Here are 100 books that Mecca fans have personally recommended if you like
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Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
I love East of Eden because it shows California both as the promised land and the fallen world.
Adam Trask, who moves his family west after serving in the Indian wars, is one of so many Americans who sought the California dream and ended up with something different—understanding that we can not return to Eden, but have to find a way to live in the world as it is.
I also love Steinbeck’s rendering of the California landscape and climate. He describes them out of his deeply lived experience. Reading this book takes me home. The essential California novel.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
James D. Houston is an underrated California novelist, and Continental Drift is his best book.
I love this story of a family trying to re-establish a life in a world haunted by the aftermath of the Vietnam War and threatened by a string of inexplicable murders.
Houston’s descriptions of the land rival Steinbeck’s, and he situates the family’s home on the legendary San Andreas Fault—symbolically invoking the potential for disaster that lurks beneath the fertile soil.
The San Andreas Fault is both a real and a metaphorical player in this novel of northern California in the early 70s. Set on a ranch near Monterey Bay, it explores relationships in a family jarred by the return of a son from Vietnam, almost whole but shaken and confused. His return coincides with a series of bizarre killings that panic the community a reminder that in the legendary land of promise abundant possibilities and agents of destruction live side by side.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
California stories are frequently immigrant stories, and there are many to choose from.
I loved Elaine Castillo’s debut novel about three generations of Filipinos who settle in the Bay Area and fight their way to a place for themselves. The characters are vibrant and alive, querulous, sexy, ambitious, dreamy. They never completely overcome the shadow of the past in the Philippines or the conflicts of the present in the United States, but despite sadness and tragedy, the book ends with love.
Moderation, the 'passionate and tender love story' (Kaliane Bradley), is out July 2025 - available to pre-order now ______________________
Longlisted for the Aspen Literary Prize, 2019 Longlisted for the Center for Fiction First Novel Prize, 2018 Longlisted for Elle's Big Book Award, 2018
A giant debut novel about the redemptive, restorative power of love; about trust and fear; hair and makeup; food and sex; it's about belonging and...not belonging. It's a soulful literary saga set in the early nineties of San Francisco; a coming-of-age about leaving home and, sometimes, the necessity of turning back.
I’m no particular expert on anything, but I know what I love in a book, and I’ve read approximately a million books, plus or minus. I’ve written novels with the hope that they will be funny and poignant in about equal measure, I value humor in books more than just about anything, and here I have listed books that I cherish.
I fell off the Ewan McEwan wagon for several years.
Why? His sentences are gorgeous and impeccable but sometimes his plots seemed glitchy to me or his research was too in your face. But, Lessons! It’s one of those books that has so much of the world in it, while at the same time the characters are deep, vivid, flawed (yes, indeed), and the scenes intense and unforgettable.
The clarity of his thinking and his understanding of politics, the eras we’ve lived through, the confusion of emotions we suffer from, and the way people fail each other as well as show up—I clutch this book to my heart.
Discover the Sunday Times bestselling new novel from Ian McEwan.
Lessons is an intimate yet universal story of love, regret and a restless search for answers.
When the world is still counting the cost of the Second World War and the Iron Curtain has descended, young Roland Baines's life is turned upside down. Stranded at boarding school, his vulnerability attracts his piano teacher, Miriam Cornell, leaving scars as well as a memory of love that will never fade.
Twenty-five years later Roland's wife mysteriously vanishes, and he is left alone with their baby son. Her disappearance sparks of journey of…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
This is one of my all-time favorite books. It is so darkly funny and strange that I laugh and shiver right through it every time. It begins in the middle of a flood in a small English town, where ducks are swimming and quacking in the drawing room, and I am also a big duck fan. Strange deaths follow. You can’t beat that.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I bought a bookstore when I was twenty-five, knowing nothing about business but knowing I loved books. It was the happiest I’ve ever been, professionally, and also the most broke. At some point, I came to my senses, sold my store, and got a job working in a library. I’m a library director now, and I don’t get to recommend books as much as I used to when I didn’t have to do things like think about the budget and remove dead mice from the cellar. Still, I get to work around books, and I overhear and occasionally insert myself into a fair number of book-related conversations.
