Here are 100 books that Looking at Lovemaking fans have personally recommended if you like
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I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
Ray Laurence begins this wonderful book with the bold view that the passions of first-century Rome were more developed than those of earlier times. Examining the connections between pleasure and power in the imperial household; the role pleasure played in art and landscape; and what really went on in the Roman baths, the resulting account is as wide-ranging as it is surprising.
Immerse yourself in the sensual delights of Rome in all their guises. By the time of the emperors, the Romans had created the world's first global empire, and plundered the provinces for produce to be eaten, planted or displayed as novelties. At the same time the aesthetics of the city of Rome was being transferred to the provinces, establishing towns with public buildings, baths and the Latin language. With these attributes of civilisation came other trappings of Roman culture: lavish entertainments, elaborate dinner parties and vice. The world of pleasure became a defining feature of the Romans, and this book…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
This volume contains essays on sexuality in all corners of the ancient world, from the Near East to Athens and Israel. But Part III is dedicated to Rome and offers a smorgasbord of discussions on everything from ‘The bisexuality of Orpheus’ to erectile dysfunction. The perfect book for dipping in and out of.
Looking at sex and sexuality from a variety of historical, sociological and theoretical perspectives, as represented in a variety of media, Sex in Antiquity represents a vibrant picture of the discipline of ancient gender and sexuality studies, showcasing the work of leading international scholars as well as that of emerging talents and new voices.
Sexuality and gender in the ancient world is an area of research that has grown quickly with often sudden shifts in focus and theoretical standpoints. This volume contextualizes these shifts while putting in place new ideas and avenues of exploration that further develop this lively field.…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
This is my ancient choice. The most notorious of Ovid’s poetry books, the Ars Amatoria, as it was known in Latin, provides an eye-popping view of what was considered permissible by certain individuals in Rome. The poet provides plenty of tips for the would-be lover, from how to get a date at the races, to how to communicate privately with someone across the dinner table. It’s a useful and readable source – even if the modern reader can find little to praise in Ovid’s outlook.
" . . . Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." -Virginia Quarterly Review
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
We often assume that the Romans were in love with love but, actually, they could be very divided over it. Love, for some, was not only destructive, it was practically criminal. The author of this academic book looks at the ethics of love and sex in Rome and considers the surprising appeal of ‘sexual virtue’, abstention, and chastity in ancient society.
Traditionally, scholars have approached Roman sexuality using categories of sexual ethics drawn from contemporary, Western society. In this 2006 book Dr Langlands seeks to move away from these towards a deeper understanding of the issues that mattered to the Romans themselves, and the ways in which they negotiated them, by focusing on the untranslatable concept of pudicitia (broadly meaning 'sexual virtue'). She offers a series of nuanced close readings of texts from a wide spectrum of Latin literature, including history, oratory, love poetry and Valerius Maximus' work Memorable Deeds and Sayings. Pudicitia emerges as a controversial and unsettled topic, at…
I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is a lavishly illustrated work showing the major pieces of Roman art, an important component of their ideology and self image. It explains how the Romans built on the Greek tradition of art and architecture and created their own artistic world, much of which is still with us today.
I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.
Brides of Rome offers a unique look into the life of the Vestal Virgins of Rome. The story is told through the viewpoints of several fascinating women, one of which is a vestal virgin, and another one is Cleopatra. Each one has a battle of her own and although some find a bitter end, others survive and thrive. The Roman Empire is notorious for its mistreatment of women, but this book shows a refreshing look at some that received the respect they deserved.
When passion is punishable by death, can one priestess keep her emotions concealed and help steer the course of history?
Ancient Rome is a world of power and privilege, secrets and sacred duty. The esteemed priestesses of Vesta - the Vestal Virgins - are charged with ensuring the Eternal Flame in their temple never goes out. While it burns, Rome cannot fall. They are known as the Brides of Rome.
