Here are 69 books that Blue Latitudes fans have personally recommended if you like
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I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
This is a first book, covering Aiyar’s years in China as a political correspondent for the Indian Express and The Hindu.Because she is Indian, Aiyar’s perspective differs from Americans’ viewpoints, which drew me, as I’ve been to both India and China. Aiyar tracks the impact of rapid growth on her informants’ sense of self and place—and then compares China’s growth to India’s. It’s a fast-paced, lively book featuring lots of interaction between Aiyar and her students, their families, and other informants—a thoughtful portrait of a culture shifting from tradition into an unknowable future, written by a journalist constantly aware of the radical differences between Indian and “new Chinese” values and sensibilities.
India and China share a 3500-km border and have interacted with each other for over 2000 years. It is remarkable then that their people know so little of each other: what they think, how they live, their language, customs and philosophy.Or even their cuisine. Pallavi Aiyar was very much the average Indian in her knowledge of China when she set out for Beijing in 2002. Over the next five years, she became a fascinated observer of a country undergoing relentless change. This book is an intimate look at a society evolving at double-digit pace. In the process, Pallavi Aiyar breaks…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.
A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know…
In Lose Your Mother, Saidiya Hartman journeys along a slave route in Ghana, following the trail of captives from the hinterland to the Atlantic coast. She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.
There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger—torn from kin and country. To lose your mother is to suffer the…
I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
I love what Young is doing—breaking out of her “college prof” shell and talking directly to us about her life with animals—dead and alive. She starts with her dog Frankie’s cancer diagnosis and wraps her own reactions to his treatments into her study of 19th-century fiction that focuses on animals—like the famous horse narrative Black Beautyand the equally-famous-but-now-forgotten dog narrative Beautiful Joe.Her travels take her through both physical and imaginative time and place—from Beautiful Joe’s origins in Nova Scotia to her meditations on the art of animal taxidermy. I learned a lot about the history of animal/human relations from this book, and I really enjoyed Young’s voice and puns. It’s a great addition to our goal to bring academic knowledge out into the public sphere.
In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young's own experience of a beloved animal's illness, this study highlights the personal and intellectual stakes of a "pet project" of cultural criticism.
Young assembles a broad archive of materials, beginning with Saunders's novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term "first-dog voice" to describe the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
In An End to Suffering, Mishra records his efforts to understand the Buddha’s relevance to today’s world. Like Aiyar, he is conscious of the differences between India and the West and the liminal world of individuals who, like him, live between them. Unlike her, he delves deeply into history, crisscrossing centuries, countries, and eastern and western literatures and philosophies, through which—over several decades—he moves and matures. Mishra confronts the writers and philosophers he studies, asking how their precepts affect him and the world in which he lives, and he doesn’t mind letting us know that his responses changed over time. I resonate with this book because it is a spiritual journey, written out of Mishra’s thoughtful, learned, search for stability in a world of unceasing change.
An End to Suffering is a deeply original and provocative book about the Buddha's life and his influence throughout history, told in the form of the author's search to understand the Buddha's relevance in a world where class oppression and religious violence are rife, and where poverty and terrorism cast a long, constant shadow.
Mishra describes his restless journeys into India, Pakistan, and Afghanistan, among Islamists and the emerging Hindu middle class, looking for this most enigmatic of religious figures, exploring the myths and places of the Buddha's life, and discussing Western explorers' "discovery" of Buddhism in the nineteenth century.…
Crime and espionage are a lifelong fascination for me. I used to think my dad was a spy when I was young because he didn’t talk about work. Turned out he didn’t think I’d be interested in his day as a Quantity Surveyor, my Grandad was a LEO so talking about work wasn’t really a thing. Or they were both spies. Over the years I have made some good friends in the espionage community and various policing agencies and they’re kind enough to share their expertise with me. I’m a big fan of fast-moving stories with intricate plots and action and hopefully they'll draw you in as well. I hope you enjoy the books.
This book is the first in the Jaded Trilogy. It’s set in New Zealand during the 1970s. It’s a twisty plot (which I particularly love) and there are Russian spies.
