Books like Journey into Journalism — picked by fans

As a foreign correspondent based in Vienna, I'm often asked to arrange interviews for reporters flying in from London. I remember a journalist from the Sun newspaper who flew in and wanted a translator. I found a local book author, but he canceled when he found out it was for the Sun. The journalist asked him why, and he said, "You wouldn't understand."

But that journalist had a first-class honors degree in literature from Oxford. Of all the types of journalism, tabloid is reviled, yet it attracts the best journalists. It starts the ball rolling on the best stories, and in its purest form, it is never about fake news; it's about taking on the biggest bully in the playground. I love it, and this book is pure tabloid.

I worked in local papers at the start of my career and was always amazed at why a network that had so many talented writers produced so few books about the hilarious things and the tragic things we experienced. I think it's partly because local newspapers are often seen as a stepping stone, we focus on the famous at the pinnacle of their career, editing a national newspaper for example, when in fact local news careers could and should be an end in themselves.

Roger Lytollis is not only a brilliant writer, but his book is remarkably personal in the way he faces his own demons and how journalism helped him cope with extreme shyness and depression. Coupled with hilarious stories, I couldn't put it down.

The stories my agencies create have probably appeared in some form in every major and most minor publications worldwide. A single-viral story can be repeated thousands of times in the media landscape. But no publication that we work for has paid as much as the Daily Mail. It may be hated by many, but journalists love it. It pays the best rates, and this book was a fascinating insight into my biggest customer.

My work for them was what made me a target of BuzzFeed because not only is it hated in some quarters, but it's the biggest news organization in the world, and many want to see it toppled. The book also featured many people I knew, like the legendary Allan Hall, who once punched the editor.

At the end of a busy day, which is always almost 12 hours long, it is often difficult to wind down, and a David Gemmell book with its inspirational lessons was always perfect until the books ran out. Rereading them can only be done so many times, and reluctantly, I decided to try one of the two books he wrote in a genre I am never usually interested in.

Many people forget that he used to be a journalist and wrote two books that draw on that experience, but this one is by far my favorite. The PR blurb fails to mention that at the heart of this story, it is about propaganda in the media, and Gemmell is a master storyteller. His journalism experience makes it highly authentic in his portrayal of local journalism struggling to survive, and if you are a Gemmell sword and sorcery fan, you will… show more.

If fictional journalists are your thing, then this book will almost certainly introduce you to some you’ve never heard of as well as those you (really should) have. Lonsdale insightfully identifies and dissects themes that crop up time after time in creative writing about journalists, from swashbuckling rogues to unethical scumbags. In the process, she has plenty to say about the craft of journalism itself and its enduring value to society. There is humour too, as when she quotes the immortal line of Stella Gibbons (author of Cold Comfort Farm): "The life of the journalist is poor, nasty, brutish and short. So is his style." Lovely.

Barbara Belford’s 1996 book is one of the classics in its field, next to the Stoker biographies by Harry Ludlam, Daniel Farson, and Paul Murray. With a background in journalism, Belford created a very readable introduction to Stoker’s life. Her book still is an invaluable source for fans and scholars trying to understand the making of Dracula. It is a good stepping stone for readers who would like to dive deeper later on, e.g., by studying David Skal’s more recent work, Something in the Blood. For me personally, it gave me a very colorful image of Stoker’s life and helped me better understand him as a person and an author.

This book explores the relationship between writer and subject and provides a lesson on the lengths one should go in exercising one’s craft. An ironic twist comes in the form of Finkel himself being a victim of a crime, which gives rise to the thrust of this story. As a fan of memoirs and true crime, this book kept my interest all of the way through.

Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control. 

I had the privilege of talking with Angèle at an event and discussing our different book projects.

The wonderful thing about this book it is reveals that the interaction between technology and journalism is incredibly culturally specific. We tend to think that every newsroom engages with technology in the same way, but Angèle shows that long-standing national journalistic cultures influence how technologies are adopted and used.

The book is also an ethnography, which means that it offers a wonderful insight into the day-to-day practices of the newsroom.

Some books center on an argument, some focus on narrative, and some revolve around characters. What impressed me about this book is that it does all three remarkably well.

I was amazed to learn how some of the most powerful publishers in the U.S. and U.K. either dismissed the Nazi threat or (like Lord Rothermere and the Daily Mail) openly cheered for Hitler.

It also helps that the five men and one woman included in this “axis” all had fascinating backgrounds and quirky personalities, which Olmsted presents in wonderfully concise sketches.