Here are 92 books that The Lock Artist fans have personally recommended if you like
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I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.
I love this book because it’s the best fictional example I’ve ever seen of a character’s disability being eclipsed by his talent. Lincoln Rhyme is paralyzed, but his talent as a criminologist is far more important—and Deaver showcases Rhyme’s genius and passion as often as he details the difficulties of disability.
I find the book’s mystery compelling and the characters well-written, and I couldn’t get enough of the relationship between Lincoln Rhyme and Amelia Sachs. I’ve never seen a better portrayal of a partnership based solidly on mutual respect and admiration. I’m so grateful for how this story demonstrates that disability doesn’t need to stop you from making a real impact through the gifts and talents you’ve been given.
From the Sunday Times bestselling author of The Goodbye Man, discover Jeffery Deaver's chilling thriller that inspired the film starring Angelina Jolie and Denzel Washington and is now a major NBC TV series.
Their first case, their worst killer . . .
New York City has been thrown into chaos by the assaults of the Bone Collector, a serial kidnapper and killer who gives the police a chance to save his victims from death by leaving obscure clues. Baffled, the cops turn to the one man with a chance of solving them - Lincoln Rhyme.
This book is the first in a new thriller series introducing Mercury Carter, a freelance courier whose deliveries often come with dangerous complications. Carter's business model is simple: he delivers items, information, and sometimes even people for a price. He's never missed a delivery, and will do almost anything to…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Will Trent is a most unlikely hero of a series, especially as a GBI (Georgia Bureau of Investigation) agent. Why? Will is severely dyslexic. He can barely read and write. So why is he a top agent? His disability gives him an unusual way of looking at crimes, making his disadvantage an important element in solving those crimes. Raised in a series of orphanages and cruel foster homes, Will is like the injured puppy you want to care for and make his life better. His relationship with women is complicated, including his first-love Angie, who shares some of the same orphanage experiences; Amanda, his demanding boss; Faith, his partner; and Sarah, his true love. Will is naïve and street-smart at the same time, which makes him a fascinating hero.
When Atlanta police detective Michael Ormewood is called out to a murder scene at the notorious Grady Homes, he finds himself faced with one of the most brutal killings of his career: Aleesha Monroe is found in the stairwell in a pool of her own blood, her body horribly mutilated. As a one-off killing it's shocking, but when it becomes clear that it's just the latest in a series of similar attacks, the Georgia Bureau of Investigation are called in, and Ormewood is forced into working with Special Agent Will Trent of the Criminal Apprehension Team - a man he…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Iron House, short for the Iron Mountain Home for Boys, is a thriller that features orphaned brothers: weakling Julian, and his strong and fiercely protective brother, Michael. After being bullied to the point of cracking, Julian kills his abuser. Michael escapes Iron House and takes the blame as he leaves.
This leads the brothers on two very different paths. Julian is adopted and, though mentally unbalanced, becomes a writer of dark children’s stories. Michael is also adopted off the streets by the head of a crime syndicate who teaches him how to kill. Iron House is a complicated story of abuse, torment, and love. The book is not for the faint of heart.
John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget.
HE WOULD GO TO HELL
At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time…
This book is the first in a new thriller series introducing Mercury Carter, a freelance courier whose deliveries often come with dangerous complications. Carter's business model is simple: he delivers items, information, and sometimes even people for a price. He's never missed a delivery, and will do almost anything to…
I know all too well that finding a diagnosis and treating a chronic health condition can be like unraveling a mystery—maybe that’s why characters dealing with these issues make natural detectives. As a mystery writer with chronic illness, I love reading about sleuths who embody the difficulties of living with health challenges yet show the tremendous capacity we still have to contribute. Many of the sleuths on this list are confined to their homes and unable to work, so solving a mystery not only adds suspense. It gives us the satisfaction of seeing these characters find their way back into the world and rediscover their sense of purpose.
This is the first book in the Joseph O’Loughlin series, and my favorite because it shows Joe shortly after his Parkinson’s diagnosis.
I know it’s popular to portray sick people as angelic, long-suffering inspirations to us all, but reality often differs, especially as someone adjusts to a devastating diagnosis and its far-reaching impact. As a respected psychologist, Joe is normally thoughtful, intelligent, and kind, but as he becomes ensnared in the death of a former acquaintance, his personal despair over his illness sends him into a self-destructive tailspin. Rather than making me dislike Joe, the honesty of his struggle made me sympathize with him all the more.
The psychological thriller that marked the debut of one of contemporary suspense fiction's most compelling heroes: "A gripping first novel...taut and fast-moving" (Washington Post).
Renowned psychologist Joseph O'Loughlin has it all -- a thriving practice, a devoted, beautiful, fiercely intelligent wife, and a lovely young daughter. But when he's diagnosed with Parkinson's, O'Loughlin begins to dread the way his exceptional mind has been shackled to a failing body, and the cracks in his perfect existence start to show.