NZ in the ’70s (mid-Cold War) when nothing was as it seemed and everyone had an agenda, whether it was stealing a painting, growing and distributing weed, or counter surveillance on a Russian diplomat. And things overlapped as they do in New Zealand.
This is a fun exciting book. It reminded me of what the world was like before phones became computers back when everything was analog. As a writer of spy/PI thrillers, it was a great read. (I’m a fan, I’ve read all of Nick Spill’s work including his non-fiction.)
Alexander, the curator, is sent to Auckland to escort Captain James Cook to the Auckland Art Gallery. On opening night, the priceless portrait is stolen. Alexander has to find the painting to save his career but he also has to deal with a Soviet spy whom he has been clandestinely photographing. He meets Dr. Mel Johnson who proves irresistible to him when he is invited to her female-only martial arts school. A Maori Land Rights group led by Wiremu Wilson claims to have kidnapped Captain Cook and is holding the painting ransom for lands that were seized before and after…
I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.
W. S. Merwin writes about place with both a sense of rich material texture and evanescence. Science and history may be referred to as well. Somehow these assorted sensibilities, or views, create a genuine and full sense of place that reflects what is both visible and invisible. For some reason I don’t quite understand, I would rather encounter a monk on a tractor in a Merwin essay than in a Merwin poem.
W. S. Merwin is widely acknowledged as one of the finest living poets in English. Less well known is the power and range of his work in prose. For his first new prose collection in more than ten years, The Ends of the Earth, Merwin has gathered eight essays that show the breadth of his imagination and sympathy. A memoir of George Kirstein, publisher of "The Nation," stands alongside one of Sydney Parkinson, explorer, naturalist and artist on Captain James Cook’s Endeavour. A wonderful portrait of the French explorer of Hawai’i, Jean-Francois Galaup de La Perouse is followed by a…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I taught traditional Hawaiian literature to college students and established Kalamakū Press in 1990 to publish Hawaiian folktales, narratives, autobiography, and poetry. I also worked for a decade as a writer for the Polynesian Voyaging Society (PVS), a scientific and cultural non-profit that builds and sails double-hulled voyaging canoes to explore how the Polynesians, without modern navigation instruments, found and settled Hawai‘i. Long before Europeans arrived in Hawai‘i, Polynesians discovered and lived sustainably for centuries on an isolated chain of eight islands. The practices and values of the traditional culture have a lot to teach communities struggling to find their way in an overdeveloped, overpopulated world today.
Samuel Manaiakalani Kamakau (1815–1876) was one of the most important and prolific Hawaiian scholars of the nineteenth century. His history of the ruling chiefs of Hawai‘i begins with the high chief ʻUmi, eight generations before Kamehameha I, who established the Hawaiian Kingdom in 1795, and continues to the death of Kamehameha III in 1854. Ruling Chiefs, published in 1961, was translated from Hawaiian newspaper articles that appeared in the 1860s and 1870s. The stories include Captain James Cook’s arrival in 1776, the coming of Western missionaries, and the changes that followed. All of the writings of Kamakau are highly recommended, including The People of Old, The Works of the People of Old, and The Tales and Traditions of the People of Old.
Eighteenth-century Hawaiian historian Samuel Mānaiakalani Kamakau traces Hawaiʻi’s history from ʻUmi, high chief eight generations before Kamehameha I, to the death of Kamehameha III in 1854. This volume covers the arrival of Captain James Cook, the consolidation of the Hawaiian kingdom by Kamehameha I, the coming of the missionaries, and the changes affecting the kingdom through the reign of Kamehameha III.
This history was originally written by Kamakau in Hawaiian as a series of newspaper articles in the 1860s and 1870s. The English translation was completed by a team of esteemed Hawaiian scholars including Mary Kawena Pukui, Thomas G. Thrum,…
I have always been interested in art, science, and feminism. I became particularly engaged in the history and science of astronomy when I was the manager of the Sydney Observatory. While there, I wrote a doctoral thesis about the work of female ‘computers’ and star measurers for the Australian section of the Great Star Catalogue in the early 20th Century. I am interested in how astronomical events and observations have influenced history, art, and culture. I am an amateur astronomer, have seen eight total solar eclipses, two transits of Venus, and other astronomical events, and plan to see many more.
