Books like Decline and Fall — picked by fans

As a former professor of sociology and media studies at the University of Virginia, I was (and, of course, remain!) interested in the history of communication. In this book, I discovered the backstory to the creation of well-known documents that fueled the American Revolution and fostered lively debate in the ensuing decades.

I also enjoyed reading about writers, publishers, and printers (often, one and the same) whose literary works raised mudslinging to an art form and deepened divisions that threatened to upend the grand experiment of democracy in its infancy. But somehow, the incendiary press of the late eighteenth century became “the basis of a humane and enduring society.”

This is primarily the story of three newspapers--James Gordon Bennett’s New York Herald, Horace Greeley’s New York Tribune, and the merged paper under the ownership of diplomat and politician Whitelaw Reid and his heirs, including his daughter-in-law, Helen Rogers Reid, a firecracker of an executive and woman about town. But it is also a comprehensive story of New York newspapering from the 1830s to the 1960s and about the city and country that served as the focus for news coverage during those decades. It is a poignant tale of soaring triumphs and ultimate decline as new challenges beset the newspaper business and even large cities could no longer support multiple papers.

No other magazine ever burst upon the national scene with as much financial and editorial force as Life, founded by Henry Luce in 1936 to exploit the new technology of high-shutter-speed cameras that could capture events and activities like never before. Luce’s vision (actually, it came initially from his future wife, Clare Boothe Luce) was to stir the human spirit with photos of sports stars in action, the magnitude of huge structures such as the Grand Coulee Dam, a baby being born, the agony of war. With such photography mixed with probing and discursive long-form journalism, Luce transformed American magazine journalism--and got very, very rich in the process.

The big Detroit newspaper market eventually narrowed down to two newspapers--the News and Free Press--neither of which could knock out the other while neither could turn a profit in a competitive market. This is the story of the struggle of the two greatest newspaper chains--Gannett and Knight-Ridder--to forge a “joint operating agreement” allowing them to merge production and business efforts while retaining separate newsrooms. Few participants cared much about editorial standards as the rush for huge profits drove the process. In the end, it all came a cropper. It’s a sordid tale in many ways but a riveting one.

Gutkind founded the journal Creative Nonfiction and has been a tireless advocate of the CNF genre for decades, as a writer, teacher, public speaker, and publisher. His nuts and bolts guidebook, You Can't Make This Stuff Up, offers a wide-ranging examination of the craft of writing true stories – dialogue, description, beginnings, endings, intimate detail, reflection, point-of-view, framing – as well as clear and helpful chapters about forming a writing habit and learning to live one’s life as a writer. Gutkind has generously packed decades of wisdom and knowledge into perhaps the most comprehensive nonfiction guide available.

The book Washington chronicles the significant career of Meg Greenfield, an editorial page editor of The Washington Post. Greenfield, a winner of the Pulitzer Prize for commentary, wrote the book during the last two years of her life. Greenfield’s boss and close friend Katharine Graham contributed the foreword which provides context. Greenfield came to Washington in 1961 and was hired by the Post a few years later. Her editorials at the Post and her columns in Newsweek were witty and smart. Her stories provide a political picture of Washington, D.C. at the end of the American century. She was often at the place where change happened and tells the stories well. Greenfield’s book is a fascinating read about politics, journalism, and history.

The stories my agencies create have probably appeared in some form in every major and most minor publications worldwide. A single-viral story can be repeated thousands of times in the media landscape. But no publication that we work for has paid as much as the Daily Mail. It may be hated by many, but journalists love it. It pays the best rates, and this book was a fascinating insight into my biggest customer.

My work for them was what made me a target of BuzzFeed because not only is it hated in some quarters, but it's the biggest news organization in the world, and many want to see it toppled. The book also featured many people I knew, like the legendary Allan Hall, who once punched the editor.

This book explores the relationship between writer and subject and provides a lesson on the lengths one should go in exercising one’s craft. An ironic twist comes in the form of Finkel himself being a victim of a crime, which gives rise to the thrust of this story. As a fan of memoirs and true crime, this book kept my interest all of the way through.

For creatives, this book is the move. Many writers who find themselves in reading lulls, also find themselves in writing lulls. Over the last two decades, writing professor Susan Shapiro has taught more than 25,000 students of all ages and backgrounds at NYU, Columbia, Temple, The New School, and Harvard University. And now the content from her wildly popular course “Instant Gratification Takes Too Long” is in this book for everyone who wants to get published fast, and with all the best secrets of the trade.

Byline Bible is full of advice for writers on how to break into publishing, but also includes tons of essays and pieces published by Susan Shapiro’s students, which make for great reading in and of themselves. 

I had the privilege of talking with Angèle at an event and discussing our different book projects.

The wonderful thing about this book it is reveals that the interaction between technology and journalism is incredibly culturally specific. We tend to think that every newsroom engages with technology in the same way, but Angèle shows that long-standing national journalistic cultures influence how technologies are adopted and used.

The book is also an ethnography, which means that it offers a wonderful insight into the day-to-day practices of the newsroom.