Here are 100 books that All the Living and the Dead fans have personally recommended if you like
All the Living and the Dead.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
This is a surprising book because while it is certainly macabre, it’s not morbid (at least not for me) and is strangely entertaining. It demystifies the human body and the process of death and dying.
Even as the author delves into every aspect of dead bodies, she does so with compassion and humor. Rooted and backed up with science, this book held my interest from beginning to end, and I read it non-stop for over a day and a half. Despite its grave subject matter, this book is not dark or scary. It’s matter-of-fact and very educational.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
I first encountered medical historian Lindsey Fitzharris when she published The Butchering Art, a biographer of pioneering surgeon Joseph Lister. This is another gore-flecked narrative that focuses on facial surgeon Harold Gillies’ pioneering work formulating ingenious surgical innovations and transforming the lives of patients disfigured fighting in WW1.
Plastic surgery has been around since the French Revolution, but attempts at facial reconstruction were limited. Gillies became fascinated by plastic surgery after watching French surgeon Hippolyte Morestin remove a cancer tumor from a patient’s face and cover it with a flap of skin taken from their own neck. In 1916, he requisitioned a ward at Cambridge Military Hospital, Aldershot, to cope with the grotesque procession of disfigured men disembarking from the hospital trains. He assembled a team of retired doctors, medical students, and even a vet to try to give these men their dignity back. A Daily Mail reporter at…
A New York Times Bestseller Finalist for the 2022 Kirkus Prize
"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile
Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Women are more than their vaginas—but guess what? Vaginas are, themselves, utterly fascinating, powerful, provocative! This book takes a look backward through history, all the ridiculous things that make doctors thought vaginas did (like wandering womb syndrome), and then gives us the scoop of modern understanding. The clitoris, for instance, is so much more than we might expect—and made of erectile tissue, just like the penis! Speaking of penises, we hear a lot about ducks. Ducks are weird, man. It’s a delightful romp through anatomy and science, medicine and history, and it just might break us from thinking that vaginas are taboo.
This book does my favorite thing: It takes peculiar historical and scientific facts, and then gives them back to readers as a riveting, funny, bizarre journey. It’s just the sort of book that makes you stop, call a friend, and say did you know?? I am, myself,…
The Latin term for the female genitalia, pudendum, means "parts for which you should be ashamed". Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men.
Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they're looking at the organs traditionally bound up in reproduction-the uterus, ovaries, vagina-and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes readers on an…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Two pharmacists sit in a Boston courtroom accused of murder. The weapon: a fungus. The death count: 100 and rising. These facts set the stage for a true-crime thriller by investigative journalist Jason Dearen, and it has the makings of a horror movie. There’s scientific hubris, sketchy ethics, a cover-up, and a monster, too: a slimy, sticky, fungal mold that infected patients and began eating their brains alive. It’s riveting, packed with information about how fungal spores managed to contaminate a medical supply chain, and frankly hard to put down. I have done my share of forensic research, and never have I encountered killer fungus before; I consider this an unmissable book.
An award-winning investigative journalist's horrifying true crime story of America's deadliest drug contamination outbreak and the greed and deception that fueled it.
Two pharmacists sit in a Boston courtroom accused of murder. The weapon: the fungus Exserohilum rostratum. The death count: 100 and rising. Kill Shot is the story of their hubris and fraud, discovered by a team of medical detectives who raced against the clock to hunt the killers and the fungal meningitis they'd unleashed.
"Bloodthirsty" is how doctors described the fungal microbe that contaminated thousands of drug vials produced by the New England Compounding Center (NECC). Though NECC…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Why are there so many sex books on my peculiar list? Because sex is one of those subjects we often ignore or treat as taboo—despite it being around since, well, according to Feltman, a particularly amorous pre-historic ameba-like critter. This book also appeals to me because, as a gender-fluid person, I love the idea that the evolutionary status quo used to be essentially pansexual, with exploded gender categories (basically, that ameba was going to try its luck with anything it came across). Along the way, this book stomps on myths and instead shares true facts, which are often much weirder. You will love it.
A rollicking, myth-busting history of sex that moves from historical attempts at birth control to Hildegard von Bingen’s treatise on the female orgasm, demystifying plenty of urban legends along the way.
Roman physicians told female patients they should sneeze out as much semen as possible after intercourse to avoid pregnancy. Historical treatments for erectile dysfunction included goat testicle transplants. In this kaleidoscopic compendium of centuries-old erotica, science writer Rachel Feltman shows how much sex has changed—and how much it hasn’t. With unstoppable curiosity, she debunks myths, breaks down stigma, and uses the long, outlandish history of sex to dissect present-day…
As a physician, medicine is my job. But along the way, I wondered how medicine got to where it is now–like really wondered. I wondered to the point that I was reading the original treatises written by 18th-century physicians. I started publishing research on medical history and giving presentations at medical conferences. I’d like to think this helps me be a better doctor by broadening my perspective on the healthcare industry. But at the very least, I’ve found these books enjoyable and compelling. I hope you enjoy them, too!