Talk about a complicated mother-daughter relationship! Almost as soon as her daughter is born, Blythe suspects something is…off. And no kidding, is it ever? This book takes the idea of not being able to connect with your kid to a whole other, really terrifying level.
What I particularly love about this book is how much it challenges the idea of who is in charge in the mother-daughter relationship, and what it means if your kid is really, truly, bad. This book actually made me gasp. The title refers to the central incident of the book, but I like it because the book also pushes against all kinds of societal norms.
A Good Morning America Book Club Pick | A New York Times bestseller!
"Utterly addictive." -Paula Hawkins, author of The Girl on the Train
"Hooks you from the very first page and will have you racing to get to the end."-Good Morning America
A tense, page-turning psychological drama about the making and breaking of a family-and a woman whose experience of motherhood is nothing at all what she hoped for-and everything she feared
Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had.
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Paul Murray immediately sucked me in with this story about the Barneses, an Irish family who has been hit hard by the 2008 financial crisis. Murray’s writing is propulsive and gripping, as well as hilarious.
I laughed through much of the book and was blown away by the ending. This novel is one I’ve recommended several times since I first encountered it.
WINNER OF THE NERO BOOK AWARD FOR FICTION 2023 WINNER OF AN POST IRISH BOOK OF THE YEAR 2023 SHORTLISTED FOR THE BOOKER PRIZE 2023 SHORTLISTED FOR THE WRITERS' PRIZE FOR FICTION 2024 SHORTLISTED FOR THE KERRY GROUP NOVEL OF THE YEAR 2024 ONE OF SARAH JESSICA PARKER'S BEST BOOKS OF 2023
Book of the Year 2023 according to New York Times, New Yorker, The Sunday Times, The Economist, Observer, Guardian, Washington Post, Lit Hub, TIME magazine, Irish Times, The Oldie, Daily Mail, i Paper, Independent, The Standard, The Times, Kirkus, Daily Express, City A.M.
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
This is one of the very few novels that managed to conquer me in every aspect—the plot, the characters, the settings, and the writing. All credits go to the author, of course. But—as I now see her as a living person rather than a fictional character—I think I owe a special tribute to Big Ammachi, the female protagonist of this family saga.
She grabs the scene on page one, and although there comes a moment when she leaves (the story spans some eighty years), her profound sense of humanity keeps lingering throughout the book. More than that—she continues to linger now, even two months after I finished reading. And I suspect she will stay with me forever.
OPRAH’S BOOK CLUB PICK • INSTANT NEW YORK TIMES BESTSELLER • SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY
From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret
“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com
The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Becoming a mother rocked my world in countless ways, drawing me to books that explore the raw, unfiltered truth about how challenging motherhood can be. The complexities—the love, guilt, and frustration—resonate deeply with me. Motherhood is also why I started writing; initially, I wanted to process the overwhelming emotions I was feeling. When I began sharing my writing with friends, their “Yeah, me too's” made me realize I wasn’t alone. I have deep respect for authors who can capture the messiness of motherhood so honestly, and I’m inspired by their ability to put into words what so many of us experience.
I loved this book'sraw, unflinching exploration of a taboo topic: the quiet regret some mothers carry. Through Sadie, a fierce Broadway star and feminist icon, and her daughter Jude, an actress on the brink of her own fame, Reimer paints a portrait that's complex and so intimate it’s almost uncomfortable at times.
I appreciated how neither woman was cast as the villain, and in their struggle, I found I could relate to both of them at different moments. Cleverly structured as a play in six acts, this novel is a beautifully written, compulsive read that asks the hard question: can a woman truly be both a devoted mother and a devoted artist?
Set against the sparkling backdrop of the theater world, this propulsive debut follows the relationship between an actress who refuses to abandon her career and the daughter she chooses to abandon instead.
Sadie Jones, a larger-than-life actress and controversial feminist, never wanted to be a mother. No one feels this more deeply than Jude, the daughter Sadie left behind. While Jude spent her childhood touring with her father’s Shakespearian theater company, desperate for validation from the mother she barely knew, Sadie catapulted to fame on the wings of The Mother Act—a scathing one-woman show about motherhood.
