Books like November Road — picked by fans

Anyone who knows me knows that Christmas is my absolute favorite time of year! I devour all things Christmas, from decor to movies to music to cookies, so curling up with a magical holiday book is my idea of a very merry holiday!

Since first reading dystopian novels as a teenager, I’ve been fascinated by the new worlds that authors create and the fight that the protagonist endures to survive a hostile world. The difference from then to now is that it was previously a mostly male-dominated world. We like to see ourselves reflected in the protagonist, so I’ve been delighted to find so many strong and powerful women at the core of many contemporary dystopian novels. I find that they often include more thoughtful and complex characters with subtle storytelling.

I prefer stories of older characters, who, instead of saying “my best years are in my past,” choose new paths of self-discovery. I see these late-life transformations as quiet odysseys. Because, as we age, we grow more and more invisible. We lose our loved ones, our physicality, sometimes our memories. But then, when is there a better time to become a hero than when you are on the cusp of losing everything? Each of these books explores characters who start new journeys in later life. They find self-worth again, or maybe even for the first time. Now THAT is a good story.

Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.

In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.

I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.

I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books like Never Sleep I even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense. I love fantasy and science fiction as the next person, but the idea of transporting people to times and places that actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author. 

For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.

My love of mysteries began with Nancy Drew books. As I read more mysteries over the years, I finally decided it was time for me to write my own. A setting came to me immediately—New Orleans. I fell in love with the city through the Anne Rice and Julie Smith’s books. To write my cozy mystery series, I read all kinds of books. I read them for pleasure, but to make sure the details are correct in my books, The French Quarter Mysteries. I’m able to enjoy New Orleans through my sleuth, Samantha. It’s the next best thing to being there myself.

I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”