I re-read this book anytime I want a greater appreciation for living in the 21st century because it is teeming with downright disgusting medical stories from the 1800s–and it’s fantastic.
Our healthcare system is nowhere near perfect, but the juxtaposition between it and the gory details of pre-anesthetic and pre-antiseptic surgeries makes me so incredibly thankful.
Winner, 2018 PEN/E.O. Wilson Prize for Literary Science Writing Short-listed for the 2018 Wellcome Book Prize A Top 10 Science Book of Fall 2017, Publishers Weekly A Best History Book of 2017, The Guardian
"Warning: She spares no detail!" —Erik Larson, bestselling author of Dead Wake
In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of nineteenth-century surgery and shows how it was transformed by advances made in germ theory and antiseptics between 1860 and 1875. She conjures up early operating theaters—no place for the squeamish—and surgeons, who, working before anesthesia, were lauded for their speed and…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I bought this book when I was doing some research for a project, expecting it to be very dry but was happily surprised at the humor and style of her writing. She is extremely knowledgeable about her field and has helped solve hundreds of cases, but you won’t hear any humble bragging. She is all about the teamwork that goes into solving criminal cases, which makes me respect her even more.
I learned so much more about anthropology from this book than I did working at my job, and in a thoroughly entertaining way. This is easily a book I can read more than once.
Book of the Year, Saltire Literary Awards A CrimeReads Best True Crime Book of the Month
For fans of Caitlin Doughty, Mary Roach, Kathy Reichs, and CSI shows, a renowned forensic scientist on death and mortality.
Dame Sue Black is an internationally renowned forensic anthropologist and human anatomist. She has lived her life eye to eye with the Grim Reaper, and she writes vividly about it in this book, which is part primer on the basics of identifying human remains, part frank memoir of a woman whose first paying job as a schoolgirl was to apprentice in a butcher shop,…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I felt an affinity with Dr. Melinek partly because we both started our careers right before or right after 9/11 when we were both “learning the ropes” in our respective fields. In Dr. Melinek’s case, she had been working as an ME in New York City for two months before the 9/11 terrorist attacks; I started as a graphic artist at the FBI just two months after, in November 2001.
I loved this book because it gives the real day-to-day experiences of a woman working in what could be a depressing, ghastly environment. However, the author keeps her sense of humor throughout while showing the utmost compassion for victims. I found myself nodding my head in agreement at some of the cases she worked on, especially the one with an unidentified victim.
Just two months before the September 11 terrorist attacks, Dr. Judy Melinek began her training as a New York City forensic pathologist. While her husband and their toddler held down the home front, Judy threw herself into the fascinating world of death investigation-performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy's two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines Flight 587.
Each summer when I was small, I visited my gram. During the day we would go off on one adventure or another—and at night, she enticed me to sleep with the promise of a story. Most often, she read Grimm’s fairytales to me. Full of darkness and also hope (!), they were, and still are, some of my very favorites. And they inspire what I most enjoy writing and reading.
In this fantastical story, which is a companion to Furthermore, a lonesome girl scrubs the skin of the dead to ready souls for the afterlife. (Sounds properly spooky, doesn’t it? I love when books give me chills!) And when things are especially dark, as they are for Laylee, friendship shines all the brighter once it is found.
Our story begins on a frosty night . . . Laylee can barely remember the happier times before her beloved mother died. Before her father, driven by grief, lost his wits (and his way) and she was left as the sole remaining mordeshoor in the village of Whichwood, destined…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
My name is Cecilia Ruiz and I am a Mexican author and illustrator living in Brooklyn. Apart from desperately trying to make more books, I teach design and illustration at Queens College and the School of Visual Arts. I’m fascinated by visual storytelling and its evocative power. One of my idols, the French filmmaker Robert Bresson, says that art lies in suggestion. Bresson believed that things should be shown from one single angle that evokes all the other angles without showing them.All the books in this list do that—they show us death but they make us think about the mysterious and poetic ways in which life operates.
This is a book I would have loved to write and illustrate. “The bird was dead when the children found it.” says its opening line.
There are many children’s books that deal with grief and loss but The Dead Bird is one of a kind. The kids in the story didn’t know the bird when it was alive. They only meet the bird after it has died and yet, they have a funeral for it. They sing for a bird that once flew and no longer will. They cry for a life that was, but no longer is.
With child-like simplicity and directness, Robinson’s illustrations capture the human need for ritual and closure in the presence of death.
A New York Times Best Illustrated Book of 2016! This heartwarming classic picture book by beloved children's book author Margaret Wise Brown is beautifully reillustrated for a contemporary audience by the critically acclaimed, award-winning illustrator Christian Robinson. One day, the children find a bird lying on its side with its eyes closed and no heartbeat. They are very sorry, so they decide to say good-bye. In the park, they dig a hole for the bird and cover it with warm sweet-ferns and flowers. Finally, they sing sweet songs to send the little bird on its way.
