Books like Pet Projects — picked by fans

This is one of my favorite books ever. Horwitz’s project was to follow famous travelers, and Blue Latitudes follows Captain Cook on a voyage that Cook himself characterized as having gone “farther than any other man has been before.” (Trekkies take note: Cook/Kirk, “farther than any other man has been  before”/”boldly go where no man has been before.” Who knew?) 

Star Trek aside, Horwitz, accompanied by his hard-drinking sidekick Roger, boldly goes where Cook went, exploring history, culture, and the legacies of European colonialism on their way. In between bouts of laughter, we learn a lot about the South Pacific, then and now, and about Cook and his men themselves—not to speak of Horwitz and Roger. It’s a rollicking voyage through time and space that holds your attention throughout.

This is a first book, covering Aiyar’s years in China as a political correspondent for the Indian Express and The Hindu. Because she is Indian, Aiyar’s perspective differs from Americans’ viewpoints, which drew me, as I’ve been to both India and China. Aiyar tracks the impact of rapid growth on her informants’ sense of self and place—and then compares China’s growth to India’s. It’s a fast-paced, lively book featuring lots of interaction between Aiyar and her students, their families, and other informants—a thoughtful portrait of a culture shifting from tradition into an unknowable future, written by a journalist constantly aware of the radical differences between Indian and “new Chinese” values and sensibilities.  

I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.

A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know… show more.

In An End to Suffering, Mishra records his efforts to understand the Buddha’s relevance to today’s world. Like Aiyar, he is conscious of the differences between India and the West and the liminal world of individuals who, like him, live between them. Unlike her, he delves deeply into history, crisscrossing centuries, countries, and eastern and western literatures and philosophies, through which—over several decades—he moves and matures. Mishra confronts the writers and philosophers he studies, asking how their precepts affect him and the world in which he lives, and he doesn’t mind letting us know that his responses changed over time. I resonate with this book because it is a spiritual journey, written out of Mishra’s thoughtful, learned, search for stability in a world of unceasing change.

I love this one because it beautifully illustrates the unbreakable bond between a mother and her son. Every page is filled with heartfelt reminders of the little moments that shape a lifetime, making me reflect on the special role a mother plays in guiding, supporting, and loving her child unconditionally.

What makes this book truly special to me is the way it captures both the simple joys and the deep, meaningful lessons that mothers pass on. The touching words and warm illustrations make it a book I want to share with families again and again. It’s a reminder of the love, wisdom, and strength that mothers give so freely, and it left me feeling both grateful and nostalgic.

I was that kid who liked grabbing the encyclopedia and reading it for fun. My husband did the same thing.

This gorgeous “encyclopedia-like” anthology is filled with beautiful illustrations and funny writing. I love grabbing it and reading a page here and there to learn a new fact or to simply appreciate a creature I might never have read anything about!

Did you know that some parrotfish make a sleeping bag out of slime to spend the night in? Or that sloths are surprisingly good swimmers who cross fast-moving rivers doing the doggy paddle? Ben Hoare’s writing is simple, informative, and fun! I appreciate the graphic design and colorful images that “pop” off the page. 

This book proves that poetry is thoughtful, succinct, and beautiful to read – and most importantly, accessible to all. From elephants and cheetahs to American bison and polar bears, David distills the essence of each animal into short poems that are brimming with insight and wit. While all of David’s books in this series are wonderful, In the Wild was one of the first and remains one of the best.

When it comes to animal photography, National Geographic set the standard for excellence – and when one pairs 200 of their best photographs with poetry from some of the country's finest poets, you end up with a beautiful, coffee table book that deserves to be in every house.

From classic poets like Robert Frost, Emily Dickinson, and Rudyard Kipling to contemporary writers including Naomi Shihab Nye, Jack Prelutsky, and Jane Yolen (and even a few from anthologist and former U.S. Children’s Poet Laureate J. Patrick Lewis) this is a book you will want to take time to peruse read, and ponder.

I love this book because its central theme is to inspire children to explore different kinds of movement. The prompts are all centered around animals, with lots of words that help to describe the animals and how they move.

Words like “stretch,” “waggle,” “march,” and “splash” help children use their imaginations and explore many ways of moving their bodies. The beautiful illustrations by Hannah Abbo will also inspire young readers.

So simple and yet so poetic (both visually and lyrically), We All Play is a catalog of human and more-than-human animals delighting in movement and sound in the outdoors.

This book is great for a younger (baby and toddler) readership, and highlights our connection with all living beings. It also peppers in some Cree language words, which are fun to explore. I love the adorable drawings of animals and children that Flett created with the ochres and umbers of her earthy palette.