Here are 100 books that The Raven Tower fans have personally recommended if you like
The Raven Tower.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
My PhD work was in developmental robotics, which is about how a robot could wake up and learn about the world the way a human child does. The robot in my thesis work does this by building models, and, more generally, society as a whole advances when science builds ever better causal models about how the world works. The books in this collection are about what could happen when we are 5, 10, and 100 years ahead in the causal model-building process, and they look at what happens when those models are built by robots instead of humans.
Don’t be fooled by the silly title; this book shows how I want to spend eternity. A guy has his consciousness uploaded to computers and then explores the universe. I want to see what is out there, but exploring such a vast space isn’t possible given the short time span of human life, so we need a technology like this.
This book is the first in a series where he meets aliens and serves as a god-like mentor for one relatable developing culture. He also interacts with different versions of himself as he copies his consciousness to better explore the universe.
Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street.
Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first…
An ancient Roman temple terraforming Mars. An android longing for his human wife. Will their epic clash bring Earth to its knees?
Android Y1 is heartbroken. He was once a neuroscientist who uploaded his own brain to study it. Now he hates watching his human self take his wife and…
My love of unusual narration probably stems from my rabid consumption of “Choose Your Own Adventure” books in my youth. Why read a book about someone else when the story could be yours? While I’m glad to say that my library has since expanded, I still appreciate the unusual and bizarre viewpoint when I read. Perhaps a self-portrait? In any case, I’ve also used some unique narrative tools in my own writing through the point of view of my fictional WHISPs and also through cryptic journal entries. If you’re looking for something different by way of narration, I’m confident you’ll enjoy these five best books.
A fan of Raymond Chandler and all things noir? How about the strangest angel noir novel I’ve ever read, told from the point of view of a “fallen” angel? I could not put this book down and I cannot stop recommending it. The succulent, noir flavor of the book blends surprisingly well with its heavenly narrator, but be forewarned, not all angels are winged humanoids and not all angelic narrators are reliable.
Ian Tregillis's Something More Than Night is a Dashiell Hammett and Raymond Chandler inspired murder mystery set in Thomas Aquinas's vision of Heaven. It's a noir detective story starring fallen angels, the heavenly choir, nightclub stigmatics, a priest with a dirty secret, a femme fatale, and the Voice of God.
Somebody has murdered the angel Gabriel. Worse, the Jericho Trumpet has gone missing, putting Heaven on the brink of a truly cosmic crisis. But the twisty plot that unfolds from the murder investigation leads to something much bigger: a con job one billion years in the making.
I am a writer with multiple cultures and heritage. I believe stories are magical, they touch our hearts and change the way we think and behave. Having lived in different continents around the world, my book list reflects stories with diversity of cultures and story settings around the world, and how the impact of these stories reverberated with me for a long time after reading them.
The story is set in the Cholistan Desert in Pakistan near the border between Pakistan and India. I so admired the young 11-year-old girl Shabanu, who is strong-willed, independent, and ‘wild as the wind.’ It tore my heart to read about the tragic encounter with a wealthy landowner that ruined Shabunu’s older sister’s plan of marriage and when Shabanu was called upon to sacrifice all her dreams. A girl in a Muslim family always obeys her father’s wishes so when Shabanu is betrothed to an older man, I was anxious to find out if she would honor her family and heritage or follow her heart and flee.
The Newbery Honor winner about a heroic Pakistani girl that The Boston Globe called “Remarkable . . . a riveting tour de force.”
Life is both sweet and cruel to strong-willed young Shabanu, whose home is the windswept Cholistan Desert of Pakistan. The second daughter in a family with no sons, she’s been allowed freedoms forbidden to most Muslim girls. But when a tragic encounter with a wealthy and powerful landowner ruins the marriage plans of her older sister, Shabanu is called upon to sacrifice everything she’s dreamed of. Should she do what is necessary to uphold her family’s honor—or…
I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
This book features a young Helen of Sparta’s adventures with her siblings, who are notable figures of their own in myths and legends. I’m a sucker for those mythological connections I first discovered in Goddess of Yesterday, and this is also very similar to it in that it might be marketed as a children’s book. Still, the themes and events are intense, and they hold up amazingly.
I love this version of Helen. She’s adventurous, smart, and stubborn. Helen is so often portrayed as a vain villain or an unwitting scapegoat, so it’s really refreshing to read something that acknowledges that she was more than just a pretty face. She was the princess of Sparta. She was raised to be tough, tactical, and warlike.
Helen of Sparta wants to be more than a princess and a pretty face—she wants to be a hero.
