Here are 100 books that Kill Shot fans have personally recommended if you like
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I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
I first encountered medical historian Lindsey Fitzharris when she published The Butchering Art, a biographer of pioneering surgeon Joseph Lister. This is another gore-flecked narrative that focuses on facial surgeon Harold Gillies’ pioneering work formulating ingenious surgical innovations and transforming the lives of patients disfigured fighting in WW1.
Plastic surgery has been around since the French Revolution, but attempts at facial reconstruction were limited. Gillies became fascinated by plastic surgery after watching French surgeon Hippolyte Morestin remove a cancer tumor from a patient’s face and cover it with a flap of skin taken from their own neck. In 1916, he requisitioned a ward at Cambridge Military Hospital, Aldershot, to cope with the grotesque procession of disfigured men disembarking from the hospital trains. He assembled a team of retired doctors, medical students, and even a vet to try to give these men their dignity back. A Daily Mail reporter at…
A New York Times Bestseller Finalist for the 2022 Kirkus Prize
"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile
Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Women are more than their vaginas—but guess what? Vaginas are, themselves, utterly fascinating, powerful, provocative! This book takes a look backward through history, all the ridiculous things that make doctors thought vaginas did (like wandering womb syndrome), and then gives us the scoop of modern understanding. The clitoris, for instance, is so much more than we might expect—and made of erectile tissue, just like the penis! Speaking of penises, we hear a lot about ducks. Ducks are weird, man. It’s a delightful romp through anatomy and science, medicine and history, and it just might break us from thinking that vaginas are taboo.
This book does my favorite thing: It takes peculiar historical and scientific facts, and then gives them back to readers as a riveting, funny, bizarre journey. It’s just the sort of book that makes you stop, call a friend, and say did you know?? I am, myself,…
The Latin term for the female genitalia, pudendum, means "parts for which you should be ashamed". Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men.
Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they're looking at the organs traditionally bound up in reproduction-the uterus, ovaries, vagina-and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes readers on an…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I loved this book because it’s a completely fresh perspective on death. While Stiff goes into the “lives” of cadavers and how they benefit society through research, this book covers the people who work with them in every aspect.
She talks to embalmers, crime scene cleaners, and death mask makers, and it’s just completely fascinating to me to learn about others’ experiences working among the dead. Plus, it’s beautifully written, with a kind and compassionate voice.
A deeply compelling exploration of the death industry and the people—morticians, detectives, crime scene cleaners, embalmers, executioners—who work in it and what led them there.
We are surrounded by death. It is in our news, our nursery rhymes, our true-crime podcasts. Yet from a young age, we are told that death is something to be feared. How are we supposed to know what we’re so afraid of, when we are never given the chance to look?
Fueled by a childhood fascination with death, journalist Hayley Campbell searches for answers in the people who make a living by working with the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Why are there so many sex books on my peculiar list? Because sex is one of those subjects we often ignore or treat as taboo—despite it being around since, well, according to Feltman, a particularly amorous pre-historic ameba-like critter. This book also appeals to me because, as a gender-fluid person, I love the idea that the evolutionary status quo used to be essentially pansexual, with exploded gender categories (basically, that ameba was going to try its luck with anything it came across). Along the way, this book stomps on myths and instead shares true facts, which are often much weirder. You will love it.
A rollicking, myth-busting history of sex that moves from historical attempts at birth control to Hildegard von Bingen’s treatise on the female orgasm, demystifying plenty of urban legends along the way.
Roman physicians told female patients they should sneeze out as much semen as possible after intercourse to avoid pregnancy. Historical treatments for erectile dysfunction included goat testicle transplants. In this kaleidoscopic compendium of centuries-old erotica, science writer Rachel Feltman shows how much sex has changed—and how much it hasn’t. With unstoppable curiosity, she debunks myths, breaks down stigma, and uses the long, outlandish history of sex to dissect present-day…
In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.
If you think that medical journals published by respected medical societies are full of good science, think again.
For me, Abramson’s Sickeningnailed the case for a conclusion that the net effect of the many hundreds of medical journals published here and around the world is to subtract from the sum of human medical knowledge.
Abramson, as an expert witness in criminal and civil cases against drug companies, draws in part on subpoenaed documents to expose how medical science, as part of the entire medical-industrial complex, is corrupted from start to finish by the drug industry’s funding of most clinical trials, their control over the data analysis, and even their ghost-writing of articles submitted to journals.
New and disturbing was the withholding of clinical trials’ raw data from journals’ peer reviewers. Instead, they get biased summaries bearing drug manufacturers’ fingerprints.
The inside story of how Big Pharma’s relentless pursuit of ever-higher profits corrupts medical knowledge—misleading doctors, misdirecting American health care, and harming our health.
The United States spends an excess $1.5 trillion annually on health care compared to other wealthy countries—yet the amount of time that Americans live in good health ranks a lowly 68th in the world. At the heart of the problem is Big Pharma, which funds most clinical trials and therefore controls the research agenda, withholds the real data from those trials as corporate secrets, and shapes most of the information relied upon by health care professionals.…
Frank S. David, MD, PhD leads the biopharma consulting firm Pharmagellan, where he advises drug companies and investors on R&D and business strategy. He is also an academic researcher on strategy, regulation, and policy in the drug industry; a member of the Harvard-MIT Center for Regulatory Science; and a former blogger at Forbes.com.
This account of the early years of Vertex Pharmaceuticals, from its inception as a scrappy start-up to its early work in HIV, is a must-read classic for anyone interested in how science turns into new drugs. Barry Werth’s journalistic play-by-play is a cinematic, true-to-life picture of the strategic decisions, real-world challenges, and larger-than-life personalities that underlie modern drug development. His riveting follow-up, The Antidote, continues the saga by taking readers through Vertex’s pathbreaking work to transform the care of patients with hepatitis C and cystic fibrosis.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.
