Books like The Raven Tower — picked by fans

I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.

I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.

My PhD work was in developmental robotics, which is about how a robot could wake up and learn about the world the way a human child does. The robot in my thesis work does this by building models, and, more generally, society as a whole advances when science builds ever better causal models about how the world works. The books in this collection are about what could happen when we are 5, 10, and 100 years ahead in the causal model-building process, and they look at what happens when those models are built by robots instead of humans.

My love of unusual narration probably stems from my rabid consumption of “Choose Your Own Adventure” books in my youth. Why read a book about someone else when the story could be yours? While I’m glad to say that my library has since expanded, I still appreciate the unusual and bizarre viewpoint when I read. Perhaps a self-portrait? In any case, I’ve also used some unique narrative tools in my own writing through the point of view of my fictional WHISPs and also through cryptic journal entries. If you’re looking for something different by way of narration, I’m confident you’ll enjoy these five best books.

We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.

I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text. 

I am a lifelong art appreciator. When I connect with a piece of art, I want to know more about the art, the time period, and the artist. I read history and biography to learn facts, but when I want to experience the art at the heart-level, I dive into historical fiction. I'm especially interested in the connection between love and creativity. As a writer, I know firsthand that love is what fuels me. I love it when I encounter stories that show I'm not alone in this; others across history have also been inspired to create by their own great emotions, whether love or anger or something else.

Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection, Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.

Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.

I’ve been meditating since I’m 10 years old, constantly inquiring about why humans are suffering. This led me on a very introspective journey into tantra. After travelling the world for over two decades to study tantric lineages and spiritual traditions, I founded The New Tantra in 2010 and developed a range of workshops with ground-breaking sexual practices. Through this crazy, wild, and genderfluid exploration, I’ve taught thousands of people how to improve their sex lives and experience sexuality in a totally different way. I believe that by dealing with our sexual conditioning, we can live more playful, innocent, and happier lives for ourselves and the future generations to come.