52 Books Like Bram Stoker

Leslie Klinger’s annotated version of Dracula is one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Dracula experts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.

Elizabeth Miller is one of the foremost scholars on Dracula and the literary (and cinematic) vampire. Although my research has focused on folklore about vampires and similar beings, you can’t really discuss the significance of vampires without discussing Dracula.

Elizabeth’s book tells you about Bram Stoker’s sources, his writing process, the geography of Dracula, and Vlad the Impaler, among other things, separating out facts from wrong ideas that have gotten passed around in popular culture. This book was invaluable for the chapter in my book discussing the novel Dracula.

This book is key to understanding the “transmediation” of Dracula: the metamorphosis of Stoker’s story by adapting it for new media, such as theatrical and movie versions. As Bram Stoker died in 1911, his widow Florence played a key role in negotiating the rights for such modifications, and fighting the pirated screen version of Nosferatu created in Germany by Prana Film. As David Skal put it, Dracula is very much a story about control, and the subsequent developments show how Bram and then Florence tried to keep the lid on the unauthorized dissemination and adaptation of the Dracula novel—but failed in the end. Highly recommended reading for all who are interested in the question of how Dracula became so popular all over the world.

Although Bram Stoker was a fiction writer presenting us with a fantastic, supernatural story, he did meticulous research in an effort to create a convincing backdrop: history, geography, psychology, vampire lore, dreaming and somnambulism, animal behavior, the history of the Devil—yes, even seamen’s yarn was the subject of Stoker’s studies. Dracula scholar Clive Leatherdale has done a superb job by tracking the novelist’s key sources, summarizing them for us and highlighting their relevance for the making of Dracula. A decade later, Leatherdale would release Bram Stoker’s Dracula Unearthed, an annotated edition of the novel. To find affordable second-hand editions of both classics, you have to search the Internet a bit, but for everyone aspiring to become a Dracula expert, both books are indispensable.

I vividly recall reading Farson’s book when I was a budding journalist.

Farson worked for the Chicago Daily News, a newspaper that is gone now, but was pioneer in modern American journalism, not only for its principled reporting but also its talented staff. The Daily News was the first to field a substantial corps of American reporters abroad. (The New York Times only did so much later.)

Farson was everywhere, which did not distinguish him from many other correspondents, but he was legendary for the high quality of his writing. His colleagues said he was a “combination Childe Harold and Captain from Castile.” 

Unhappy with the request that he come back to Chicago to work awhile, he quit and went to Dalmatia to write Way of the Transgressor.  

This is an excellent series of essays on the small things in life which please the author. Some are more obvious than others, but all are described stylishly and with typical French humour and elegance. I confess that after reading it, I did my own—inevitably inferior—version. But it was an enjoyment just going through the process.

I've always heard there are two sides to every story. Generally, this means a good side and a bad, or at least one with some sort of a redeeming perspective. But what does a person do when both sides are equally hellish? For Maiya, it means she truly is Daydream's Daughter and Nightmare's Friend. It seems as though the insufferable miseries will never end. This book is deeply emotional and compelling. The author describes the events in vivid detail creating a sense for the reader of being there in the midst of it all. The book immediately captures your attention, and page after page keeps you wondering what will happen next. An excellent story by an excellent author.

The Cry of the Lake was published in 2020, the same year as my book, and around that time, I had gotten to know many authors, including Charlie.

From the first line, I was drawn into the story which is told with impeccable detail, its characters clearly defined to create the dark and mysterious tale.  

A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.

Harkening back to the well-established trope of inviting several seemingly unrelated guests to a secluded location (I’m thinking of the movie for the board game Clue right now) and wrapping them up in a creepy mystery, Kiersten Modglin has delivered a secluded thriller with originality, delectable darkness, and a series of great twists.

I was enthralled by the constant sense of danger and did not see the ending coming. I’ll admit that as a writer myself, the premise of authors invited to a writing retreat intrigued me from the start, but I was so pulled in by this thriller that I finished reading it in no time. Great work.