positive or completely negative, and that the idea that emotion and rationality, or work and play, are mutually exclusive is absurd.

What makes this book especially good is that it shares practical advice for changing the binary mindset, like avoiding the either/or view by making yourself consider what possibilities are real between two extremes—or in both extremes—at the same time. Marginalized people can use these techniques to avoid judging themselves so harshly, and allies can learn better ways to understand… show more.

When I first saw the previews of this book, I had to read it the first day it was published.

Though friends had highly recommended Kostova’s more popular book, The Historian, this book spoke to me.

With the point of view shifting from current time to 19th century France, it checked all my boxes: painting, art museum, impressionists - all tied together into a fabulous mystery bow.

While reading, I wanted to peacefully wander an art museum and dabble with a paintbrush on canvas.

To me, the best books evoke a unique artistic mist or glow that I can still feel years later.

Letters to Gwen John is the artist’s mixture of memoir and fictional letters to Gwen John the artist.

Once a partner of the much older artist Lucian Freud, Paul’s life resembles Gwen’s love for the older French sculptor Auguste Rodin. Paul’s fictional letters provide moving insights into Paul’s life, Gwen’s life, and the role of art.

Uncannily Paul’s letters resemble Gwen’s to Rodin in their shared simplicity and devotion to art.

I just wish Paul’s book had been published before I wrote my book because Paul has so many insights into art techniques. 2023 is definitely Gwen’s year with the opening of the major exhibition of Gwen’s work at Pallant House Gallery, UK.

I’ve been intrigued all my life by the women on my mother’s side of my family who were artists and writers. How did I fit into that familial line, and what could I learn from them?

Honor Moore’s investigation into her artist grandmother’s life drew me into her own examination of that question, and I was deeply moved by her mission of reviving her beautiful, brilliant grandmother’s reputation as an artist while offering an honest assessment of how societal pressures affected her mental health and problems with alcohol abuse. 

Local to me, I’ve been familiar with the gorgeous poster and mural art of Greg Newbold. More recently he has teamed up with his wife Amy to create a series of picture books showcasing the styles of renowned artists. This first book takes snowmen and imagines what they would look like if painted by artists such as Van Gogh, Dali, Picasso, O’Keefe, and others. An excellent introduction to the painting styles of famous artists, with informative text to reinforce the idea that “not all artists paint the same.” 

In this wondrous book on Caravaggio, the world of Naples unfolds from the inside through an electrifying reading experience. Written with grace, almost every sentence imparts an epiphany. The author challenges us to undertake soul-work, even if one is a secular reader. Reading becomes an act of empathy and passion. In the words of Wallace Stevens, potential readers will become ‘necessary angels’.

Picture book biographies need to narrow their focus on a subject, and I love the way the author achieves this. She could have written about Van Gogh’s life in general, but she used the refrain “Vincent can’t sleep” to describe his childhood, schooling, boring jobs, and finally becoming an artist. Insomnia led to his most well-known painting, “The Starry Night.”

I also admire how gently she portrayed his mental illness by emphasizing his quest to find the colors of the night. Lean prose contrasts neatly with Van Gogh’s free-wheeling brushstrokes, richly illuminated by Grandpré’s sweeping illustrations.