Here are 100 books that The Night Eaters fans have personally recommended if you like
The Night Eaters.
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I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
A hauntingly beautiful anthology of five twisted fairytales that, to me, felt like stepping into a pastoral Twilight Zone and stayed in my mind for days after the final page. Carroll’s artwork is eerie and subtle, and the limited color palette turns scenes of the mundane into a visual nightmare.
The stories are well-paced and spooky, and in my opinion, best read during a dark summer thunderstorm.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This is a cozy ghost story that explores the anxieties of adolescence and making new friends in a world that moves on way faster than the protagonist is ready for. I found her friendship with the ghost very sweet and compassionate, and it handled heavy topics that many children go through with relative ease.
The comic panels are vibrant and bursting with imagination; it's the comic equivalent of enjoying a brisk autumn day and throwing a small Halloween party with a few friends.
Lora wants to stay a kid forever, and she'll do anything to make that happen . . . including befriending Alexa, the ghost who haunts her house. A middle-grade graphic novel about growing up that's perfect for fans of Ghosts and Making Friends.
Growing up sounds terrible.
No one has time to do anything fun, or play outside, or use their imagination. Everything is suddenly so serious. People are more interested in their looks and what others think about them than having fun adventures. Who wants that?
Not Lora.
After watching her circle of friends seemingly fade away, Lora is…
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This book absolutely horrified me in all the best ways. A “benevolent” being “rescues” 11 of his human friends from the complete apocalyptic annihilation of the planet, and the journey that ensues is dark.
This comic is full of gut-wrenching, visceral storytelling, genius foreshadowing, stunning artwork, and enough cosmic & existential dread to leave me staring out my window for at least a day or two afterward, but in a good way. (CW: adult themes, nudity, gore, violence)
With Something Is Killing the Children and The Department of Truth, James Tynion IV has changed the face of horror in modern comics now get ready for his most ambitious story yet, alongside his Detective Comics partner Alvaro Martinez Bueno! Eisner Award Winner 2022 - Best New Series. Eisner Award Winner 2023 - Best Writer, James Tynion IV. Eisner Award Winner 2023 - Best Coloring, Jordie Bellaire. Eisner Award Nominee 2023 - Best Continuing Series. Eisner Award Nominee 2023 - Best Penciller/Inker, Alvaro Martinez Bueno. Everyone who was invited to the house knows Walter well, they know him a little,…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This book is a frenetic, funny, and fast-paced horror comedy that's reminiscent of Invader Zim with the humor and the art style, and it’s tons of fun! I loved the dynamic character poses and expressions, and the visual gags caused many laugh-out-loud moments for me. The zany ensemble cast of various Halloween creatures is pure high-octane magical chaos.
Perfect for fans of Wednesday, Hooky, Monster High, and anyone in need of a wickedly good laugh, this graphic novel follows an aspiring witch and her two best friends as they try to have a fun-filled Halloween . . . while also dealing with a pair of neighborhood do-gooders hell-bent on vanquishing evil.
Learning to become a witch is hella difficult! Luckily, Gwen can always count on her two best friends in the whole world for help. Except Sloane and Miles aren’t exactly from this world. They’re from the Hallowlands, a monstrous realm, which they can only leave as the…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
Reading this graphic novel just feels good. It’s so positive and full of all kinds of sweet relationships—romantic, friends, and family.
It’s also a fantastic portrayal of numerous people with something that makes them different from most others, including wearing hearing aids, lesbian grandmas, large bodies, and last but not least, being nonbinary. None of these things is an issue in the book, and instead they’re presented as being as normal as breathing.
I just love the normalization of human differences. Add to that the fun urban fantasy elements of magic and werewolves, and it’s a perfect mix.
"Mooncakes is spellbinding. It had everything I love in a story-magic that felt inventive, characters that became my friends, and a romance that felt truly authentic. It was one of those books that I was sad to see end. Luckily, I can always reread." -Tillie Walden, creator of Spinning and On a Sunbeam
"Mooncakes transported me to a gorgeous magical realm that I never want to leave, and introduced me to lovable characters who stuck with me long after I finished reading. This graphic novel is the joyful fantasy romance we all need right now, and it might just restore…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
The railroad worker and the interpreter; The Hong Kong beauty/midwife and the fishmonger’s daughter; the Kung fu master’s family turned tong bosses and the civic leaders and charity organizers; the merchants and the opium dealers; the church ladies and the rice wine hooch brewers; the lofan (white) Aunt Elva with a painful secret….
