Here are 100 books that Been There, Done That fans have personally recommended if you like
Been There, Done That.
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I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
I first encountered medical historian Lindsey Fitzharris when she published The Butchering Art, a biographer of pioneering surgeon Joseph Lister. This is another gore-flecked narrative that focuses on facial surgeon Harold Gillies’ pioneering work formulating ingenious surgical innovations and transforming the lives of patients disfigured fighting in WW1.
Plastic surgery has been around since the French Revolution, but attempts at facial reconstruction were limited. Gillies became fascinated by plastic surgery after watching French surgeon Hippolyte Morestin remove a cancer tumor from a patient’s face and cover it with a flap of skin taken from their own neck. In 1916, he requisitioned a ward at Cambridge Military Hospital, Aldershot, to cope with the grotesque procession of disfigured men disembarking from the hospital trains. He assembled a team of retired doctors, medical students, and even a vet to try to give these men their dignity back. A Daily Mail reporter at…
A New York Times Bestseller Finalist for the 2022 Kirkus Prize
"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile
Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Women are more than their vaginas—but guess what? Vaginas are, themselves, utterly fascinating, powerful, provocative! This book takes a look backward through history, all the ridiculous things that make doctors thought vaginas did (like wandering womb syndrome), and then gives us the scoop of modern understanding. The clitoris, for instance, is so much more than we might expect—and made of erectile tissue, just like the penis! Speaking of penises, we hear a lot about ducks. Ducks are weird, man. It’s a delightful romp through anatomy and science, medicine and history, and it just might break us from thinking that vaginas are taboo.
This book does my favorite thing: It takes peculiar historical and scientific facts, and then gives them back to readers as a riveting, funny, bizarre journey. It’s just the sort of book that makes you stop, call a friend, and say did you know?? I am, myself,…
The Latin term for the female genitalia, pudendum, means "parts for which you should be ashamed". Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men.
Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they're looking at the organs traditionally bound up in reproduction-the uterus, ovaries, vagina-and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes readers on an…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Two pharmacists sit in a Boston courtroom accused of murder. The weapon: a fungus. The death count: 100 and rising. These facts set the stage for a true-crime thriller by investigative journalist Jason Dearen, and it has the makings of a horror movie. There’s scientific hubris, sketchy ethics, a cover-up, and a monster, too: a slimy, sticky, fungal mold that infected patients and began eating their brains alive. It’s riveting, packed with information about how fungal spores managed to contaminate a medical supply chain, and frankly hard to put down. I have done my share of forensic research, and never have I encountered killer fungus before; I consider this an unmissable book.
An award-winning investigative journalist's horrifying true crime story of America's deadliest drug contamination outbreak and the greed and deception that fueled it.
Two pharmacists sit in a Boston courtroom accused of murder. The weapon: the fungus Exserohilum rostratum. The death count: 100 and rising. Kill Shot is the story of their hubris and fraud, discovered by a team of medical detectives who raced against the clock to hunt the killers and the fungal meningitis they'd unleashed.
"Bloodthirsty" is how doctors described the fungal microbe that contaminated thousands of drug vials produced by the New England Compounding Center (NECC). Though NECC…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I loved this book because it’s a completely fresh perspective on death. While Stiff goes into the “lives” of cadavers and how they benefit society through research, this book covers the people who work with them in every aspect.
She talks to embalmers, crime scene cleaners, and death mask makers, and it’s just completely fascinating to me to learn about others’ experiences working among the dead. Plus, it’s beautifully written, with a kind and compassionate voice.
A deeply compelling exploration of the death industry and the people—morticians, detectives, crime scene cleaners, embalmers, executioners—who work in it and what led them there.
We are surrounded by death. It is in our news, our nursery rhymes, our true-crime podcasts. Yet from a young age, we are told that death is something to be feared. How are we supposed to know what we’re so afraid of, when we are never given the chance to look?
