Books like Till Death Us Do Part — picked by fans

During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.

During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.

From a young age, I was captivated by art, music, film, and literature—constantly craving more from these creative mediums. Growing up in a lower-income, working-class home, I was surrounded by blue-collar workers, many of whom couldn’t attend college due to financial limitations. I learned early on that the richest education comes not just from books but from the stories of others and the world around us. Always feeling I had my own story to tell, I transitioned from steel worker to talent agent in Hollywood. But despite my success promoting others, something was missing—my own narrative. After a tragic loss, I reevaluated my path and chose to become a psychotherapist and author.

We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day. 

Since my mom pressed an Agatha Christie into my hands at age eight, I’ve been fascinated by mystery novels; when I got older that bled into true crime, and from there psychological non-fiction about psychopathy. What evolutionary purpose do psychopaths serve, is this a label we can confidently assign people or is the spectrum of human behavior a gray horizon we’re still approaching? These are questions I’m always happy to spend an hour or six debating, and this interest in psychopaths was definitely heightened by learning I’m closely related to one. 

I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.

Fiona Rule is a writer, researcher, and historian specialising in the history of London. ​ She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London. ​ A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.

Richard Vetere’s screenplay Caravaggio won The Golden Palm for the Best Screenplay at the 2021 Beverly Hills Film Festival. He co-wrote The Third Miracle screenplay adaptation of his own novel. The movie was produced by Francis Ford Coppola, starring Ed Harris and Anne Heche and directed by Agnieszka Holland released by Sony Pictures Classics. His teleplay adaptation of his stage play The Marriage Fool starring Walter Matthau and Carol Burnett is the most viewed CBS movie ever and is currently running on Amazon. He also wrote the cult classic film Vigilante called by BAM as one of the “best indies of the 1980s.”

When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us.  I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.

I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.