100 Books Like Lose Your Mother

This immediately immersed me in another time and place. Apparently, I’m very clear in my bookish likes, because it was recommended to me multiple times due to the combination of nuns and sapphic content. Luckily, it lived up to the recommendations!

It is very well written and extremely atmospheric, and it drew me right into its medieval world. Groff managed to create characters who feel appropriate to their era but who are also accessible to a modern reader, which is not an easy task. This helped me to become emotionally invested in the book.

Lacy Crawford’s memoir of sexual assault at the elite St. Paul’s School straddles the precarious line between lyric and reportage. Crawford shies from nothing: we are there as she is held down and orally raped by two upperclassmen; as she describes the consensual sex she undertakes in an attempt to reckon with her rape, as even her own parents abandon her.

Crawford spends the last third of the book untangling the web of documents that prove the school knew of both the assault and her resulting STI (oral herpes that went so far into her throat that doctors couldn’t identify the sores, leaving her sick for months). The horrific burning of her throat keeps her from being able to speak or sing in the school choir, a metaphor for St. Paul’s deliberate destruction of evidence of her rape and subsequent illness to ensure legal protection for her rapists and the… show more.

This is one of my favorite books ever. Horwitz’s project was to follow famous travelers, and Blue Latitudes follows Captain Cook on a voyage that Cook himself characterized as having gone “farther than any other man has been before.” (Trekkies take note: Cook/Kirk, “farther than any other man has been  before”/”boldly go where no man has been before.” Who knew?) 

Star Trek aside, Horwitz, accompanied by his hard-drinking sidekick Roger, boldly goes where Cook went, exploring history, culture, and the legacies of European colonialism on their way. In between bouts of laughter, we learn a lot about the South Pacific, then and now, and about Cook and his men themselves—not to speak of Horwitz and Roger. It’s a rollicking voyage through time and space that holds your attention throughout.

This is a first book, covering Aiyar’s years in China as a political correspondent for the Indian Express and The Hindu. Because she is Indian, Aiyar’s perspective differs from Americans’ viewpoints, which drew me, as I’ve been to both India and China. Aiyar tracks the impact of rapid growth on her informants’ sense of self and place—and then compares China’s growth to India’s. It’s a fast-paced, lively book featuring lots of interaction between Aiyar and her students, their families, and other informants—a thoughtful portrait of a culture shifting from tradition into an unknowable future, written by a journalist constantly aware of the radical differences between Indian and “new Chinese” values and sensibilities.  

I love what Young is doing—breaking out of her “college prof” shell and talking directly to us about her life with animals—dead and alive. She starts with her dog Frankie’s cancer diagnosis and wraps her own reactions to his treatments into her study of 19th-century fiction that focuses on animals—like the famous horse narrative Black Beauty and the equally-famous-but-now-forgotten dog narrative Beautiful Joe. Her travels take her through both physical and imaginative time and place—from Beautiful Joe’s origins in Nova Scotia to her meditations on the art of animal taxidermy. I learned a lot about the history of animal/human relations from this book, and I really enjoyed Young’s voice and puns. It’s a great addition to our goal to bring academic knowledge out into the public sphere. 

In An End to Suffering, Mishra records his efforts to understand the Buddha’s relevance to today’s world. Like Aiyar, he is conscious of the differences between India and the West and the liminal world of individuals who, like him, live between them. Unlike her, he delves deeply into history, crisscrossing centuries, countries, and eastern and western literatures and philosophies, through which—over several decades—he moves and matures. Mishra confronts the writers and philosophers he studies, asking how their precepts affect him and the world in which he lives, and he doesn’t mind letting us know that his responses changed over time. I resonate with this book because it is a spiritual journey, written out of Mishra’s thoughtful, learned, search for stability in a world of unceasing change.

Likely the origin of my love for books within books, especially those lost or deliberately destroyed, this is the third book in the Emily Starr trilogy, the lesser-known series by Canadian author L.M. Montgomery, of Anne of Green Gables fame.

In it, budding novelist Emily decides against going off to college in the city with her three best friends to remain on her aunt’s Canadian farm, New Moon, and write. She finishes her first novel, A Seller of Dreams (what a title!), in a fit of creative joy but struggles to find a publisher.

Close to despair, she gives it to her bookish friend Dean Priest, an older man who’s in love with her, asking if it’s any good. Aware that her devotion to writing will keep her from him, he lies that the book is “artificial” and the characters “wooden.”

Emily throws it on the fire in her… show more.

Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).

Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth… show more.

With a healthy dose of gallows humour, Sarah Vowell explores glorious conundrums of American history, politics, and culture. As such, the book provoked me to appreciate how visiting sites of the significant dead has long been in the touristic imagination. The book takes you on a journey – part history lesson, part travelogue – through the black spots of American political violence. Through a bizarre road trip to places where American politicians met a bloody end, I found Vowell’s own thoughts on the American character both witty and quirky. I also love how she explodes myths and, consequently, exposes a profound level of hypocrisy in the quest for (American) political and cultural advantage.  

The Silk Road is a nineteenth-century invention, but the movements of people, things, and ideas in and through the immense and often terrifying space between modern Iran and China generated change in every sphere and engaged an astonishing variety of people. Valerie Hansen’s exploration of seven places along the imagined route and what has been found in them offers a lucid and lively introduction to a wider medieval world and how we know about it.