Fueled by a childhood fascination with death, journalist Hayley Campbell searches for answers in the people who make a living by working with the…
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
Using a truly interdisciplinary approach anchored in queer studies and affect theory, Frazier subverts the common approach to sex as privatized and located in individual subjectivity by looking at desire as a central component of political culture and power. The book explores a variety of Chilean political projects and actors throughout the twentieth century including feminists, the revolutionary left, and the military dictatorship to understand the ways in which both sexual and non-sexual practices and ideologies were intrinsically connected to emotions and ideas of pleasure and to sexualized and gendered discourses and experiences.
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
This is the Granddaddy of earthshattering, perspective-changing books: philosopher Michel Foucault’s nimble dissection of the rise and the role of sexuality in the Western world. Written, and surely meant to be read, more like a Homeric epic poem than an academic treatise, every single sentence in this book quivers with energy and perception. From pithy aphorisms like “The sodomite had been a temporary aberration; the homosexual was now a species”, to heady pronouncements such as ‘”Power relations are both intentional and nonsubjective”, this book is a gift that perpetually keeps on giving. Guaranteed to blow your mind.
Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century.
Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
I originally read this book in my late teens, but I never forgot how much it taught me not just about flappers, but how history can leap off the page. I even cited this book as an influence in my book proposal for Glitter and Concrete.
Flappers were such a vibrant group of women, and Zeitz does them justice bringing them to life. I wanted the drag artists in my book to do the same.
I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I wrote a book on Limits. Limits is the core question of modern environmentalism. But I want to break environmentalism out of the grip of Malthusianism and a set of ideas about our world as being inherently limited, that have delegated us environmentalists to party-pooping prophets of doom. I want to reclaim a radical notion of self-limitation which is what makes the environmentalist movement unique – a claim that a free life worth living is a life lived within limits, a simple life so that others may simply live. It is not the planet that is asking us to limit ourselves, but we that desire it.
Michel Foucault had a variety of interests and wrote about many different topics – ecology and limits to growth were definitely not among them. I have found this book super useful though in thinking about what I call self-limitation, the processes through which individuals and collectives voluntarily craft the limits of their action and their power. Foucault’s book analyses how ancient Greeks perceived sexuality, and how they managed their bodies and desires. For the Greeks mastery over one’s wants was seen as key to personal freedom and development. Sexual freedom was part and parcel of the self-regulation of sexual desire. I can´t say I understand everything Foucault writes, but this is definitely one of his clearest books, with a more American style short prose than his previous labyrythical French writing. Reading about a civilization that was so similar, but also so different from ours, and how it regulated without suppressing…
In this sequel to The History of Sexuality, Volume I: An Introduction, the brilliantly original French thinker who died in 1984 gives an analysis of how the ancient Greeks perceived sexuality.
Throughout The Use of Pleasure Foucault analyzes an irresistible array of ancient Greek texts on eroticism as he tries to answer basic questions: How in the West did sexual experience become a moral issue? And why were other appetites of the body, such as hunger, and collective concerns, such as civic duty, not subjected to the numberless rules and regulations and judgments that have defined, if not confined, sexual…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m a Brooklyn-born writer of what’s now called “creative nonfiction,” and whatever literary success I’ve had, I attribute in part to having studied the works of Hunter S. Thompson, Henry Miller, Philip Roth, Joan Didion, and Joseph Heller. I’ve assimilated their voices and used them as guides to help me find my own voice. Read any of my books and you’ll find subtle (and at times not so subtle) echoes of this Holy Quintet. My latest book, A Brooklyn Memoir, is in part an homage to Miller’s Black Spring.
I read Tropic of Cancerat the beginning of my writing career, soon after I’d begun living on my own for the first time. Miller’s life as a Brooklyn boy in Paris, struggling to survive and to write, seemed similar in so many ways to my own life in Manhattan. I’ve since readTropic of Cancer multiple times and have portions memorized. I went through a phase where everything I wrote came out sounding like Henry Miller—that’s how taken I was by his voice. Miller taught me that it’s possible to write a great book that’s voice-driven rather than plot-driven.