Here are 100 books that Emily's Quest fans have personally recommended if you like
Emily's Quest.
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I have always been fascinated by religion from an intellectual perspective—the way it can be such a powerful force for both good and evil and is such a constant facet of humanity, regardless of the time or place. I’m also interested in community and the complexity of human relationships, so it’s only natural that I’m particularly excited about books set within religious communities. And, as much as I appreciate a true crime cult expose, I am a lover of great fiction first and foremost, so novels that explore religion with intelligence and artistry are my personal holy grail.
This immediately immersed me in another time and place. Apparently, I’m very clear in my bookish likes, because it was recommended to me multiple times due to the combination of nuns and sapphic content. Luckily, it lived up to the recommendations!
It is very well written and extremely atmospheric, and it drew me right into its medieval world. Groff managed to create characters who feel appropriate to their era but who are also accessible to a modern reader, which is not an easy task. This helped me to become emotionally invested in the book.
THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR
'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN
Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey.
Lauren Groff's modern masterpiece is about the establishment of a female utopia.
'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid,…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
Lacy Crawford’s memoir of sexual assault at the elite St. Paul’s School straddles the precarious line between lyric and reportage. Crawford shies from nothing: we are there as she is held down and orally raped by two upperclassmen; as she describes the consensual sex she undertakes in an attempt to reckon with her rape, as even her own parents abandon her.
Crawford spends the last third of the book untangling the web of documents that prove the school knew of both the assault and her resulting STI (oral herpes that went so far into her throat that doctors couldn’t identify the sores, leaving her sick for months). The horrific burning of her throat keeps her from being able to speak or sing in the school choir, a metaphor for St. Paul’s deliberate destruction of evidence of her rape and subsequent illness to ensure legal protection for her rapists and the…
A "powerful and scary and important and true" memoir of a young woman's struggle to regain her sense of self after trauma, and the efforts by a powerful New England boarding school to silence her—at any cost (Sally Mann, author of Hold Still).
Shortlisted for the 2022 William Saroyan International Prize for Writing
When Notes on a Silencing hit bookstores in the summer of 2020, even amidst a global pandemic, it sent shockwaves through the country. Not only did this intimate investigative memoir usher in a media storm of coverage, but it also prompted the elite St. Paul's School to…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.
A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know…
In Lose Your Mother, Saidiya Hartman journeys along a slave route in Ghana, following the trail of captives from the hinterland to the Atlantic coast. She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.
There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger—torn from kin and country. To lose your mother is to suffer the…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).
Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth…
Burnt Diaries is Emma Tennant's third volume of memoirs, set mostly during the 1970s, in which she lays bare the experience of her affair with Ted Hughes while she was editor of the avant-garde literary magazine, Bananas. Tennant's insights are engaging and honest - she offers perceptions of the writers that contributed to her magazine - from Angela Carter who was commissioned to write The Company of Wolves for it, to JG Ballard who was supportive of the magazine from its inception and wrote a story for each issue. Running a new literary magazine brought Tennant into contact with a…
I was born in Montréal, Québec, Canada. French is my first language, but I learned to master English in my teens. My mother taught me to read early and I became a bookworm in primary school. I began writing personal stories at ten and decided to study literature in the hope of perfecting my craft. Unfortunately, so many of the program’s books felt dull and irrelevant to me. But once in a while, an inspiring work of universal quality would come up, and I began building my collection. The books I recommend here are dear to my heart and motivated me to keep reading and writing.
I was raised Protestant in Québec, a province with a post-Catholic culture. There were few novels I could relate to growing up there. I was in my early teens when my sister-in-law lent me Emily of New Moon from her personal collection. Possibly because it’s about a nascent author, but also because it describes a Presbyterian lifestyle that felt familiar to us both. Emily Starr is a passionate girl who’s sent to live with her aunts and cousin on a farm on Prince Edward Island following her father’s death. Writing to her father “On the Road to Heaven,” she offers hilarious criticism of her culture’s religious legalism and takes her first steps as a poetess. Considered Montgomery’s most autobiographical work, it is a story full of laughter, excitement, and beauty.
Following her father's death, the newly orphaned Emily Starr is quickly uprooted and sent to live with her aunts and cousins on Prince Edward Island. After an initial culture shock, Emily reevaluates the situation and attempts to make the most of her new surroundings.
When Emily Starr's father dies from tuberculosis, she moves to New Moon Farm to stay with relatives. It's a jarring change of pace and scenery that pits Emily against her strict aunt Elizabeth and new classmates. Despite the circumstance, she forges friendships with local children: Teddy Kent, Ilse Burnley and Perry Miller. They each have distinct…
For thirty-five years I spent my life in boardrooms, financing motion pictures with major Hollywood studios and learning the inside-out of law firms. I’ve also had a love for mysteries where I have to guess what’s going to happen next. My favorite authors keep me in suspense and stay a step ahead of me to the very end. I began my career as an author seven years ago. I added my own dose of modernized Shakespearean stories and the twists, turns, and suspense of life at the highest echelons of corporate America. I don’t aim to shock, but I do aim to surprise and keep you turning the pages. Obsessively.