At first, O'Loughlin is delighted to be called in to a high-profile murder investigation, hoping his extraordinary abilities at perception will help…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
This book grabbed me by the throat and refused to let go.
Jordan Harper does more with suggestion and a few well-crafted sentences than some writers accomplish in an entire novel. When he needs to be brutal, he’s a monster. When he needs to be tender, your eyes sting.
Polly is both a badass and a little girl—I don’t know how Harper pulled that off. And I have never cared so much about a stuffed animal as I have Polly’s teddy bear.
*WINNER OF A 2018 EDGAR AWARD FOR BEST DEBUT NOVEL*
*WINNER OF AN ALEX AWARD FROM THE ALA*
NAMED A BEST BOOK OF 2017 BY St. Louis Post-Dispatch • Booklist
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school…
Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.
Sipho is a young man with nothing to lose. He drops out of high school and joins a car-stealing syndicate. The novel is part thriller and part coming-of-age tale, and the story takes the reader on an emotional journey as Sipho is sucked deeper and deeper into South African township crime. The author grew up in this township, and but for his other talents might have followed the same path as his protagonist. A remarkable look at the reality of township life and its effect on the youth.
Sipho lives in Umlazi, Durban – he is seventeen, has dropped out of school and helps out at his father’s mechanic shop. But odd jobs do not provide the lifestyle his friend Musa has, with his BMW and designer clothes. Soon Sipho’s love for fast cars and money leads him into a life of crime that brings him close to drugs, death and prison time.
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
In a series of interviews, Arthur Harding tells us of his life as an East End rogue at the turn of the century. The characters he encountered are a “Who’s Who” of the underworld at that time and his descriptions of Spitalfields were very useful to me during research for The Worst Street In London.
First published in 1981, this book examines the life of Arthur Harding, a well-known figure in the East End underworld during the first half of the twentieth century. The first five chapters survey his life in the 'Jago' slum between 1887 and 1896, offering a different view of an often vilified district. The subsequent phases of his life as a cabinet-maker, street trader and wardrobe dealer reflect the changing fortunes of the East End from hand-to-mouth conditions in the late-nineteenth century to comparative security in the 1930s.
The reader is introduced to some of the major features of East End…
Richard Vetere’s screenplay Caravaggio won The Golden Palm for the Best Screenplay at the 2021 Beverly Hills Film Festival. He co-wroteThe Third Miraclescreenplay adaptation of his own novel. The movie was produced by Francis Ford Coppola, starring Ed Harris and Anne Heche and directed by Agnieszka Holland released by Sony Pictures Classics. His teleplay adaptation of his stage playThe Marriage Foolstarring Walter Matthau and Carol Burnett is the most viewed CBS movie ever and is currently running on Amazon. He also wrote the cult classic film Vigilantecalled by BAM as one of the “best indies of the 1980s.”
Richard Condon shows the mob as a family of degenerates, violent felons who are still human beings who also fall in love. The focus on the novel is how a hit man, looking to embellish his career, dates a big mob guy’s daughter, only to fall in love with another killer who is a woman. She has been hired to kill him but she also is in love with him. Published in 1982 , the novel captures the entanglements of a soap opera with real bite. The movie with Jack Nicholson is also top rate.
A darkly funny novel of mobsters, murder, and marriage: “The surprise ending will knock your reading glasses off.” —The New York Times
Charley Partanna works as a hitman for the Prizzis, New York’s most dangerous crime family. When he meets Irene Walker, an LA-based tax consultant, it’s pretty much love at first sight.
But Irene also moonlights as a hit woman—and had a hand in a big-money heist in Vegas. Now Charley has been told that she’s got to go. Faced with divided loyalties, he must make a choice—between the only family he’s ever known and the woman…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is a rollicking read about the criminal adventures of Doris Payne, jewel thief extraordinaire who started her career in the United States in the 1950s. She saw herself as a crusader, and stealing diamonds as an act of retribution against a racist world. Doris continued her career until 2017, often updating and refining the methods once used by her Victorian forebears.
"Doris Payne is an unapologetic badass." - Tessa Thompson, Actress
This is the sensational and compelling memoir of the world's most notorious jewel thief - a woman who defied society's prejudices and norms to carve her own path, and live out her dreams.
She stole diamonds from the people who underestimated her, she exploited the men who tried to domesticate her, and she consistently defied society's assumptions and prejudices to create a new life for herself. For fans of Catch Me If You Can, The Wolf of Wall Street and Molly's Game, this is the newest must-read crime autobiography.
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.
Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.
That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film.
Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s…
A longtime member of organized crime recounts his criminal career, his involvement in the six-million dollar Lufthansa robbery, and his decision to become a federal witness