94 Books Like Manson in His Own Words

I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.

Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.

Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.

It’s rare that I find a book that plunges me so deeply into the psychology of a character.

Grace is the protagonist of Alias Grace. She’s cunning. She’s bold. She’s possibly a murderess. The most fascinating aspect of Grace to me is that she is based on a real-life character from Canada in the mid-1800s.

Throughout the whole book, I kept wondering about her—not just the fictional character, but the real one too—was this what she was really thinking? Was this how she really behaved?

I found her voice in the novel to be absolutely undeniable. You want to believe everything she says, but at the same time, you mistrust her...

The Cocktail Waitress is the last work of total master James M. Cain, posthumously published in 2014. I started this on a hike and did not stop listening until it was done, netting me quite a bit of cardio. This firsthand explanation of a tabloid murder scandal, as told by its prime suspect, is often hilarious, surprisingly feminist, and darkly sinister. As the titular waitress innocently recalls meeting and marrying a much older millionaire and his baffling demise soon after, it’s clear she’s lying through her teeth. But deducing how and why is the fun of the book. Still, the ending is a gut punch. My book hangover was a solid 72 hours (could’ve been the hike though). 

This. Book. 

Wow. 

I felt changed after I read it and talked about it with everyone who would listen. Not only is this book a riveting, fast-paced read, but it’s an important novel about assault, grooming, and the abuse of power.

The protagonist is an aspiring teenaged singer who gets discovered and then manipulated and abused by a much older celebrity R&B artist. When she wakes up with her hands covered in his blood and finds him dead, she realizes she has no memory of what occurred the night before. This novel was enticing as much as it was heartbreaking.

Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.

The third of the five-book Riplead series, Ripley’s Game throws a twist on the traditional cat-and-mouse thriller.

The youthful homoerotic panic of The Talented Mr. Ripley has calmed down, and Tom Ripley is now a married man with a château in France. Trouble begins when he plays a game with his neighbor, Jonathan Trevanny—a man with a terminal illness, desperate to leave money to his wife and child. Ripley sets him up for an offer he can’t refuse: murder for hire.

I find the best facet of the novel to be Ripley’s begrudging humanity. He softens enough to help Jonathan when the job of garroting organized crime thugs is too horrible for him to stomach. While not explicitly gay, the queer vibes are strong as Ripley’s growing tenderness for Jonathan helps to humanize him.

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

This 2009 book combines thorough, professional historical research with a lively writing style to portray how a group of thugs evolved into America’s first Mafia “family.”

My book focuses on the Italian American detectives who battled this gang for more than 20 years; Mike Dash’s groundbreaking account looks at the flip side of this struggle, the feared Lupo-Morello gang. Dash is especially adept at working with archived documents, such as the daily reports of Secret Service agents from the National Archives. He uses the details well.

In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.

Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.

That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film. 

Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s… show more.

One of Algeria’s greatest writers, Assia Djebar, deserves far greater recognition in the English-speaking world.

Her book, Algerian White, gives a painful account of the loss of three important Algerian intellectuals, against the backdrop of the Black Decade, and offers an eloquent and moving account of Algeria’s trauma of the 1990s.

Her analysis of Algerian society, culture, and language offers us a powerful reflection on the difficulties of nation-building and identity, in the post-colonial period and in challenging times.