If you like your detectives gritty and your murders grizzly, then consider this treasure by an award-winning author. One of the Jonah Geller series, this one has him doing a favor for a very rich dying man, to track down the murderer of Slammin’ Sammy Adler, a Montreal columnist.
Jonah has his own childhood memories of Sammy which took him back to a geeky kid he protected in summer camp in a previous lifetime. The clues unfold one by one, as do the personal perspectives on Montreal, until Jonah uncovers the secrets behind Sammy’s murder, tied to a story of love – or is it lust?
Howard Shrier's acclaimed Jonah Geller series continues with Miss Montreal, the Vintage World of Crime trade paperback original and sequel to Boston Cream.
After what happened in Boston, P.I. Jonah Geller can't show his face in the U.S. again. Which is fine with him. He's got a new case in Montreal, one of the world's most colourful and downright scandalous cities. An old friend has been brutally murdered there, and the police investigation is stalled. With an election looming and tensions seething, Jonah and former hit man Dante Ryan have to battle religious fanatics, gun runners and a twisted political…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
A rich mix here: humor, mild suspense, serious themes encompassing Jewishness and the fallout of the Nazis’ mass murder of European Jews, and cautionary themes about obsessions and the dangers of hero worship. The background setting is a Montreal neighborhood Richler grew up in, knew well, and happily depicted.
Some of Richler’s other novels also describe Montreal and some of its people. You could argue that Barney’s Version and Solomon Gursky Was Here are better books overall. I particularly liked this one because it has a youthful verve and adventurous feel.
St. Urbain’s Horseman is a complex, moving, and wonderfully comic evocation of a generation consumed with guilt – guilt at not joining every battle, at not healing every wound. Thirty-seven-year-old Jake Hersh is a film director of modest success, a faithful husband, and a man in disgrace. His alter ego is his cousin Joey, a legend in their childhood neighbourhood in Montreal. Nazi-hunter, adventurer, and hero of the Spanish Civil War, Joey is the avenging horseman of Jake’s impotent dreams. When Jake becomes embroiled in a scandalous trial in London, England, he puts his own unadventurous life on trial as…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
This book is a reimagining of Alice in Wonderland that takes place in a bizarre 90s Montreal parallel world, and it’s every bit as mind-bending and crazy as it sounds. There’s disturbing violence and sexual elements, but somehow, it never felt gimmicky. It’s a coming-of-age story unlike any I’ve ever read, and I’d recommend it to anyone who speaks French.
Alice a dix-huit ans. Curieuse, intelligente et fonceuse, elle décide un jour de quitter sa province pour s'installer à Montréal. La métropole. La ville de tous les possibles. À son arrivée, suite à une rencontre inattendue, Alice débarque dans un quartier peuplé d'excentriques. Comme Charles, mathématicien dandy et tourmenté ; Verrue, fumeur de joints et amateur de chansons populaires ; Andromaque, poétesse et tenancière d'un club de strip-tease un peu " spécial " ; ou les inquiétants Bone et Chair, fascinés par la torture. Alice mord la vie à pleines dents, prête à tout pour entrer dans le mystérieux Palais,…
True crime stories offer a window into the past, transporting readers to another time and place. They reveal human behaviour at its worst and people striving to do the right thing. And the narrative is always dramatic and compelling, with mysteries to be solved, suspects to be captured, justice to be done. My books profile a Jazz Age con artist, a Victorian Era serial killer, and a gentleman jewel thief of the 1920s. I write a column of true crime stories and book reviews for Ellery Queen’s Mystery Magazine and I teach in the MFA in Creative Nonfiction program at the University of King’s College in Halifax, Nova Scotia.
Wallace—a history professor, librarian, and bookseller—was one of Canada’s first true crime writers. This collection of sixteen stories of murder and mayhem, first published in 1931, is a trove of long-forgotten tales. Some of the crimes he chronicles made international headlines. Harry and Dallas Hyams, identical twin brothers from New Orleans, were accused of killing an employee in Toronto in 1893 to collect on insurance policies. Adelard Delorme, a Catholic priest in Montreal, stood trial four times for the 1922 murder of his brother and was ultimately set free. Wallace apologized for straying from mainstream history into the realm of the gruesome and sensational to record, as he put it, “what God in His wisdom saw fit to permit to happen.”
I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.
I must have read this book at least half a dozen times over the years. Trevanian was the author of The Eiger Sanction, which became a film starring Clint Eastwood and served as my introduction to Trevanian.
Set in Montreal, this character-driven novel centres around a world-weary detective named LaPointe and the characters on his beat. Close to retirement, Lapointe finds himself on the trail of a killer. Will he catch him before his own past catches up with him? It’s a great story.
Masterpiece' WASHINGTON POST--'The Main held me from the opening page' CHICAGO TRIBUNE--'The only writer of airport paperbacks to be compared to Zola, Ian Fleming, Poe and Chaucer' NEW YORK TIMES--'A literary jester, a magnificent tale-teller, whose range of interests was vast and whose scope for bafflement was formidable.' INDEPENDENT--'Trevanian's sharply tuned sense of character and milieu gives the book a vivid life granted to only the finest of serious fiction.' WASHINGTON POST The Main is Montreal's teeming underworld, where the dark streets echo with cries in a dozen languages, with the quick footsteps of thieves and the whispers of prostitutes.…