I found, as a history buff, The Struggle for Drug Reform to be an eye-opener about how America’s exceptionally high drug prices among other deficits in health care quality and coverage resulted from the past exercise of power by the pharmaceutical industry, the lynchpin of America’s “medico-industrial complex.”
I was impressed by historian Tobbell’s meticulously researched account of the industry’s strategic alliances with self-interested medical scientists, not just conservative political forces, and its use of anti-communist propaganda to fight off the threat of drug pricing regulations.
I personally found important her discussions of how the industry allied with the American Medical Association against universal health care, against FDA demands for evidence about drug efficacy and safety before allowing drugs on the market, and against the threat to its profits from generic drugs.
Since the 1950s, the American pharmaceutical industry has been heavily criticized for its profit levels, the high cost of prescription drugs, drug safety problems, and more, yet it has, together with the medical profession, staunchly and successfully opposed regulation. "Pills, Power, and Policy" offers a lucid history of how the American drug industry and key sectors of the medical profession came to be allies against pharmaceutical reform. It details the political strategies they have used to influence public opinion, shape legislative reform, and define the regulatory environment of prescription drugs. Untangling the complex relationships between drug companies, physicians, and academic…
I am an economist who came to realize that the marketplace of ideas was a political doctrine, and not an empirical description of how we came to know what we think we know. Science has never functioned in the same manner across centuries; it was only during my lifetime that it became recast as a subset of market reality. I have spent a fair amount of effort exploring how economics sought to attain the status of a science; but now the tables have turned. It is now scientists who are trained to become first and foremost market actors, finally elevating the political dominance of the economists.
A best-seller in the UK, it never garnered the attention it deserved in the US. As a trained physician, Goldacre explains why doctors cannot trust the information concerning prescription drugs that is made available to them, and why this should concern every patient. The incentives motivating drug regulators constitute a big part of the problem, but the actual conduct of clinical trials comes in for intensive scrutiny as well. The rigors of double-blinded trials are useless if owners of the data can hide whatever outcomes they don’t like. His chapter on how to bend a clinical trial has become a classic.
"Smart, funny, clear, unflinching: Ben Goldacre is my hero." ―Mary Roach, author of Stiff, Spook, and Bonk
We like to imagine that medicine is based on evidence and the results of fair testing and clinical trials. In reality, those tests and trials are often profoundly flawed. We like to imagine that doctors who write prescriptions for everything from antidepressants to cancer drugs to heart medication are familiar with the research literature about these drugs, when in reality much of the research is hidden from them by drug companies. We like to imagine that doctors are impartially educated, when in reality…
In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.
I find Angell’sThe Truth About the Drug Companies extremely valuable for teaching students about how the pharmaceutical industry translates high profits into power resources to protect and increase those profits over time.
The former New England Journal of Medicine editor exposed how drug companies enlist politicians, the FDA, and medical academia for their cause. And armies of lawyers to extend monopoly marketing rights for years.
It was my first introduction to how they spend more on marketing than research, much of that on “copy-cat” drugs of dubious superiority to ones with expired patents.
As a tax (and high drug price) payer, I was disturbed to learn how they use government funds for basic research and then rig and spin their reporting of clinical studies to inflate their products’ therapeutic value and underplay their risks.
During her two decades at The New England Journal of Medicine, Dr. Marcia Angell had a front-row seat on the appalling spectacle of the pharmaceutical industry. She watched drug companies stray from their original mission of discovering and manufacturing useful drugs and instead become vast marketing machines with unprecedented control over their own fortunes. She saw them gain nearly limitless influence over medical research, education, and how doctors do their jobs. She sympathized as the American public, particularly the elderly, struggled and increasingly failed to meet spiraling prescription drug prices. Now, in this bold, hard-hitting new book, Dr. Angell exposes…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Growing up, I commonly read a sci-fi or fantasy novel a day. I craved freshly innovative stories, not megastar copycats. Innovation lacking, I stopped reading. I loved Salvatore’s invention of the Drow and favored groundbreaking stories where authors build on a predecessor’s shoulders rather than writing formulaic remakes for easy sales. Devastatingly, when I began writing, publishers, agents, and literary voices unitedly screamed at authors to “stay in their genre.” Write sci-fi or fantasy, never both. That wasn’t me, so I wrote about what happens when technology clashes with magic. The result? Mosaic Digest recently dubbed me “one of speculative fiction’s most inventive voices.”
Although heists and team-driven stories are difficult to mess up, I rarely find a gem with fun, snarky, and interesting characters like those delivered by Bardugo.
Clever banter effortlessly drives the storyline from beginning to end. When you start to feel the characters are proving to be one-dimensional and predictable, they begin to change and evolve (albeit a bit slowly for my tastes), which made for a surprisingly satisfying read (I’m including book two in this observation).
Worldbuilding is intelligent enough to keep you trusting the author when you grow concerned that the ending will be unrealistically implausible. Okay, maybe that last observation is my personal pet peeve with modern authors, but Six of Crows pulled off the credibility factor reasonably well.
*See the Grishaverse come to life on screen with Shadow and Bone, now a Netflix original series.*
Nominated for the CILIP Carnegie Medal 2017, this fantasy epic from the No. 1 NEW YORK TIMES bestselling author of the Grisha trilogy is gripping, sweeping and memorable - perfect for fans of George R. R. Martin, Laini Taylor and Kristin Cashore.
Criminal prodigy Kaz Brekker is offered a chance at a deadly heist that could make him rich beyond his wildest dreams - but he can't pull it off alone.
A convict with a thirst for revenge. A sharpshooter who can't walk…