These are some of the unforgettable characters from Chin’s sprawling family. I loved this glimpse into the Chinese American experience in New York City during the same time my family was muddling through in Georgia. I also have reason to believe my grandfather knew some of these characters personally through his correspondence and Chinese liberation work. Chin did honor to all of the ancestors with this skillful weaving of history, memory, anecdote, and a daughter/granddaughter’s loving intuition.
“Essential reading for understanding not just Chinese American history but American history—and the American present.” —Celeste Ng, #1 bestselling author of Little Fires Everywhere
* TIME 100 Must-Read Books of 2023 * San Francisco Chronicle's Favorite Nonfiction * Kirkus Best Nonfiction of 2023 * Winner of the Chinese American Librarians Association Best Non-Fiction Book Prize * Library Journal Best Memoir and Biography of 2023 * One of Elle's Best Memoirs of 2023 (So Far) * An ALA Notable Book *
“The Angela’s Ashes for Chinese Americans.” —Miwa Messer, Poured Over podcast
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve always been fascinated by Chinese culture. My great uncle owned an import-export shop in 1920s Montreal and many of the things in his shop decorated my family home. An aunt who worked in Toronto’s Chinatown took me to see a Chinese opera performance and this began my journey to understand Chinese thought and culture first with an MA in Chinese poetry and then with a Ph.D. in East Asian Studies. After I learned that Sun Yatsen had visited Manitoba, where I had moved for work, my attention turned to Chinese nationalism. More than 15 years later, my research and work on KMT culture continues.
Today most people associate Chinatowns with restaurants and tourism. In the past and for many Chinese Canadians, Chinatown was a ghetto and place of exclusion. But for many Chinese and other first-generation migrants, Chinatown was simply home. It was where friends (and sometimes families) lived and socialized, operated businesses, and felt a sense of belonging through mutual support networks and devotion to Sun Yatsen at KMT and other political meetings and events. Peter Kwong’s The New Chinatown tells a complicated narrative of Chinese political, social, and cultural life and dispels many Chinatown stereotypes. In my book, I tried to tell a similar story of Chinese political and social lives that weren’t defined by Chinatown stereotypes.
Newspapers today are filled with stories of corruption and strife in America's Chinatowns, reversing the popular view of Chinese Americans as a model minority of law-abiding, hard-working people whose diligent children end up in high-tech jobs. In The New Chinatown, Peter Kwong goes beyond the headlines in a compelling and detailed account of the political and cultural isolation of Chinese-American communities. This new edition offers a revised and updated text as well as a new chapter on Chinatown in the 1990s.
Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.
In the Old West in 1873, a woman of indeterminate age and great ugliness appears without warning in the camp of Chinese railway workers, babbling incomprehensibly. Chin Ah Kin thinks she may be an immortal sent to enchant him - his more practical uncle sees trouble.
Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.
The life and writings of Iris Chang portray a woman with a passion for learning about her cultural heritage. Like a soldier, she gave her life in the pursuit.
The Chinese in America brings into focus just how it was for early Chinese immigrants to live in this land and their place in America today. The book not only sheds light on the Chinese American experience, but indirectly on all immigrant groups as well.
I value Chang’s encompassing work enlightening for understanding Chinese Americans as much as for understanding my own heritage.
A quintessiantially American story chronicling Chinese American achievement in the face of institutionalized racism by the New York Times bestselling author of The Rape of Nanking
In an epic story that spans 150 years and continues to the present day, Iris Chang tells of a people’s search for a better life—the determination of the Chinese to forge an identity and a destiny in a strange land and, often against great obstacles, to find success. She chronicles the many accomplishments in America of Chinese immigrants and their descendents: building the infrastructure of their adopted country, fighting racist and exclusionary laws and…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
For me, this novel combines the best of three sharply different types of books: It's a dystopian novel that paints an enthralling (and terrifying) portrait of an invented world. It's a page-turner.
And it's a story that hit some deep emotions in me. The basic narrative is that Frida, the harried and divorced mom of toddler Harriet, leaves Harriet alone while she dashes off to get herself a latte. Okay, that's stupid and risky, though Harriet is unharmed.
But in this book's world, that's enough to land Frida in a "reform school" from which it's almost impossible to prove yourself "perfect" enough to be released. As the story spiraled worse and worse, I couldn't believe this was happening.
I couldn't read another word; no, I couldn't put it down.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
