Here are 100 books that Matrix fans have personally recommended if you like
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I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!
I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.
I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.
Here is the tragic tale of the rise and fall of Camelot - but seen through the eyes of Camelot's women: The devout Gwenhwyfar, Arthur's Queen; Vivane, High priestess of Avalon and the Lady of the Lake; above all, Morgaine, possessor of the sight, the wise, the wise-woman fated to bring ruin on them all...
Selected by Deesha Philyaw as winner of the AWP Grace Paley Prize in Short Fiction, Lake Song is set in the fictional town of Kinder Falls in New York’s Finger Lakes region. This novel in stories spans decades to plumb the complexities, violence, and compassion of small-town life as the…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.
Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
Selected by Deesha Philyaw as winner of the AWP Grace Paley Prize in Short Fiction, Lake Song is set in the fictional town of Kinder Falls in New York’s Finger Lakes region. This novel in stories spans decades to plumb the complexities, violence, and compassion of small-town life as the…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I picked this book up, thinking it might have to do with witch trials in Europe during the 17th Century, and in a peripheral way, it does because it’s very loosely based on the life of Katharina Kepler, the mother of famous astronomer Johannes Kepler. (And really, how can you resist the title.) But the novel delivered so much more.
It’s a witty, searing meditation on community, gossip and envy, the strictures of society, the corruption of power, and a woman’s determination to be her own person. Add to that some of the funniest, most absurd situations I’ve read in a long while. Some sections of the novel are truly laugh-aloud.
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's…
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.
I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
I loved this book for being historical fiction at its finest, and I loved the main character, Mary Deerfield, for being a woman who did not fit within her own time.
It’s 1660s Boston, and Mary is married to an abusive man. Determined not to die at his hand, she must fight against everything in her society to free herself from her marriage.
I loved how this book so insightfully explored the dynamics of an abusive relationship while also bringing to vivid life a distant time and place.
NEW YORK TIMES BEST SELLER • From the acclaimed author of The Flight Attendant: “Historical fiction at its best…. The book is a thriller in structure, and a real page-turner, the ending both unexpected and satisfying” (Diana Gabaldon, bestselling author of the Outlander series, The Washington Post).
A young Puritan woman—faithful, resourceful, but afraid of the demons that dog her soul—plots her escape from a violent marriage in this riveting and propulsive novel of historical suspense.
Boston, 1662. Mary Deerfield is twenty-four-years-old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But…
I’ve been reading fiction set in the middle ages since…well, since I could read! Tales of Arthur and his knights featured largely on my childhood bookshelves. In graduate school, I got the chance to study both the literature and the religion of the middle ages and read up on the source texts. Reading literature from the period itself – whether saints’ lives or poems or travel tales – made me realize how rich the age was, and how few stories we tend to retell. I became passionate about writing more about the experiences of those who didn’t fit the mainstream expectations of gender and sexuality. There are a wealth of tales that need to be retold.
I love this novel because of how it takes what seems like an impossible story (a female pope?!) and writes it so carefully and compellingly that the impossible becomes completely plausible. The young woman’s journey from her home and family to becoming pope…how she navigates a world that is completely not designed for her…I was totally captivated by the story.
“Pope Joan has all the elements one wants in a historical drama—love, sex, violence, duplicity, and long-buried secrets. Cross has written an engaging book.”—Los Angeles Times Book Review
In this international bestseller and basis for the 2009 movie of the same name, Donna Woolfolk Cross brings the Dark Ages to life in all their brutal splendor and shares the dramatic story of a woman whose strength of vision led her to defy the social restrictions of her day.
For a thousand years her existence has been denied. She is the legend that will not die—Pope Joan, the ninth-century woman who…
I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
I was living in Madrid, Spain, when one of my friends and fellow English-language teachers, Heather, nudged me and said, “James, you have to read this.”
I was in my “James only reads highbrow literature” era, so I told her that the cover looked too pulpy (yes, I was guilty of judging a book by its cover). Thankfully, my respect for Heather forced me to overlook my biases and give Pillars a shot. I’m so glad I did.
The prose style is simple and accessible (obeying Animal Farm author George Orwell’s advice to write prose as transparent as a “windowpane”). And that’s good, because the content draws you in completely.
A village in Medieval England decides to build a cathedral. The characters range from evil knights to noble monks to savvy businesswomen to scheming clerics. The world is rich with detail and the pages are addicting, almost turning themselves. It’s…
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.
I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature.
I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I came out as bisexual way back in 1991, and experienced a lot of discrimination, hostility, and ridicule from both the gay and straight communities. Finding stories about me and my own experience has always been vital, to help me explore and understand more about myself and how I “fit in” in a world that seems to be so locked into an either/or framework. True, I have witnessed a number of positive changes for bi+ folks in the decades since I came out, but there's still a long way to go in terms of visibility, acceptance, and understanding.
As a writer, each time I read anything by James Baldwin, it´s like I´m getting a master class in how to capture a feeling and translate that into an articulate thought. When a friend told me to read this book over 30 years ago, shortly after I came out, they said this was “the best, and perhaps the most tragic novel about bisexuality ever written.”
Years later, it still kicks me in the gut each time I read it. Baldwin´s detailed examination of David´s desire for Giovanni while simultaneously being engaged to his fiancé, Hella, remains achingly beautiful.
When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy.
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love,…