Dedicated to a thirty-year vow of chaste service, Priestess Pomponia finds herself swept up in the intrigue, violence, wars and bedroom politics of Rome's elite - Julius Caesar, Marc Antony…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I grew up playing with toy Roman legionaries, marveling at Roman coins, and poring over diagrams of Roman military equipment and their astonishing feats of engineering, went back and forth between wanting to be a medievalist or a Classicist and ended up settling into the study of the late Roman empire and the way it completely transformed its Classical heritage. Along with writing books on that period, I love writing on much wider ancient and medieval themes in the London Review of Books and the TLS.
Very few books put the history in art history with as much success as this one does. Instead of telling a linear story, in which the third century is a precipice over which Classical art falls into decline, Elsner picks out the many different strands and streams of artistic production that run in parallel with one another, and gets you to think about how they interact with contemporary social developments.
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periods of internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
This lavishly illustrated book offers a visually stunning and information-packed tour of ancient Rome’s most popular forms of entertainment: chariot racing, gladiatorial combats, and theater performances. I was astonished by the sheer range and creativity of Roman spectacles and their material commemorations, from action figures of gladiators with removable helmets, piggy banks with pictures of lucky winning charioteers, and mosaic puzzles that challenged viewers to guess the names of famous racehorses based on visual clues. As an art historian, I particularly love the beautiful color illustrations; my own copy of this book is dog-eared because I am constantly returning to look at the fascinating objects she discusses. For me, this book about spectacles is spectacular in its own right.
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in…
The mission I have set myself as a novelist is to bring the past alive in the most engaging way; to try to tell some of the great tales of history as current, prescient stories. I want to open a reader’s mind, but also offer an escape, to fantastical places. My first novel for adults, Tomorrow, is told through the eyes of a dog who doesn’t die, whose quest for his similarly immortal master takes him through the wars of the 17th and 18th Centuries, and through every tottering court of Europe. My second, The Colour Storm, out in June 2022, is set in the art world of the Renaissance and is about the search for a new colour. The pigment has arrived in Venice and every artist of the day, from Leonardo to Michelangelo, is in fierce - perhaps murderous - competition to find it first.
Imperium, Lustrum, and Dictatorchart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.
______________________________ 'One of the great triumphs of contemporary historical literature.' The Times
______________________________ WITH A NEW INTRODUCTION BY THE AUTHOR
'Laws are silent in times of war.' Cicero
One of the great epics of political and historical fiction, The Cicero Trilogy charts the career of the Roman statesman Marcus Tullius Cicero from his mid-twenties as an ambitious young lawyer to his dramatic death more than thirty years later, pursued by an assassination squad on a cliff-top path.
The extraordinary life that unfolds between these two episodes is recounted by Cicero's private secretary, Tiro: the law cases and the speeches that…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Richards’ book broadens the perspective advanced here with a concise overview of American and British films and some American-European co-productions about ancient Greek, Roman, biblical, and other cultures.
Its main focus is on the 1950s and 1960s, when epic filmmaking reached its height with color and widescreen cinematography, giant sets, huge casts, stereophonic sound, extreme lengths, and ruinous costs.
Richards rides to the rescue of several less-than-stellar films but can be severe as well, e.g. about 300: “probably the most Fascistic film to come out in cinemas since the fall of the Third Reich.” (No argument here.)
A few inaccuracies concerning antiquity and cinematic details detract from the book’s value, but they are instructive, since errors can create new fictions from the fictions that films invariably create from history.
This book offers a new, full analysis of the Ancient World epic and how this film genre continues to comment on modern-day issues.Few genres have been subject to such critical scorn as the Ancient World epic. Yet they have regularly achieved huge box office success. This book tells the history of the Ancient World epic from the silent screen successes of "Intolerance" and "The King of Kings" through the 'golden age of the epic' in the 1950s (Quo Vadis, Ben-Hur, Spartacus, Cleopatra etc) through to the 1990s revival with "Gladiator", its successors in cinema (Alexander, Troy, 300) and on television…
