Books like Memory — picked by fans

I love this book because it is the handbook of messaging that is purposeful.

It made me a better communicator by teaching me the importance of building a strong, consistent story about who you are and what you want.

Also, this book sharpened my own ability to create messages people remember, to be able to help others do the same. I love how clearly it lays out what makes a story unforgettable. It pushed me to be intentional about the words I choose and how I deliver them, something I use every single day in my work. 

This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.

Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.

His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable. 

Daniel Schacter is a prominent memory theorist and cognitive neuroscientist who has written several highly successful books for the general public.

In this one he provides a framework for memory’s imperfections – the seven sins of the title! Using this framework he shows how the problems come about, and suggests ways to overcome them.

The sins in question include forgetting, absent-mindedness, temporary blocks on recalling well-known names, false memories, and the unwelcome persistence of memory for traumatic events. These everyday problems of memory are illustrated by striking examples drawn from public life, and are discussed in terms of current theories and the brain mechanisms involved.

This is an informed and informative account of human memory by an expert in the field.

Despite its title, this engaging book is actually about memory, especially “autobiographical memory” – memories of our own personal experiences.

The chapters describe some classical cases of memory excellence and memory failure, and provide thoughtful discussions of many topics that puzzle readers.

These include the power of smell to evoke past experiences, the astonishing memories of chess and draughts grandmasters, the downside of remembering everything, the highly specific memories of some people with savant syndrome, and indeed why life seems to speed up as we get older – the relationship between memory and time.

Mercer Mayer writes books for kids that are so funny that I seek them out and read them when I don’t even have any kids with me. His pictures do a great job of showing the sarcasm of the story. For instance, there is a page where the child is explaining how he does his chores. He says, “I didn’t forget to water the plants, but they looked fine to me.” 

The picture has a very droopy-looking plant. On almost every page, there are funny side critters to watch for, like a Where’s Waldo find. He’s a great author and illustrator.

Focusing in the main on the psychology of memory, in this excellent book Kurt Danziger argues that conceptually memory has changed considerably over time, not least because of the shifting historical contexts in which it has been applied. The book covers such critical issues as different kinds of memory, memory and metaphor, the cultivation of memory, and memory and truth. Danziger’s contention throughout the book is that memory and remembering are ineluctably social, and any sound understanding of them needs to account for how various historical factors and cultural practices have shaped and helped constitute them. 

If you love a smart, self-referential book in the mode of A Series of Unfortunate Events, you will love Adam Perry’s book. Right from the beginning, the book speaks directly to the reader with warnings about what’s ahead: monsters and villains and horrible deaths. But instead of being a Stephen King horror novel for the middle grade set, the book has a fairy tale-meets-Thursday Next vibe. The protagonist, Oliver, steals books from the library, but since no one reads anymore, he’s not overly concerned about his thievery. That is, until he steals a book that is also being sought by the Pribbles, two inventors that have devised a set of goggles to steal the book directly from Oliver’s mind. Mayhem and shenanigans ensue, and it’s all just delightful. 

It is a truism that Science Fiction dates itself. SF stories that were written only a few years previous often fail to foresee technological innovations ̶ cell phones, GPS, gene-splicing ̶ that seem obvious and inevitable to hindsight-blessed present-day readers. Those disconcerted by such, let us call them “backwards anachronisms,” should find Quantum Thief a welcome relief for decades to come, because the novel is set so far in the future that hi-tech things like, say, cell phones seem quaint curios out of far-distant days of yore. Long-distance communications in Quantum Thief are effected by something more like telepathy (although the word is never used).

“Quantum” is the operative term in this novel, make no mistake.

Be forewarned: Quantum Thief is chock-full of coined terminology. But have no fear. You have a choice. Either use the online glossary - or you can just read for the story and absorb the… show more.

No book I’ve read before or since has made me feel seen the way Wendy, Darling does.

Author A.C. Wise perfectly captures the way a person’s past experience can be traumatic, and yet they still cling to it and think of it nostalgically. It felt like the author was inside my head (or I was in hers—but she was able to articulate things I never could). It’s cathartic and emotionally hard-hitting, and the writing is gorgeous. I love that Wendy is far from perfect but loves her found family fiercely and is on a path toward sorting herself out.

And yes, I know that some people don’t think of Peter Pan as a proper fairy tale, but I love this book too much to leave it out.

This is one of the best critical surveys of the relationship between memory and history I have encountered. Geoffrey Cubitt is concerned with memory as both personal and social, along with the various dynamics between them. The book is interdisciplinary in conception and operation, exploring how history and memory inform one another in complementary and contradictory ways, and how both cross and re-cross varying scales of past/present relations. Regardless of whether readers approach this book from the perspective of memory or history, they will find it a comprehensive assessment of their complex interaction.