The traditions of ancient Sparta would have Helen know her place: a beautiful princess, a loyal daughter, a perfect bride. But Helen wants adventure, and she's not looking back. Not one to count on the gods to take care of her, she sets out to see the world and seek her own fate with steely determination. Her rebellious will makes Helen dangerous enemies—such as the self-proclaimed "son of Zeus" Theseus—but it also gains her true friends, from the famed huntress Atalanta…
Dr. Elise Marquette has spent years burying the past—until the past refuses to stay buried.
Hired to join Earth’s first interstellar contact team, she hopes the vastness of space will finally offer distance from the ghosts of war and the wounds left by a mother who never let her be…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
The period after the Civil War known as Reconstruction has long been overlooked by historians and educators; even less has been written about this period from a gendered perspective.
Laura Edwards provides an excellent analysis of the experiences of newly-emancipated women in shaping and surviving the political, social, and economic landscape of Reconstruction. She studies their history through first-hand narratives of how they established households, pursued their legal rights, and claimed their new roles as free women.
The book is not only a fascinating read about Reconstruction, it helped contextualize Edmonia Lewis’s and Meta Fuller’s emancipation sculptures, and their message about the freedwoman’s new identity.
Exploring the gendered dimension of political conflicts, Laura Edwards links transformations in private and public life in the era following the Civil War. Ideas about men's and women's roles within households shaped the ways groups of southerners-elite and poor, whites and blacks, Democrats and Republicans-envisioned the public arena and their own places in it. By using those on the margins to define the center, Edwards demonstrates that Reconstruction was a complicated process of conflict and negotiation that lasted long beyond 1877 and involved all southerners and every aspect of life.
The question “Who are you?” has been central to my practice over the last 30 years. This inquiry led me to live in a silent monastery for eight years. If we aren’t who we have been conditioned to see ourselves to be, then who are we? Who are we truly? This inquiry has led to happiness in my own life, it’s led to happiness in the lives of thousands of teens who have been served through the nonprofit I founded–Peace in Schools, and it’s led to happiness with the adults who have come to my workshops and retreats.
I was deeply moved by this book because it beautifully integrates Zen Buddhism with a powerful focus on compassion and social justice. I am struck by how Manuel combines teachings on mindfulness with insights into racial and gender justice, making the book a profound guide for both personal growth and activism.
The way Manuel encourages cultivating tenderness towards ourselves and others really resonated with me, offering a deeply spiritual yet practical approach to addressing social inequalities. This book has enriched my understanding of both spiritual practice and social awareness, making it a vital read for anyone committed to a compassionate and informed approach to activism.
“What does liberation mean when I have incarnated in a particular body, with a particular shape, color, and sex?”
In The Way of Tenderness, Zen priest Zenju Earthlyn Manuel brings Buddhist philosophies of emptiness and appearance to bear on race, sexuality, and gender, using wisdom forged through personal experience and practice to rethink problems of identity and privilege. Manuel brings her own experiences as a lesbian black woman into conversation with Buddhism to square our ultimately empty nature with superficial perspectives of everyday life. Her hard-won insights reveal that dry wisdom alone is not sufficient to heal the wounds of…
I am a lifelong art appreciator. When I connect with a piece of art, I want to know more about the art, the time period, and the artist. I read history and biography to learn facts, but when I want to experience the art at the heart-level, I dive into historical fiction. I'm especially interested in the connection between love and creativity. As a writer, I know firsthand that love is what fuels me. I love it when I encounter stories that show I'm not alone in this; others across history have also been inspired to create by their own great emotions, whether love or anger or something else.
I was immediately drawn into Artemisia's world and imagined myself as her—a young woman artist struggling to create in a man's world. I ached for her and rooted for her and enjoyed every minute of the beautiful language and emotion of this telling.
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the…
If you love science-fiction, fantasy and horror, but don't have time for an entire novel, try these short stories.
They have all (but one) been previously published in various anthologies and online - the 'bonus' story being a new tale set in the 'Unreachable Skies' universe.
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
In my book, the protagonist Harriet gets more and more pissed about a whole range of things, one being the fact that she’s got to do so much more than her husband Theo when it comes to the work of running their household.
In All the Rage, Darcy Lockman shows just how pervasive this reality is, and how deeply inconsistent it is with the worldviews of the women and men who find themselves stuck it. This mom-heavy imbalance of household labor is a breaking of a promise, in a way—one that so many of us went into our marriage with, and that remains an ongoing source of tension not only in my book but in homes across the US.
Why do men do so little at home? Why do women do so much? Why don't our egalitarian values match our lived experiences?
Journalist-turned-psychologist Darcy Lockman offers a clear-eyed look at the most pernicious problem facing modern parents-how progressive relationships become traditional ones when children are introduced into the household.
In an era of seemingly unprecedented feminist activism, enlightenment, and change, data shows that one area of gender inequality stubbornly persists: the disproportionate amount of parental work that falls to women, no matter their background, class, or professional status. All the Rage investigates the cause of this pervasive inequity to…