I was fortunate to view two Venus transits, and this book made me realize how certain astronomical events have had enormous social impacts. There are many such examples of adventure, elation, and disappointment in this book, but the one that I found most fascinating is the 1769 transit of Venus, which was the main reason for the British voyage to the Southern Hemisphere. This historical event had major repercussions for Australian Indigenous people due to British colonisation.
I particularly enjoyed referring to the many colorful images and maps as I read. The stunning painting of Fort Venus, set up for Lieutenant James Cook and astronomer Charles Green’s observations, led me to recently visit the same site, now called ‘Point Venus’, in Tahiti.
"In his new book, Transit of Venus, 1631 to the Present, Dr Nick Lomb - an astronomer at the Sydney Observatpry and the author of the Australian Sky Guide - has produced what may be his most timely publication to date...Dr Lomb has cooked up both a titillating textual treat and a full-bodied visual feast, and whether his readers choose to nibble at the book meditatively or to ingest it voraciously in a single sitting, they are sure to come away licking their lips and drooling for more." - Michael E. Chauvin, The Bulletin The transit of Venus across the…
I’ve been interested in ancient Egypt ever since I read Asterix and Cleopatra when I was a boy. The hilarious moment of Obelix accidentally knocking off the Sphinx’s nose has always stayed with me in particular. By my early twenties, I was reading authors like Graham Hancock, Robert Bauval, and Colin Wilson, who showed me that what we think we know about ancient Egypt is not wholly correct. For instance, there’s little evidence that the Great Pyramid’s purpose was to be a tomb and the Sphinx seems to be much older than Egyptologists believe. In 2010, at thirty-four years old, I finally got to visit the wonders of Egypt myself.
Much of the key stuff that’s mentioned in the books above are contained in Heaven’s Mirror by the great Graham Hancock and his wife Santha Faiia. So, the book’s a great place to start if you’re new to all this rethinking ancient Egypt malarkey. Heaven’s Mirror also covers other civilizations like the Mayans and Incas. For me, this book is so special because it contains some absolutely glorious and spellbinding photos of key ancient sites in Egypt, such as Karnak, Dendera, Abydos, and the pyramids of Giza, Dashur, and Saqqara, which I was lucky enough to visit myself and which I wrote about in The Road To Purification.
This is the sequel to the international bestseller, "Fingerprints of the Gods". In very different parts of the world, evidence exists of a common legacy - shared by cultures separated by hundreds, sometimes thousands of years. From Mexico to Iceland, Cambodia to Easter Island, China to Egypt, we are finding a common astronomical wisdom handed down from a time before history, a time perhaps before the 'Great Flood'. This book addresses a common wisdom from a lost civilisation which might hold the key to our own identity on earth. "Heaven's Mirror" is a personal quest for the answer - the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a teenager, I visited my uncle, who farmed rice in southern Haiti. I met a community that helped me understand that food is not just about dollars and cents—it’s about belonging, it’s about identity. This experience inspired me to become an aid worker. For the last 20+ years, I have worked to mend broken food systems all over the world. If we don’t get food right, hunger will threaten the social fabric.
I found this book to be well-written and well-documented. While it does not focus solely on food systems, it does explain how a lack of food contributed to the demise of the societies explored in this book, such as the Greenland Norse and Easter Island. Diamond offers a stark warning about how a weak food system can undermine an entire civilization.
From the author of Guns, Germs and Steel, Jared Diamond's Collapse: How Societies Choose to Fail or Survive is a visionary study of the mysterious downfall of past civilizations.
Now in a revised edition with a new afterword, Jared Diamond's Collapse uncovers the secret behind why some societies flourish, while others founder - and what this means for our future.
What happened to the people who made the forlorn long-abandoned statues of Easter Island? What happened to the architects of the crumbling Maya pyramids? Will we go the same way, our skyscrapers one day standing derelict and overgrown like the…