Books like If I Were the Ocean, I'd Carry You Home

I’ve dined at the restaurant Lemonade in Venice Beach several times and was thrilled when I discovered they had a cookbook.

LA is defined by exceptionally fresh produce year-round and a diverse culinary scene thanks to immigrants from all over the world. Lemonade reflects that beautifully! I used many of the recipes in this book when cooking for the Patagonia women’s surf team and was thrilled with how much people loved them and how easy they were to scale up to feed a crowd.

Narrowing it down to my favorites was tough, but I can’t get enough of the Avocado, Cherry Tomato, Pine Nut, and Lime Vinaigrette; the Black Kale, Shiitake, and Kumquat Vinaigrette; or the Red Miso Beef. And of course, they have a full lemonade chapter with interesting, virgin concoctions including my favorite, the Green Apple Jalapeno lemonade.

I had the good fortune to meet Thomas Perry at a writers' conference a few years back. Perry is best known for fast-paced thrillers such as The Butcher's Boy, the Jane Whitefield series, and The Old Man.

On the topic of comic crime fiction, he observed that violent crime is serious business that's difficult to treat with levity. Perry tried it in his second novel. Published in 1983, Metzger's Dog follows Chinese Gordon and his gang as they romp through the southern California desert—blowing things up. Their target is a medical facility with a million dollars worth of cocaine. The heist goes perfectly, except Chinese Gordon also snatches a folder of documents that detail the CIA's meddling with foreign governments. Naturally the feds want those docs back—with extreme prejudice.

I am in awe of Susan Straight’s Mecca. 

Set in the inland regions of Southern California, far from glamor, this novel contains a cross section of characters from California’s past, present, and future, all connected by blood, by place, by history. It begins with an act of violence committed to disrupt a sexual assault, and that act has consequences that echo through decades. The landscape, beautiful and treacherous and fire-prone, acts like one more character.

The novel ends with a standoff between the characters we’ve grown to know and love and ICE agents—a haunting and newly relevant image. A tremendous work of art.

D.J. Waldie elegantly captures the essence of the ordinary in this beautiful collection of essays. He has lived and worked in Lakewood, California his entire life and he doesn’t drive, which is remarkable in Southern California. Instead, he walks, he observes, and he writes about the kinds of Southern California neighborhoods that I know. I wish that I could describe the sky and the light as accurately and poetically as Waldie does. He has taught me to walk slower and pay attention. His stories of the history of Los Angeles are equally compelling. Waldie says he writes “about sacred and humanizing Los Angeles because I find myself there.” How fortunate for us all!

You would not think that a book about a sleazy (but incredibly handsome) man being chased by a hired killer would be an inspiring book about second chances, but it is. The story is set in November 1963. Frank Guidry is inadvertently involved in the Kennedy assassination and the powers that be want to shut him up. He’s running from a killer and he runs into Charlotte Roy, a young mother who, with her two daughters, is fleeing her alcoholic husband. They both have a lot of internal demons to grapple with, but along the way there’s a lot of sex and danger and some scenes that are absolutely haunting and when you get to the end, you just sit there thinking, yes. That feels exactly right.  

My copies of this series are so worn by reading and re-reading that they are falling apart. There’s no higher praise from me as a reader. 

This is my comfort read, which is odd because it’s about the fall of a civilization—and The Dark, in particular, is terrifying. We never really see them. That’s partly because they aren’t entirely corporeal and can change size and shape at will. It’s also because anyone we know in the story who encounters them is almost certainly fighting for their life.

Are The Dark one character or many? Certainly, what one of them knows, they all know. The key to this conundrum is what motivates them to do as they do, and alien as they are; their motivations are as unexpected as they are profound. 

This is beautifully written classic fantasy in all its glory. If you only read one book of these five,… show more.

Growing up in rural East Texas, some of my earliest memories center around the fire station where my father was a volunteer firefighter.

Although this book is set in Northern California, it manages to render the small town and its politics familiar enough that I can almost smell the smoke. Lex’s reluctance to return to where everyone else in her immediate family died is tempered by the romance igniting between her and an old flame, but everyone has secrets here—and some can be deadly.

This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.

She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.

Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.  

In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.

This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself. 

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from … show more.